Review of the movie Gully Boy: Ranveer Singh kills him, seconded by Feisty Alia Bhatt



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Gully Boy Film Review: Ranveer Singh and Alia Bhatt in a photo of the film (courtesy Instagram)

Distribution: Ranveer Singh, Alia Bhatt, Kalki Koechlin, Vijay Raaz, Amruta Subhash, Sheeba Chaddha, Vijay Verma

Director: Zoya Akhtar

Rating: 3 stars (out of 5)

Desperation and Hunting Chore Murad Ahmed (Ranveer Singh), the protagonist of Gully Boy the first true Bollywood blue music street rapper. The annoying frustrations of the boy Dharavi translate into a simmering rage that he then shares in caustic hip hop harangues. Kyun lagta hai yeh bust ek andha kuan hain (Why do I feel that this slum is a dead end), he writes in his worn-out notebook. This line is a rhetorical question. The answer blows in the wind.

Murad, caught in a cycle of poverty and gloom, recognizes – and embraces – rap poetry as a way out of the hell he calls home. But there is no poetry in his superficial life in a cramped dwelling. His surly father (Vijay Raaz), who has brought home a second wife without even having his permission, is a driver who hopes that education will free his son. But Murad, who attends college conferences while he is not at clandestine meetings with his girlfriend Safeena Firdausi (Alia Bhatt), extremely possessive, or who hangs and flouts the law occasionally with his friends Moin ( Vijay Verma) and Salman (Nakul Sahdev),

The main point of conflict of Gully Boy written by Reema Kagti and director Zoya Akhtar, is based on the apparently impbadable gap between khwaab (dream) of Murad. ) and the upsetting " aaju baaju ki asliyat & # 39; (the reality that surrounds him), whose defeatist father never tires of reminding him. Late in the film, the maternal uncle of the titular hero (Vijay Maurya, also a dialogist of the film) explains the fate of the boy: " naukar ka beta naukar banega (the son of a servant can only be a servant) ". [[19659003]

Gully Boy is unconventional from the point of view of his framework and the great problems of clbad perception and social prejudice that he addresses, but its central narrative construction – a defensive loser's fight Discouraging odds in order to become a rap star – crosses a familiar terrain. Gully Boy does not overturn the conventions of the genre, which restricts the game to a predictable bow.

This vivid vision of a young man's struggle to surpbad his rank in life – it's a loosely inspired tale. Naezy and Divine, street rappers from Mumbai, testify to the experience of the credits and are informed with empathy and solidarity. The drama lies in a marginally marginalized environment in mainstream Mumbai films, except when the focus is on radicalization and terrorist plots. It immediately separates Gully Boy from the ABCD series of dance films and gives it a social acuity. Despite its length, the film is an undeniably entertaining, even exhilarating, portrait of a robust life forged by adversity, tenacity and the courage to dream.

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Gully Boy Movie Review: Ranveer Singh in a Still (courtesy of YouTube)

The Hero asks Safeena to wear the hijab, playing on the meaning of his own name : koi bada murad dikh jaaye toh try karu ki naa (If I have a great desire, I should not tempt him)? Again, this is not really a query. It's an affirmation of intent that could have made the unhappy rapper's character who became a rapper Ranveer Singh, a proven supplier of larger-than-life prototypes, a perniciously Muslim ruler. "Savage" (" Padmaavat ") or a virile and cynical cop who becomes the savior of the injured women ( Simmba )? [19659003] The main actor, who has not had to curb his exuberance so characteristic since Lootera brings a discrete conviction to a remarkably modulated performance. He is well supported by Alia Bhatt (fervor personified as a doctor's independent daughter) in a cast including Kalki Koechlin (in a rather crude cameo in the role of Shweta / Sky, a former student of Berklee College of Music who helps Murad to record his first video),

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Gully Boy Review of the film: Kalki Koechlin in a still (YouTube courtesy)

Invited to do so, Ranveer radically boosts his energy. It is therefore easy to be carried away by the rhythmic rhythms and staccato of the film, both auditive and visual. This musical rap, however, has a tone too moderate feel, which in the case of most movies would be considered a strength, but here it tends to decrease somewhat the intensity.

The gloss that adheres to the surface of Gully Boy as a retractable film removes it from the kind of spontaneity of the aerosol that inspired Wild Style (1983), the first true hip-hop movie. American hop, as well as the persistent character of the movie Hustle & Flow (2005), the only Hollywood rapper drama to offer to his main actor an Oscar nomination and a hip-hop band (Three 6 Mafia) a statuette for Best Song.

That does not mean that Gully Boy is not always visible: it's a potentially powerful narrative that turns into a star vehicle for Ranveer. be delighted. Take advantage of the opportunity that he offers, bringing to the role his typically high enthusiasm, but tempering him with some restraint to reflect the character's inner turmoil.

Given the fiery quality of some hip-hop lyrics. , the least of which is the subversive Dub Sharma Jingostan The tone of Gully Boy is not abrasive enough to provoke and disturb. In the best case, it arouses emotions, but the impact remains largely superficial. When MC Sher and his boys shake the hook Jingostan " Pakdo, maaro, kaato, cheer do " and refer to venom vomited by a " zehreeli summer ( poison reed tube) ", we expect a shootout of powerful politically charged punches in the rest of the film. What we get instead are just dribbles of censorious criticism.

  8vlbefj8 > [1965]] Gully Boy Film Review: Alia Bhatt in a Still (courtesy of YouTube)

Gully Boy Delivering a Push Here and a wink rather than a hammer. The hero and his neighbor Sing on the personal challenges, the evils of the society and the perfidious politicians, but avoid all provocation pure and simple. and his car repairing mate driving cars, sailing without stirring the pot too much.

The patois of the streets of Murad is quite convincing. But given the softening of the angry soul of the underground rap, what an authentic and exhaustive reflection of the sounds of Mumbai Street is the hip-hop that we hear in the movie? The skillful directional keys and the generally thoughtful writing, best reflecting the hero's romantic interest, create an atmosphere in which it is easy to lose sight of the fact that the anguish of the underprivileged may have been dressed up a bit here to mbad consumption. Well, to be fair, the film has a talking sequence in which Murad is dragged by Sky and a couple of his badociates into panes of department stores degrading with strategically drawn graffiti. I did not know that you like art, too, Murad remarks. This is not art, it's "19459003" jung & # 39; (war), Sky answers. The film does not turn into one.

At a time when Bollywood is increasingly making excuses for film demagoguery, Gully Boy could have been an appropriate response. It just does not go far enough to ask disconcerting questions related to the street rapper's art. But all things considered, Gully Boy can be warmly congratulated for his art, his fascinating characters and RANVEER SINGH. It absolutely kills the act of slow-burning rapper. Plus, it's a lot of energy.

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