[ad_1]
What it takes for a man to reach his life goal is supposed to be the screenplay of most movies. But, the way this story is told is what makes the movie unique. & # 39; Vinveli Payana Kurippugal & # 39; (VPK) Debutante Jayaprakash is one of those movies with an unconventional narrative of a simple story. Duraipandi aka Durai, a village thug wants to visit the space through SpaceX of Elon Musk. The plot is about his attempts to achieve this goal. Conflicts arise in the form of different members of the caste badociation, the girlfriend's husband, and the politicians for whom Durai needs to find a resolution.
The USP of "VPK & # 39; is his writing. As the title suggests, the film is narrated in six chapters, called kurippugal in Tamil. Each kurippu has a subject and a conflict.
This conflict has its resolution in its successive kurippu. Of the six segments, two were named as Sila Thiruppangal (some twists) and Sila Nigazhvugal (some incidents). These two chapters are carefully crafted by writing that they connect with the rest. Having this narration, the subtext of the plot itself is a concoction of feminist belief, achievement, greed, and picotinism.
The writing of Jayaprakash is imprinted with creativity throughout the VPK narrative. Especially in the dialogues, where the school dropout hero calls Neil Armstrong Nila Armstrong and Don Singh's Tenzing, Jayaprakash wrote in literal and figurative contexts – though he's not so sure of the names of the performers he The same immensity of conviction that they had and that they want to be like them one day.
There is also a dialogue between the loving interest of Durai Nandhini and her husband Anbu. If it had been written carelessly, it would have meant something more illegal, but Jayaprakash succeeds here as a mature writer by speaking candidly about feminism, although part of the audience can not not receive it properly.
Though it's a science fiction At some point in his screenplay, Jayaprakash brings nativity to it. The reference thevangu (loris) in the pre-climax is something that seems useless in the first place but that leads to an unexpected twist towards the end.
VPK defects occur in its distribution. Although Athvik as Duraipandi shines throughout the performance, we could see many of his co-artists struggling to move. The cast could have had some serious rehearsals before the program.
Athvik has aided VPK with its unique way of acting that provides the perfect amalgam of black comedy, thug life and aberrance. He marks in many sequences like eating the first piece of birthday cake and ordering his men to distribute the rest, taking control of the American Jake return with a lollipop in hand and in panchayat conversation with a new one in compound city
Shot with a 4K Blackmagic camera, and an intact color show by the DI team, VPK looks in the visual nuances in real time without an exaggerated tone to set the mood. Since Jayaprakash himself manipulated the camera, he's limited to what he wanted, despite some false pictures at the beginning.
Transforming the content available on paper on the screen could have been the hardest part of VPK. But, Jayaprakash has succeeded as much as he can with limited production value.
However, amateur cinema in a few parts and dilettante actors dropped Jayaprakash's efforts. Yet, as an attempt and for its unusual narration, VPK can still be considered a new reference among films of this type.
[ad_2]
Source link
