[ad_1]
Leila
Directors: Deepa Mehta, Shanker Raman and Pawan Kumar
Performers: Huma Qureshi, Rahul Khanna, Siddharth, Arif Zakaria, Seema Biswas, Sanjay Suri
What if you woke up in a world where clean air and pure water were the greatest luxury? What if you had to submit to a totalitarian government that separates people according to their caste, religion, and economic status? What happens if your child is abducted because his parents come from different communities?
Netflix Leila raises these questions, and more.
The miniseries shows a world where religious fanaticism, extremism and advances in science can constitute a deadly combination that can place your life under the full control of the state and its convictions. The medieval, conservative and regressive ideals of this totalitarian government deprive the population of a fundamental human right: the freedom to choose.
Leila is located in 2047 in a fictional nation called Aryavarta, which is entirely under the control of its leader, Dr. Joshi (Sanjay Suri). The motto of this nation is peace through segregation. The cities are divided into sectors with vertiginous walls. Each sector has a community, free to practice its beliefs, but not free to form relationships with anyone from another caste or another religion.
Beyond the high walls of Aryavarta, are the Doosh, who live in Basti. They are not allowed inside Aryavarta, they have to look for clean water and live in unsanitary conditions amidst huge piles of garbage. A constant cloud of haze hovers over Aryavarta, sign of extreme pollution. Clouds pour black droplets of rain.
Shalini Pathak (Huma Qureshi), a member of the upper echelons of the hierarchy, sees his life change overnight, while his Muslim husband (Rahul Khanna) is lynched at home and his daughter is snatched from him because She is Métis. It is thus that Shalini's journey of slavery, struggle and protest begins as she searches for her daughter and eventually rejoins the rebels against the totalitarian government.
What is missing from the series in terms of rhythm and thrills, largely compensates for its staging and its premises. Huma is happily measured in his performance, given that the camera focuses on it for most of the series.
In some parts one has the impression that storytellers are so focused on the ideals and premises of the series that some areas of scientific progress have been neglected. For example, you would expect the auto sector to make much more progress in 2047 than mere cars with a futuristic sound when the doors close. Buses and transit vehicles seem uncomfortably basic.
You will be reminded of Hunger Games and In Time in the economic categorization in this dystopian world. Huma's scenes in the women's purification center – with their uniform, their ritual life – are visual and thematic reminders of The Tale of the Maid .
This adaptation of Prayaag Akbar's novel of the same name is therefore not entirely unique in the creation of a dystopian world. The context is indianized, of course, and exaggerated to create an authoritarian framework.
The most frightening part of Leila is not oppression nor the lack of choice in the name of peace and progress, but of the realization that it is 39 is a world relatively close to reality. Most of the ideals conveyed by this fictional nation are terribly familiar. The lines between fiction and reality are often unclear.
The dictatorship is formed because the social order has collapsed as a result of severe air pollution and depletion of water resources. What makes Leila a harsh reminder that if the consumption of natural resources is not controlled, if we continue to pollute our nature, we risk one day having to pay a high price for our faucets work. Pure water, fresh air and freedom will be luxuries that few people can afford. Leila's world is imaginary, but not impossible. 2047 is only in 28 years old.
Rating: 3.5 / 5
Follow @ News18Movies for more functions
[ad_2]
Source link
