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Actor : Natasha Lyonne, Charlie Barnett, Greta Lee, Dascha Polanco, Ashley Elizabeth, Yul Vazquez, Rebecca Henderson
Presenters : Natasha Lyonne, Amy Poehler and Leslye Headland
The poster "Life is a slaughter" in the apartment of Nadia Vulvokov (Natasha Lyonne) is a good sign of the impending future. Death, however, looks like a crack in the wall: Nadia is separated from mortality, but not too long. She must relive, before dying, again and again …
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The editing is clbadic. In the opening scene of the new issue of Netflix Russian Doll Nadia stands in front of the mirror, looking at herself but not seeing anything. One constantly knocks on the door, as the world tells him that it is already time to go out and confront the music. She literally squeezes the trigger to waltz in a moment that will never end for her. But she does not know it yet, or does she know?
Nadia is self-destructive and she is constantly in trouble. She is a chain smoker, a drinker, a drug addict and an absolute careless person in her life. The foods she eats, if and when, are either bought in the store or left over from someone else's kitchen. His existence is a mockery of life itself. In such circumstances, it is then only justified that she die. The relevant question is whether she can save her skin and that of others when she comes back to life?
The series plunges into this idea, while Nadia continues to fall prey to a series of painfully hilarious and deadly circumstances. Whenever she dies, the story plunges us into yet another unexplored dimension of Nadia's psyche, finally leading to the most disturbing event of her life, which she should embrace. In doing so, the series reveals many layers of Nadia's personality. Under a fast, vile and vulgar woman, she is generous, contemplative, intelligent, tender and redeemable, but not alone.
Alan (Charlie Barnett) enters three episodes in Russian Doll and the series takes an unpredictable turn. Like Nadia, Alan is also stuck in the time loop. In fact, he rather likes this bbad routine that life / death has presented to him. Alan tells his girlfriend Beatrice (Dascha Polanco) – "Routine is an amazing thing."
Nadia and Alan meet in an elevator that breaks down in the event of a power cut. do not go wrong that they are both part of the near future one of the other. The rest of the plot tries to draw a parallel between their lives and the reasons that led to their many deaths together. In seeking the truth, they could finally end up being outside this trap.
During their journey, we see that Alan contrasts with the nature of Nadia. Nadia is as direct as Alan is repressive, or that she is as vulnerable as him. Their chemistry, throughout the show, is a sparkling constant that does not die. Alan is vulnerable and Nadia is tender. She makes him aware of his value and, in return, he is still there, holding him a mirror, being with her.
Alan's entry in Russian Doll also marks a change in visual narrative. With an impetuous humor, mixed with a single line and socio-political discourse, the show slowly acquires a more dramatic and poignant quality. Stylistically too, he goes from intense, warm red to a cold, blue tone. The background score also adjusts to this change. Optimistic and electronic, he becomes more gentle, melancholy and emotional. This suits Alan well because, as a character, he reflects his mental state. Nadia is also slowly moving away from her former world of high-contrast images to become a more enlightened figure and finds a comfortable space in Alan's neutral world.
Since we see Nadia closely and personally, we are in her head, a fragment of her madness and as it begins to seem plausible to us, and to Nadia, that her many deaths are actually real, we we are invested in its history, but not in a morbid sense. The duration of the episode, which is less than 30 minutes each for this series of eight episodes, contributes greatly to make it a tight narrative.
As an actor, Lyonne gracefully flaunts the opposite planks of her characteristic personality. She is hilarious, dramatic and scared. It is like a fuse that ignites with the slightest ignition or sometimes even without it. As a writer of Russian Doll Lyonne entrusted Nadia with a handful, but she never felt like being too much.
The secondary characters in the series include Greta Lee as Maxine, Elizabeth Ashley as Ruth. and Yul Vazquez as John Reyes. They play an important role in promoting history but do not devote themselves too much to Nadia's life. In fact, she keeps them at bay until she realizes that she will never get the emotional closure she desperately needs. All of these characters mingle with humor in the larger narrative that is at stake.
Russian Doll The latest Netflix original, starring Natasha Lyonne and Charlie Barnett in lead roles, is a dark take but entertaining. on the purpose of existence and all that goes with it. Natasha Lyonne, Amy Poehler and Leslye Headland have developed the series and are also the organizers. Conceptually, Russian Doll plays close to the idea of absurdity, but succeeds in shining behind the formidable playact of Lyonne and a powerful game on several levels. Watch her for her intelligent writing and stunning performance.
Rating: 3/5
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