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Review: With Chitralahari, Kishore Tirumala undertakes the mammoth task of maintaining the public interest while telling a proven story – that of an outsider who is described as a loser by society but who is in fact only an inventor genius. Unfortunately, he also tries to add to this simple story subjects filled with love, unnecessary conflict, friends and neighbors full of judgment, inspiring soliloquies and much more, which makes him complicates more than necessary.
In appearance, the film resembles a simple narrative, that of Vijay (Sai Dharam Tej) who invents a revolutionary device that can save lives, but that no one has ever taken seriously enough to the exception of his loving father. (Posani Krishna Murali) He can not finish his life without a drink at the end of the day with his "glbad mate" Mike (Sunil), a dreamer who wants to become a songwriter and singer someday. But Lahari (Kalyani Priyadarshan), the love of his life, is easily influenced by those around him who point to Vijay and his failures. She can not make a single decision for herself, causing unnecessary friction in their relationship. Sweccha (Nivetha Pethuraj) is Lahari's childhood friend, jaded by incidents in his life and critical of every minute.
Chitralahari is a well-intentioned movie that begins by wanting to tell the story of an outsider who does not give up until he has achieved his goal, successfully supported by his father. Unfortunately, mid-way through, this is also transformed into a melodramatic story in which characters and plot points are introduced endlessly and the lessons of life are learned from all other scenes. The narrative that begins does not take itself too seriously and becomes slightly melodramatic, the exaggerated highlight being the cherry on top.
The good news is that there is no forced romance with songs in foreign places and scenes introduced simply to elevate the protagonist. Because the characters of Kishore Tirumala are nothing but relational and rooted, the director presenting them in a very realistic way, without judgment, which is refreshing. Comedy, which also depreciates in the first half of the year, is also a victory, before it soon turns into a celebration of pity. DSP's songs add depth to the story, without interrupting the narrative thread, but its background music sometimes becomes a bit loud.
Sai Dharam Tej delivers a great performance as an underdog who wants to take a break, a refreshing change from the "mega mega supreme" roles he usually plays. His scenes with Sunil are really some of the best in the movie. Kalyani Priyadarshan perfectly embodies her wide-eyed lady, just like Nivetha Pethuraj, with his role as an unvarnished corporate honcho. Posani Krishna Murali is also honest in his performance, describing a particular scene that forces him to lose patience.
Unfortunately, it's the rest of the formidable cast that makes the most of the baton, lost in the roles given to it. Rao Ramesh is relegated to paroxysm, even if he always offers the best of what he offers. Kesava Karri of Celebrity c / o Kancharapalem is relegated to the rank of bar clerk named Srinu, Brahmaji to that of an employee of the company, Janardhan, and to Vennela Kishore of a Tamil guy living in Mumbai. We expect all these characters to represent more, with the way they were introduced, but their characters never represent much.
But not everything is lost, look at Chitralahari if you do not have the trouble of looking for the nth riddle away, especially with a story like this. Look at him especially for Sai Dharam Tej, Kalyani Priyadarshan, Nivetha Pethuraj and their honest performances. Give it a chance this weekend if you do not fear a brief story and you might find the perfect watch for the summer.
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