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Sarkar
Director: AR Murugadoss
Performer: Vijay, Varalaxmi Sarathkumar, Keerthy Suresh, Radha Ravi
Note: 2/5
Vijay & # 39; Sarkar is the panacea for all the ills of which our political system suffers. Alas, AR Murugadoss has designed it as a paean for his main star – the movie is so busy deifying Vijay that everything else is unclear. Sarkar is not a political thriller, but if you want a screen character carefully designed by Vijay and all that the star represents is the film.
The effort is evident from the first scene: Vijay's Sundar Ramasamy is portrayed as a corporate monster who leads one of the world's most successful companies. He manipulates the weaknesses of his opponents and resumes business. Sundar comes to India, not to buy companies but to vote. The ignorant people who run other companies do not know it, and the board's reaction to his arrival in Chennai is a concern that is mainly reserved for stock market collisions.
Only, Sundar notes that his vote has already been recorded. Our tsar superhero companies just takes a night to understand the intricacies of the Indian Penal Code and electoral laws. He zooms in on 49P from the IPC to trigger a revolution, a clause that allows a person to vote even if it has already been fraudulently expressed before. To show how Vijay's Sundar is above the cream of the Indian legal system, a lawyer named Jethmalani and the presiding judge are not even aware of this law! Murugadoss and Vijay could perhaps follow what hurts the Indian education system.
Throughout the film, the filmmaker seems to have taken into account the image of Vijay. This is not the character that Murugadoss builds, but the actor himself. Each slow motion sequence tries to improve Vijay's references, each conflict in the movie tries to make an impact, but ends up becoming too dramatic. Random songs inserted at inappropriate instances do not help either.
Radha Ravi and Varalaxmi Sarathkumar play the villains in this pseudo political drama, while Keerthy Suresh plays the female lead whose only work seems to be singing and dancing. Varalaxmi as Komalavalli plays an interesting antagonist in the film, but not impressive enough. The absence of a strong antagonist or secondary characters causes the film to fail. After all, every great hero needs a big bad guy.
Sarkar has his moments, however. The scene where Sundar addresses the public and makes people aware of what is missing in the country and why it is electric. It's an emotionally charged and with just what's needed indignation that will elicit applause and applause from the audience for its relevance to the climate current policy.
Murugadoss shows how important marketing is today. Whether in politics or business, a single viral video could change the course of many lives. But the director covers the film with all the political problems of the day: Jallikattu, formation of unopposed government, Tamil problem in Sri Lanka, fishermen's problem, etc. Although they are sure to touch the nerves, the heavy dialogues, the selfish narrative and the focus on emotional issues make it a featured vehicle sold as a political thriller.
Sarkar is not a great film, but an excellent vehicle for the mbad hero at Vijay. The applause and the cheers are not for the film, but for the mbad hero delivering dialogues worthy of a whistle. The rest is only a smart promotion.
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First published: Nov. 06, 2018 13:31 IST
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