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"Shambo Shankara", starring Shakalaka Shankar as the hero of Telugu cinema par excellence, hit the screens on Friday. Let's see what works and what does not work with this latest version
History:
Shankar (Shakalaka Shankar) has this dream of becoming a cop and facing injustice in his home village, where a Powerful president (played by Ajay Ghosh) exploits people with the support of officials and a brutal sub-inspector. Even though he is eligible to become a cop, a conspiracy by the IS breaks his dream.
The hero's sister falls in love with the infamous son of the president and meets a fatal end. Shankar, a young flamboyant, is now out of control. What does he do after the death of his sister? How will he become the glorified hero of the village and finally destroy the villain? That's the Second Half
Analysis
When Shakalaka Shankar decides to become a mbad masala, a mainstream, an all-powerful hero and 'Basti me sawaal', no one can l & # 39; stop. So, this film is made as a show of its powers, either innate or derivative by worshiping Pawan Kalyan or both. Scene after scene, Shankar is glorified as he was destined to fill the void created by the (temporary) retreat of Power Star movies.
To give you a taste of the kind of heroism we are bombarding Shankar, let's talk about this episode where our hero dares the village president for stealing ration stocks and becoming an instant leader. That's when a song starts and its tempo recalls "Singanna Bayaluderene". of 'Arunachalam & # 39; from Rajinikanth. If Shankar was not the admirer of Pawan Kalyan in the film, we can forgive that he is worshiping himself.
The villain (Ajay Ghosh), who starts to look like a wild card in the second half, is suspected hero to have plotted to kill him using RDX. In interrogating him, this president tells the hero that he knows Medimix and XXX but not RDX.
Something terrible happens to the bad guy just before the interval. But after the interval, it seems to have evolved. The director casts his eyes on Shankar's heroism, completely forgetting the story.
Each alternative scene concerns an injustice or the other, a job or the other, a tragedy or the other. And these are told in an outdated way. For example, the hero speaks at length about the fate of the farmers and two minutes later, the government officials are reformed, full of remorse and promise justice as soon as possible. They dig a well and all the problems are solved in a jiffy. It's time for the song
The lover of our hero (Karunya Chowdary) is sorry for not giving him enough time now that he became the leader of the village's full-time people. She comes to him and staged a hartal. Shankar, whom the Telugu public knew until yesterday as a comedian, told him immediately that he is the man of the people (he almost says it), imitating the mbad hero that He knows. Even a Nagarjuna or a Venkatesh would have thought twice before having such a scene even at their peak.
Instead of focusing on his strong (comedy), Shakalaka Shankar behaved as if he were a Simhadri or Indra or a Reddy Samarasimha or a Gabbar Singh. When he becomes emotional, you have to watch him closely to realize that his dialogue-delivery has the tempo of a Gummadi or a Reddy Prabhakar.
Ajay Ghosh, Ravi Prakash and Nagineedu are like caricatures. Karunya and others will do a draw.
Bottom-line: & # 39; Shambo Shankara & # 39; is an obsolete and boring mbad film that has as hero LEAD a budding comedian Shakalaka Shankar. Many scenes look like a parody. The film tests the patience of the public.
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