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Shazam! It's the happiest and sweetest CD movie ever since the time of Christopher Reeve's Superman, a story both funny and serious about a boy's coming to adulthood. great power entails great responsibilities. So obviously, Shazam! The superhero movie does not reinvent, but it's an undeniably fun moment that has left me wanting more adventures on the big screen with these charming characters.
Where Wonder Woman bore the brunt of her expectations as the first great modern female superhero movie that Aquaman had a charge of building the world (and redemption) to do, Shazam! is struggling with such a heavy external load. He is therefore able to be as carefree as a child, to have fun without having to grow up and to face very adult concerns throughout his career. How much should the orphan Billy Batson accept responsibility for his behavior if he really wants to be worthy of the magical gifts he has been given.
Ably has never been so obnoxious or too serious by Asher Angel, Billy is a good-hearted child who has been widely abused by others. This mistreatment testifies to the moral importance that lies at the heart of this story (and the motivations of its villain). The key message of Shazam! it is that the way in which adults treat children is of paramount importance, whether through remarks or rejections or by the choices that adults make that affect their emotional development. At the same time, it is ultimately up to the child to decide whether he is kind or naughty.
Billy is an imperfect character who gets screwed up, but that's when watching him learn mistakes that we develop to legitimately worry about him. The film largely avoids the maudlin and manipulator when it comes to the story of a 14-year-old boy looking for answers, his way around the world and the discovery of the true sense of home in an inappropriate home.
provides a rarely seen positive view of foster care, as the most recent family to welcome Billy is legitimately good people who really want the best for him. From this family – which includes the young sister Darla (Faithe Herman), adorable but not too early – the most evolved character is Billy's roommate Freddie (the wonderful thief of scenes Jack Dylan Grazer), whose DC fanboy's talents help him to badume the role of mentor of our beginner and resolutely ungeeky superhero. The friendship of Freddie and Billy / Shazam is at the heart of this film and it does not waste their often hilarious interactions when two children play with fire drawn from the gods.
But none of the above would matter if the center of the film, its key performer was weak; fortunately, this is not the case here. Zachary Levi is perfect as Shazam. He is hilarious, comforting and quite credible as a 14-year-old boy, trapped in the body of a muscular superhero, excelling both in action scenes and in the most vulnerable moments. I could never imagine anyone else in the role after watching Levi here, and his comic chemistry with Grazer is at the rendezvous.
They form a large group, with each – as real friends or brothers could – complement each other's strengths while educating them about their weaknesses. For those who do not know Levi's past work, Shazam! will prove to be a revelation (and potentially a very hot ticket to the bigger celebrity for former chef Chuck). The arrival of Levi / Shazam is the moment when the film fits firmly after some clumsy and morose sections that feel superficial in the organization of the life and the central conflict of Billy. But the chemistry of his main roles and the seriousness of his postulate "Great but superheroes" definitely hide the weak points.
This is not an action film as such, but a comedy of the future with action in the interior. . There are some very funny moments, very learned to live in the skin of Billy / Shazam, documented by Freddie, who discovers the range of his new powers. These are the scenes where the film shines brightly, mocking all the tropes of the superhero movie, even if nothing important happens. But once Billy / Shazam realizes that he can use his powers for more than just inexpensive stuff, the journey of his true hero begins. and his character has a sympathetic and relatable motivation for his loss of grace, but Sivana's master plan turns out to be disappointing. Sivana is basically a villain of a Mummy movie, up to his monstrous henchmen, whose quality of retrograde visual effects is almost forgivable the film's regression nature. Sivana fulfills her role quite well (and the big thematic theme of the film), but you'll probably find it hard to remember when you remember the great supervillain cartoon movie.
Shazam! is also released for DC as Foxpool is a liberated comic book, not in its secular metaphor (though Shazam! very timidly acknowledges its place in the DC film universe established with Man of Steel), but so hilariously, kind and strangely sweet way. The film makes you understand why Shazam – without ever being an icon at the level of Superman, Batman or Wonder Woman – has lasted eight decades. The film seduced by the call for wishes of its mythical offerings, inspired by the new version of Geoff Johns New 52, but also much older clbadics of DC Comics for moments of entertainment very playful and enthusiasts.
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