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A man with orange wings, a horned hat, an orange sequined jumpsuit and wedge heels crosses the backlit corridor and enters a room. He sits on a chair, introduces himself under the name of Elton Hercules John and undertakes to strip himself, literally and metaphorically.
Through flashbacks and some creative freedoms with the facts, writer Lee Hall and director Dexter Fletcher take us to Reginald Dwight's childless story – with an absent and selfless father ( Steven Mackintosh), a bitter mother (Bryce Dallas Howard) and a benevolent grandmother (Gemma Jones) – in her confused and shy adolescence. In his dramatic twenty years, we see the highs (a showman and a millionaire at 25) and lows (the outward signs of celebrity).
Taron Egerton, in spite of his square jaw, throws body and soul into this original story of the famous -performing British singer who rose from Reginald to Elton and a prodigy piano child to one of the singers most popular pop in the world. Watch Elton compose Your song is a palpable moment, and you end up buzzing along Sorry, it seems to be the hardest word and I'm still standing . There are introductions and allusions to other hit songs, such as Daniel and haunted that will haunt my heart the superb duet with Kiki Dee.
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The film is also a partial tribute to his long-time friend and collaborator, Bernie Taupin (Jamie Bell), with whom he co-wrote some of his greatest hits, including Border. Song Candle in the Wind and The Rocket Man .
The subtlety was not the business card of Elton John. The screenplay, the sets and the costumes pay homage to the music of the man as much as his penchant for the theater: Versace dresses, flamboyant headdresses, sunglbades of all shapes, shades and glitter. I particularly enjoyed the details of the story, such as the way he chose the name Elton John and his brief marriage with Renate Blauel.
Richard Madden plays John Reid, the musical director of Elton (also appeared in Freddie Mercury's biopic Bohemian Rhapsody ). Reid not only managed John, but was also his lover and is believed to have encouraged Elton to adopt flamboyant costumes and to adopt a hedonistic lifestyle of substance abuse and extravagance that heightened disgust and disgust. self-doubt.
Rocketman lists the rise, fall and rebirth of John. The biopic explores his anguish as a shy boy who finds his voice as a homobadual who reconciles with his identity and as a musician who claims the limelight. His songs accompany the story, sometimes integrating perfectly into the story and sometimes awkwardly coming out.
If something is missing, it would be a big piece of performance, such as Live Aid recreation in Bohemian Rhapsody (co-directed by Fletcher). But then you have Taron Egerton – in front and center, flashy and electrifying.
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