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Crazy Mohan's "Crazy" talent finds perfect collaborators in the actor Kamal Haasan and director Singeetam Srinivasa Rao.
Crazy Mohan is gone
But his rich corpus – a unique blend of wordplay across languages, hilarious-linear, situational comedy, a bit of burlesque, exaggerated tropes, overthrown stereotypes , politically incorrect jokes and especially excellent comic timing – are there to cherish.
pointed, but never appeared as imposed on the actors. They were simple and spontaneous.
Crazy Mohan with his friend Kamal Haasan: A linguistic genius, Crazy Mohan has always kept his sparkling humor. (Photo: Facebook)
In one of his interviews, he has already stated: "Each film has interesting dialogues written after long reflections. Although you take a lot of effort to write, you need someone like Kamal to translate it in the best possible way to the screen. "
True, Crazy-Kamal-Singeetam was actually the magic trio of Tamil cinema.
Do you remember the fish scene in the sambar? Marriage.
What follows is One of the hilarious comic sequences of Tamil cinema
The easy interaction between "Meen" (fish in Tamil) and the two meanings of "Mean" in English is nothing of the sort. Other than Engineering
Anyone with a thorough knowledge of Tamil can understand some of the fish dialogue:
"What do you mean?"
"I mean what I mean, but they can not be so mean!"
"Enna ezhavu, ellarum meen meenungara?" (What nonsense, why does everyone say fish?)
"Ava English meana pathi pesara" (They speak "nasty" English!)
Michael Madana Kama Rajan (MMKR) ] is known for his hilarious line that can only be fully understood by those who speak Tamil fluently. When Kameshwaran tells Thripurasundari (Urvashi) his love interest that he comes from a "kukgramam" (small village) near Palakkad, she says, "Oh, gramam kukka?" (Cook of village).
Kaadhala Kaadhala featuring Kamal and Prabhu Deva presents a hilarious mix of everything – superb dialogue, situational comedy, perfect timing by the two heroes and their heroines.
In Pammal K Sammadham, The comedy revolves around a man swallowing a watch.
When I asked some members of my extended family to tell me their favorite dialogues of Crazy Mohan movies, the WhatsApp family was inundated!
MMKR and Kathala Kathala the pack, but many were citing dialogues from all his other films – whenever someone proposed another dialogue, he was recording a series of memories. These messages came from all over the world and we had the impression that we had a retrospective of his films.
Mohan Rangachari or Crazy Mohan, as he came to be known later, was born in 1952 and studied mechanical engineering at Guindy. Engineers school in Madras. But soon he realized that his interests were elsewhere. After the success of his first complete play The Crazy Thieves at Paalavakkam, he is nicknamed "Crazy Mohan". In 1976, he creates his own crazy creations. He has created more than 30 original Tamil plays and organized 6,500 shows in India and abroad. He was a multi-talented artist – a poet and an artist
In his tribute to Crazy Mohan, Kamal Haasan, who said he had lost a brother, wrote: "Among the things I crave for my friend, Crazy Mohan, the most important is his child's heart. Not everyone gets it. Many, in the name of learning worldliness, lose this wonderful quality. "Crazy" is a title that does not suit him. He is a "comedian of genius". The truth is that he lowered the level of his talents and remained populist to always please the crowd.
Kamal Crazy Mohan's first encounter with Kamal goes back to when he was. Kamal was the VIP guest who had awarded him the first prize he had won at an intercollegiate theater competition.
Subsequently, what began as a working relationship turned into a deep friendship. Crazy Mohan joked last year in an interview with a newspaper: "We talk on the phone almost every day. I discuss and take his comments on almost everything I write. Even if I write a letter of love to my wife, I discuss it with him before handing it to my wife!
Kamal, in turn, often said that comedy would never have worked for him – if Mohan had not been perfect script and comic calendar.
Their symbiotic relationship gives the most impressive comedy, without jokes or vulgar scenes. Often the intrigues were simple – almost naïve, but who cared!
The culmination was when many discussions took place, which, in turn, left a lot of room for the comical confusion that put us all out of our seats.
Goodbye, comedian Mohan genius. You will live forever in our hearts and memories.
Read also: Why Kamal Haasan is a better bet than Rajinikanth for Tamil Nadu
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