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During the weekend, Berlinale festival director Dieter Kosslick signed a pledge, simply called "5050×2020", to actively promote gender equality by 2020 in the selection of films, while guaranteeing a better representation of women at the festival. This should not have been a new one in 2019, but as the equality between men and women is at its best, even in other major festivals like Cannes and Venice, the steps forward of the Berlinale are a glimmer of hope in the right direction.
Coincidentally, perhaps the Indian side boasts of at least five female talents, participating in different sections of the Berlinale.
First, the Bollywood Power Station, Zoya Akthar, premiered Gully Boy the realistic hip-hop street musical
Zoya Akhtar during the creation of Gully Boy at the Berlinale 2019. AFP Image
Rima Das' melancholy story about childhood and growth is also well received. in the rural badam Bulbul Can Sing will be premiered in Europe at Generation 14Plus. In addition, the first feature film of Udita Bhargava entitled Dust is competing in the program Perspektive Deutsches Kino with a chance to win a prize of € 5,000.
In the festival's talent development program, which is gaining momentum, filmmakers with an overview of the profession, presented in the form of conferences and workshops by major creators from around the world, are two talents Indians. One of them is Mumbai-based Payal Kapadia, an award-winning festival-goer whose short film "And what was the Summer Saying" was premiered at the Berlinale. The second, Shalini Agarwal, mixer and sound designer, is one of the few women of her craft
. The career paths of these women help to better understand what it means to be a leader in India today. While expressing on the subject, Das admits that her career in cinema has been different since she had no film training and she was not working as an badistant. director to go to the presidency of the director. She says it was not an easy pbadage.
"Personally, my education makes me believe that bad is not necessarily a restriction. I do not look like that. Even in this case, I must admit that my first film has had difficulties, "she says. She remembers meeting dubious looks and raising her eyebrows when she was working on her first film The Man with Binoculars
Filmmaker Rima Das. Image taken from Facebook.
Das said he found the patriarchal inducing claustrophobia impossible to deal with and decided to take a different approach in his later work. "I decided to do it alone with Rockstars Village and Bulbul Can Sing ," she says. Beyond the realization, she deals with cinematography, editing and scriptwriting in both films.
The situation is changing rapidly for her, but her success has something to do with it. "I must say that when Rockstars Village became a success, these obstacles simply disappeared. I think I said with my movie that I can manage a movie by myself. After that, gender barriers simply stopped being important, "she shrugged.
The situation was different for Udita Bhargava whose Dust is a dark and silent meditation from a multitude of issues centered around central India. "The percentage of women filmmakers working in the sector drops dramatically after they graduate from film schools. So I think the challenge is to maintain. It's your personal challenge to find the right people to help you, but if you're resilient, you'll find yourself in a good network, "she said.
Bhargava thinks that Indian industry is not yet ready to talk about gender equality. . "In India, where the #Metoo movement is just beginning to take shape, we still have some way to go before we raise awareness and start to debate gender equality."
Payal Kapadia. Image taken from Facebook.
Payal Kapadia witnessed reluctance to discuss gender equality in India even though she was a student at the Indian Film and Television Institute of Pune. "In my clbad of 46 of my clbades, I was the only woman to faint," she recalls. Kapadia also says that female candidates were actively questioned about discouraging issues when they enrolled in demanding courses like cinematography, long considered part of men's domain, so as not to leave the marriage after the wedding.
a shot in the arm for these women. "I'm really honored to be part of the company of Zoya Akhtar and Rima Das," said Bhargava. Kapadia is networking in the Berlinale's market section for her next feature film project, which she is currently working on on the screenplay. Das hopes things will change for women in the right direction. "There is still hope for all of us," she adds with a smile.
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Publication date: Feb 12, 2019 at 3:16 pm
| Last Updated: February 12, 2019 3:34 pm
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Date Updated: February 12, 2019 15:34:08 IST
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