The King of Monsters is selling as the biggest film of this summer

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A little waited, Warner Bros. proposes a last trailer for & nbsp; Godzilla: The king of the monsters . And, as one could Expect it, Warner Bros. and Legendary sell this thing as being the biggest. "" No, I'm not talking about box office figures ( Godzilla 2 will be thrilled to win a close total that Endgame will probably lose this year weekend), but in terms of size, scale and planetary carnage, I am still under embargo (at least outside social media) on & [nbsp; Avengers 3 but A) just watching this trailer will be a pretty fair fight and B) a fight Av engers 3 & [nbsp; against & nbsp; Godzilla 2 & nbsp; for the "greatest" film of the summer, it is a good thing for the industry.

With television and streaming being able to provide about 90% of what you would see in theaters writing, genre, and production value, it is encouraging to have at least two major movies this summer no doubt of great size. Whether or not this week's Game of Thrones week episode is bigger than the big battle scene, the movie Lord of the Rings still has a map of performance and reach in it. Of course, the cruel irony is that the audience is more attracted to popular / popular characters than by promise of unprecedented stature or unimaginable spectacle, so that a serialized TV is more able to please fans than most movies.

The number of people who liked to drive the shadow over than The Mortal Instruments & and that the best film was that of CW & Nbsp; was that of CW] Crisis on Earth X . If television is really capable of getting closer to or surpbading movies in terms of fantasy serial narration and superhero / fantasy storytelling, then that is not a good thing. 22 years later & nbsp; Contact & [nbsp; was considered a simple science-fiction drama with a big budget and three years later & nbsp; Arrival & nbsp; spent (despite the quality) most of its operating time and interior location clear & nbsp; and with a few characters talking, the movies have to get a little bigger, of course.

To be honest, this is partly due to the relative death of the medium-budget film, so it would appear that the theatrical release is either the Blumhouse level or the mega-dollar tents, with little intermediary. & Nbsp; It's an exaggeration, especially during the Oscars season, but it's discouraging to see how much I've found myself watching studio releases and I'm thankful that they actually have something which looks like production values ​​(several characters, several outside and inside locations, etc.) as if it should not be something to take for granted. While shows and special effects can not make up for a bad scenario or bad direction, there is something to be said about a film that is ready to torpedo and be ridiculously huge.

Be that as it may, this last trailer, set to "Somewhere Over the Rainbow" puts thunder in every way imaginable. We can hope they did not give all the blows, but for the moment, I chose optimism. Indeed, even Kong: Skull Island (which holds very well) is a model of efficiency in that it keeps the essential of his show until the end of the first act and the majority of the third act. & nbsp; & nbsp; The only question that arises is whether & nbsp; Godzilla, the King of Monsters is the biggest blockbuster of monsters ever produced (#mustsaveMothra), how is he surpbading himself for next year (nmp];] Kong v Godzilla? & I mean, aside from the obvious and highlighting of Gamera (Cowabunga!). Let's first see how this one will come out on May 31, 2019.

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As expected, Warner Bros. offers a final trailer for Godzilla: King of Monsters and, as one would expect, Warner Bros. and Legendary sell this thing under the The Greatest Summer Movie No, I do not mean that the box office figures Godzilla 2 will be delighted to win a total close to what Endgame is skeptical to degrade this weekend), but in terms of size, scale and planetary carnage. I'm still under embargo (at least outside of social media) on Avengers 3 but A) watching this trailer might suggest that it will be a fairly fair fight and B) and Avengers 3 against Godzilla 2 The battle for the "biggest" summer film is a good thing for the industry.

Television and streaming have become able to represent about 90% of what you see in theaters in terms of acting, writing, genre and production value, it is encouraging to have at least two big movies this summer undoubtedly large. Whether the episode of this week's Game of Thrones exceeds or not The Lord of the Rings in terms of major battle scene, theatrical films still have an badet in terms of pure show and scope. Of course, the cruel irony is that the audience is more attracted to the popular / popular characters than by the promise of an unprecedented stature or an unimaginable spectacle, so that one Serialized television is more capable of appealing to fans than most movies.

many more people liked Shadowhunters than The Mortal Instruments and the best Justice League of recent years was the CW crisis on Earth X ]. If television is really capable of getting closer to or surpbading movies in terms of fantasy serial narration and superhero / fantasy storytelling, then that is not a good thing. 22 years after Contact was considered a simple science-fiction drama with big budget and three years later Arrival spent (in spite of the quality) most of its operating time in a dark and sparse interior and with a few talking characters, the movies must naturally become a little bigger.

To be fair, this is partly due to the relative death of the medium-budget film, so it would appear that the theatrical release is either Blumhouse tent poles or mega-dollars, with little intermediate. It's an exaggeration, especially during the Oscars season, but it's discouraging to see how much I've found myself watching studio releases and I'm thankful that they actually have something which looks like production values ​​(several characters, several outside and inside locations, etc.) as if it should not be something to take for granted. Although the show and the special effects can not compensate for a mediocre scenario or a bad direction, there is something to say about a film ready to damn the torpedoes and to be ridiculously huge.

Be that as it may, this final trailer, titled "Somewhere Over the Rainbow", brings thunder in every way imaginable. We can hope they did not give all the blows, but for now, I choose optimism. Indeed, even Kong: Skull Island (which is quite resilient) is a model of efficiency in that it retains the essence of its show until the end first act and the majority of the third act. The only question that arises is whether Godzilla: The King of Monsters is the biggest blockbuster of monsters ever made (#mustsaveMothra). How do they rank at the top of the next Kong v Godzilla? I mean, in addition to making the case and bringing Gamera (Cowabunga!). Let's first see how it will be presented when it opens on May 31, 2019.