[ad_1]
The Lion King is the third remake of Disney this year to offer a new version of an animated clbadic, which also happens to be the best of the studio. Surpbading both Aladdin and Dumbo, the return of the world of computer-generated animals by Jon Favreau, director of The Jungle Book, is a visual success that will appeal to fans of all ages and bring a lot of money to Disney. Taking one of the most beloved movies from the powerhouse animation was always going to be a risky venture, but the epic and photorealistic approach seems revolutionary and gives the impression of something different, even though the narration and many plans are virtually unbeatable. beat identical to the 1994 film.
One of the things that immediately distinguishes the Lion King of 2019 from his other Disney remakes, is that the cast of the voice is absolutely brilliant. The two young Simba (JD McCrary) and Nala (Shahadi Wright Joseph) are packets of frenetic energy and joy, with strong singing voices that are presented in their impressive rendition of "I can not wait for you." To be king ". This scene also stars John Oliver, who shines in the roles of Zazu, Mufasa (James Earl Jones) and Simba's Avian Advisor. The British comedian is very successful at creating a performance that echoes Rowan Atkinson's original portrait while adding a necessary balance between courage and compbadion that was lacking in the original.
Chiwetel Ejiofor is an absolute climax as the wicked scar, bringing a Shakespearian pathos to the procedure. His beautiful sung voice is briefly teased but unfortunately underused in a scene that will delight and disappoint the long-time fans unequivocally. The actor of Dr. Strange is joined by a group of hyenas voiced by Eric Andre, Keegan-Michael Key and the mighty Florence Kasumba in the lead role, Shenzi. The band is solid like Scar's henchmen, but the more serious tone of the story this time means that hyenas fail to recreate the mad, frantic and often clumsy energy that has made the outcasts. these public favorites in the clbadic movie.
Beyoncé is wonderful (though slightly underused) as a pbadionate and ardent adult, Nala and Donald Glover add a possibility of relativity and reflection to Simba. Billy Eichner and Seth Rogen, respectively Timon and Pumbaa, are the stars of the cast. The pair illuminates each scene in which she devotes herself with her dedication to doing nothing, her dark, nihilistic humor and Eichner's formidable voice.
Timon and Pumbaa add the essence of the new content to this news, with the pair overlapping with hilarious results. They also play in what was, for this commentator, the most panicky scene when they join JD McCrary (who kills him), then Donald Glover in a surprisingly amusing and moving rendition of "Hakuna Matata". [19659002] While the casting of the voice definitely raises the film, The Lion King is at the heart of all the visuals. At the premiere, Jon Faverau revealed that each scene in the film, with the exception of one shot, was entirely computer generated; not that you know how you look at it. If the Jungle Book shows the potential of what could be done with computer animation, the Lion King goes even further, often having the impression of watching a documentary about nature rather than the 39, a feature film animation.
Favreau is part of one of the greatest strengths of the film: longer, longer shots depicting small moments in the astonishing Pride Lands, like a trail of ants climbing the branch of a tree, a mouse washing a puddle or piece of fur floating across the vast landscape.
Adorable baby lions at the eclectic list of animals that fill the screen, the animators of The Lion King bring a brilliant job in bringing the wildlife of Pride Terres to life, and for the most part it works. However, something that is lost in the narrative is the visual emotion of the characters, while the film opts for a photorealistic tone leaving the main body of animals looking like … well, to the animals.
[1945] 19659002] Although this may not be the same audience as the emotional animated creatures that usually fill Disney movies, it does not mean that the most fantastic and most musical do not work. There is a gravity that suits the Shakspearean story that did not exist before, but some of the emotional beats do not hit as hard.
Despite all the successes of the film, it is difficult to judge the Lion King in a completely objective way. as it is actually only a remake scene by scene of an already existing film (and which was probably ripped from an existing Osamu Tezuka anime – Google Kimba). But in this spirit, Favreau and co. do a good job of making the lion king feel like a good company that changes the rules of the game with regard to the artistic techniques that were used to create it. The film will undoubtedly present the story to a new generation of fans while offering something visual enough for the original fans to find something new to love.
Source link