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Published: July 20, 2018 3:37:43
Gopaldas Neeraj
Gopal Das Saxena "Neeraj", could have written about today when he has He is happy to be in Aligarh almost until the end, Neeraj was born in a village called Puravali, in the district of Etawah of Uttar Pradesh, but it is often compared to the village of Purwa. Shahryar, another quality poet. Both stayed in Aligarh and were clear about writing poetry of a certain level, never agreeing to go "down" to make big films [19659006] Active until well after having pbaded through the age of 90 years. as a songwriter in Hindi cinema, but his writings left a mark on those who were born well after his departure from Mumbai. A beedi-smoker until the end, he was also granted ministerial rank by the previous government Akhilesh Yadav in UP.
A jankavi, or popular poet even before his stint in Mumbai, and was awarded the Padma Bhushan in 2007. He began by teaching Hindi literature and was Hindi professor at Dharma Samaj College. ; Aligarh. He told The Indian Express in 2011, how he had lost his father at the age of six and left school after clbad X to take care of his family, he did odd jobs , including jumping into the Yamuna to retrieve coins. He had said, "I did odd jobs like working as a typist until I graduated, and then I worked for a while with the government, but I Hated everything of their system. "
Neeraj debuted in another resident of Aligarh, R Chandra's film, Nayi Umr Nayi Fasal ki, who bombed the box office. immediately struck an agreement. Kaarwan Guzar Gaya, Ghubaar Dekhte Rahe, being a memorable and melancholy tribute to the mood of the moment in the film.
Neeraj wrote in Hindi and Urdu, and his work found an immediate resonance because he brought a new vocabulary in Hindi. cinema, then filled with heavier words. It is believed that Neeraj's beautiful poetry, with ethereal qualities and the good smell of unfulfilled desire, fills the Shailendra's waist hole left by his pbading.
Dev Anand, hypnotized after seeing him recite kaarwaan guzar gaya to a mushaira, brought him to Mumbai to compose songs for Prem Pujari. The rest was really history.
Phoolon ke rang himself and Rangeela Re – with the words of Neeraj and the music of SD Burman produced pure magic for which he also received 1000 Rs, even before being enrolled. Rangeela Re were actually words that he was given to compose as a starting phrase and the result left Dev Anand a fan for life. Dev Anand and Goldie stayed in touch with him until their last days, and Neeraj also wrote for Dev's latest film Anand, Chargesheet.
Written at a time when Urdu played an important role in the songs and was perhaps considered a little more cultured, Neeraj brought the beauty of Hindi to music in Mumbai. The comparisons, for example, were very different from what the union offered being compared to badal-bijli, chandan-paaani, and so intoxicating and sweet love, itna Madhur, Itna Madir, Tera Mara Pyaar – Was Considered Enchanting In A Unique Signature
It was a time in Mumbai for great partnerships between composers and lyricists. The synergy of Neeraj with SD Burman has resulted in some evergreen success. The badociation with composers was so important for a poet like Neeraj, that after the death of SD Burman and Shankar, of the celebrity Shankar-Jaikishen, he packed his bags, considering himself "unlucky" for Mumbai . He returned, happy to resume his teaching career. He was until a few years ago, Chancellor of Mangalayatan University in Aligarh.
Says the writer-journalist Mrinal Pande; "At the time of Mika and Honey Singh, Neeraj and his songs on romantic individuals gently erased, watching the caravans of love leave them behind, wrapped in dust, are a sad reminder of". a world we now see only in the 1960s Hindi movies. "
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