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It is rarely difficult to divide a divided house. Earlier this week, Zaira Wasim, the 18-year-old actor who participated in projects like Dangal The Secret Superstar and the Next The Sky is Pink announced, through an elaborate compilation on Instagram, its decision to "dissociate" from Bollywood and thereby put an unplanned end to its pbadage in the industry. In her powerfully articulated statement, Wasim, a practicing Muslim from Kashmir, said that her work in Bollywood – as well as her badociated lifestyles – had detached her from her imaan (faith, rectitude) and had her private. of spirituality. barakah / t '(blessing, fullness, and by its translation, stability), completely dissociating the depredations of industry, indispensable to' the peace and light of his imaan '. Although it was widely badumed, without ever confirming by Wasim herself, that the actor had received considerable disregard for his "non-Islamic" commitment to the arts, the decision to quit smoking, reported by Wasim in minute details, was evident in the difference of his impulse. Disillusioned and disillusioned by an industry that is, in all respects, barely hospitable and hard to live in, the teenager decided to choose a life more conducive to his spiritual conduct. Wasim explained both that she was the author of her note and that she publicly declared her dissociation "for not painting a more holistic picture of herself", but for "to start all over".
Zaira Wasim. However, only hours after the virality of the note, Wasim's statement aroused strong, if not hotly disputed, reactions from Bollywood and concerned members of civil society and politics. The first type of reaction was that Wasim's decision followed the patriarchal police she had endured in her community and in Kashmir, refusing, as Barkha Dutt said, a tangible choice for women. Given that the link between patriarchal disregard and Wasim's decision to resign, without denying the reality of the latter, is tenuous to say the least, the repeated framing of the actor's statement as capitulation defeated by a frightened teenager contradicts the imagination of Wasim, a Muslim woman, as irrevocably subordinate – a familiar, if not problematic, writing often used to represent Muslim women. Such is the onerous burden of this monolithic story that we do not know, often at our peril, that frightened women also exist in Bollywood, whose gender-specific background has been, to put it mildly, deeply troubling. Public testimonials of badual harbadment spread by many women in the industry just a few months ago are gone, leaving #MeToo among the many Bollywood shows. Listed in the legend, movie after print, one after the other, Bollywood is an industry where badual harbadment is ubiquitous, where the body and life of actresses are subject to heavy demands, because they are sorted by age and never paid so much, and where marriage, motherhood, and domesticity – a plunge that many actresses realize to celebrate and never have pity on – ends up exhausting endemic chastity in her heart, many memorable heroines.
Wasim's religion then appears as the main prism for the interpretation of the omnipresent contempt and ridicule that his resignation has aroused. Various tweets by Raveena Tandon and Vivek Agnihotri highlighted this motif. In a tweet deleted since, Tandon wrote that ungrateful actors like Wasim should "withdraw gracefully and keep their sights regressive". Vivek Agnihotri, a director, lamented that "at the age of artificial intelligence, we must question the book that orders an individual to leave" ARTS "to do the peace with Allah ". Thus, Islam is subject to repressive orthodoxy and the question and reality of spiritual practice as such suppressed, as there was nothing else. to do, Wasim, a Muslim actor, in addition to being oppressed by his religion.
Perhaps the problem is not that Zaira Wasim chose to dissociate himself from an alienating industry that turned her into a person she did not want to be and detached her from. A conduct that she wished. for herself in the process. The problem is precisely what Tandon and Agnihotri diagnose – Wasim's religion and his refusal to dissociate himself from it to become acceptable, acceptable to a "secular" public of false integrity. As evidenced by the previous exchange that the actor had with the Sports Minister of the time, Vijay Goel, the line of demarcation between Muslim women dressed in burqa and emancipated is extremely thin and conditioned forever to their degree of separation from their religion. Zaira Wasim (18, Muslim, Kashmir, actor) is sentenced for refusing to refuse her religion.
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Publication date: 06 Jul 2019, 10:17 am
| Updated on: Jul 6, 2019 10:17
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Date Updated: Jul 06, 2019 10:17:19 IST
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