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Rajinikanth-starrer 2.0 is an extravagant and glitzy artist, with superb VFX and 3D effects. The fantasy thriller based on science fiction and directed by Shankar is an unpublished show of Rajinikanth. He is an entertainment troupe consisting of a quadruple role (four).
Rajinkanth and Akshay Kumar in a promotional album of 2.0
Rajinikanth holds the film together and practically figures in all scenes, whether as Vaseegaran scientist, the evil Chitty, the good Chitty (version 2.0) and Kutty Chitti (version 3.0). Akshay Kumar, in comparison, makes his first appearance as a mighty Pakshi Raja (King of Birds) at the interval point. He has more space on the screen in the second half, playing the antagonist and the perfect counter-lover for Rajinikanth's superhero.
The disadvantage is that history and treatment are pedestrian. There are no surprises or twists that are usually badociated with a mbad artist Shankar. In fact, it is only a direct sequel to director Enthiran ( Robot ), although Shankar denied it. He has even taken some scenes from his earlier films Anniyan and Shivaji .
However, the real star of the film is its VFX effect and its special effects. The intention of the film seems to be to do the Indian equivalent of a fantastic Hollywood superhero thriller. To a large extent, Shankar, his VFX supervisor, Srinivas Mohan, sound specialist Resul Pookutty, cinematographer Nirav Shah and editor-in-chief Antony managed to push the envelope. Nearly 50% of the film has stunning visual effects and was shot in 3D format. It must be viewed in 3D for a satisfactory visual experience.
The story begins where Enthiran ended. Dr. Vaseegaran, a respected scientist, has temporarily disabled the evil Chitty and has a new secretary in a friendly humanoid robot Nila (Amy Jackson). The film begins with an old man hanging from a mobile tower in a deserted field. Soon, the inhabitants of the city perceive that their mobile phones escape from their hands and disappear in the air. Mobile towers are destroyed by "unknown events." As chaos and fear envelop the city, the government calls Vaseegaran to investigate these mysterious events. And soon, a giant bird, with feathers made up of cell phones, attacks the city and the army can not stop it. A minister asks Vaseegaran to bring back Chitti, the dismantled advanced robot, to counter the "fifth force". "
Vaseegaran is helped by his robots – version 2.0 of Chitti and old recovered Chitti.With Nila, they discover that there is a perverse man, Pakshi Raja (Akshay Kumar), who wants to wreak havoc In a flashback, it is revealed that Pakshi Raja was the old man who committed suicide on the mobile tower.He was an ornithologist who loved sparrows and other rare birds, which migrated thousands kilometers in winter to visit the bird sanctuary of Vedanthangal.But because of the large number of mobile towers placed even in the swamps and fields, the birds died because of radiation.Pakshi Raja claims justice for the litigants The rest of the film revolves around how Vaseegaran and his team come to the rescue of people, as in any Hollywood superhero movie typi that.
This is a typical Shankar story about the hardness of the system (here, technology). an honest and friendly guy, who wants to take revenge through vigilantism. In the process, a social message is also embedded in the narrative, with the characters being told that people spend more time with their mobile phones than with their loved ones.
There are hilarious scenes starring Rajinikanth. In one scene, he discovers other superstars who claim to be the number one and whose fans are enthusiastic. The film brings back the flamboyant style of Rajinikanth, which was missing in his recent releases.
Shankar, not to change, has more than one complete dance song, AR Rahman's number – Enthira Logathu Sundariya which only played with the ending credits. The struggle in the climax between the giant robots reminds you of the action scenes of the franchise Transformers . The film works largely thanks to Rajinikanth and the incredible 3D format, the Indian film closest to the Hollywood standards.
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Publication date: Nov. 29, 2018 at 11:05 am
| Updated on November 29, 2018 11:08 AM
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Date Updated: Nov. 29, 2018 at 11:08 am
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