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Us
Director – Jordan Peele
Actor – Lupita Nyong & # 39; o, Duke Winston, Elisabeth Moss, Tim Heidecker, Joseph Shahadi Wright, Evan Alex
Note – 4.5 / 5
Curiously, although it is a more traditional horror painting, the follow-up of the writer-director Jordan Peele in the film-genre Get Out is an even more stimulating experience .
metaphor, demands that multiple views be simply ingested – understand that there may be several more. From the first caged rabbit to the sight of a masked child rushing on all fours to the powerful image of a handcuffed black woman, Us is an ambiguous and ambitious chiller on which the public can express their fears the deepest ones. Nothing can be more scary.
It's both a domestic invasion thriller, a bodily exchange drama, a psychological satire of Ira Levin-esque. Peele's second film is a more daring artistic statement than Get Out, and one of the finest examples of unattached studio shooting (forgiving the pun).
Watch the trailer here
The film begins with disturbing headlines informing the viewer that "there is thousands of kilometers of tunnels under the American continent "and that" many have no known purpose ". As this information suggests, slavery is actually invoked – and not just through the image of a Lupita Nyong – chained, but also through the ideas of divisionism and duality with which Peele plays.
The opening scene is a flashback on 1986. A girl moves away from her family during a night out at the beach, and runs into a doppelganger. The experience tears her apart, forcing her parents to seek professional help from the child who has retreated into a shell.
Years later, today, Adelaide Thomas, grown up, played by Lupita, returns in her childhood trauma, with her own family, including a girl of the same age as she at the time she experienced the incident. Her husband Gabe, played by Winston Duke, is the clbadic example of a black man caught between two worlds: his own education and the most damaging reputation of his people, with whom he has no connection real, if not a common past. .
This image published by Universal Pictures shows Evan Alex, from left to right, Winston Duke, Joseph Shahadi Wright and Lupita Nyong in a scene written, produced and directed by Jordan Peele.
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This duality manifests itself literally when an entire family of doppelgängers arrives at Thomas's door. They are led by Red, an adult version of the girl that Adelaide met in her youth. She is also performed by Lupita, in a horror film performance that will unfortunately go unnoticed at the awards ceremony, like Emily Blunt in A Quiet Place and Toni Collette in Hereditary .
In one of the best scenes of the film – which illustrates Peele's command of tone, rhythm and structure – Red, the only one among the family of doppelgängers to be able to speak, scary and dead, responds to the question: "Who are you? "
" We are Americans, "she says, then pauses. Suddenly, the title of the film makes sense. It's not just about "us" and "them", but also about "the United States" and how the world's greatest superpower has deceived itself into believing that his problems are external.
This image published by Universal Pictures shows, from left, Evan Alex, Lupita Nyong & # 39; o and Shahadi Wright Joseph in a scene from Us, written, produced and directed by Jordan Peele.
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Red explains to Adelaide, in a shrill and chilling voice that looks like nails on an old mirror – mirrors being the recurring motif here, visually, sonically and thematically – that she belongs to a population of doppelgängers called the Tethered. According to her, the Tethered were created by the government and have spent all their lives in hiding, in the image of the actions of the most privileged population living on the surface. It's a revolution.
Peele insists once again, as he did in the idyllic countryside, in Get Out, to say that the concept of paradise is a lie. It's almost a coded message from the inside, to let us know that the country we admire grew up is broken.
This image published by Universal Pictures shows Madison Curry in a scene from Us, written, produced and directed. by Jordan Peele.
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But this is only one way to interpret ourselves. In addition to a horrible musical replica evoking the theme of The Omen's Ave Satani, there are also recurring references to the Bible, the most common signs being "Jeremiah 11:11". After appreciating another mirror pattern, I googled it, only to discover what is probably the most scary Bible pbadage of all time. This is what is written: "Wherefore saith the Lord, Behold, I will bring upon them an evil which they can not flee; and although they shout at me, I will not listen to them.
This verse not only serves as a prefiguration of the uprising, but also portrays red as a kind of Messiah. We blur the boundaries between "villain" and "hero" – perhaps another way for Peele to deconstruct the kind of horror while kneeling in his church. The characters often escape the screen when they have to stay put and stay when they have to stay on the screen. Adelaide spends a lot of time trying to convince Gabe that the danger of red is real – all this is a clbadic horror movie.
And Us is a clbadic horror movie – perhaps the best since Get Out. It's mythically dense – you can say it – and there are important things to say about religion, capitalism, greed, masculinity, cinema, race and so much more. Let's start.
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The author tweets @RohanNaahar
First publication:
March 29, 2019 08H11 IST
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