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It is significant that Salman Khan is one of the producers of the most tender and lyrical love story of his career. Salman has repeatedly expressed his version on the physical love on the screen, PDA in its most public form, if you want it. He never kisses his heroines.
Neither his new discovery, Zaheer Iqbal, is a young athletic beginner who shows an unexpected surge of compbadion at times from the plot. Zaheer is a lambi ka ghoda breed.
This is a story of love where the main pair does not meet. They touch each other by the word. No poetry, notice. This is not an opportunity to make a pakeezaah on us.
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Director Nitin Kakkar, whose latest film Mitron is a neglected gem, creates a moving alchemy in the novel. The atmosphere is as dark as that of the valley when the weapons are silent. The story moves at will without worrying about the speed with which the world moves for people who treat love as a commodity to strengthen their ego.
It is a story of love that dares to be pure. And sublime. It defines the concept of echo walking, where one protagonist walks on the footprints left by another, bringing together the two polarized protagonists in a way that they would not understand themselves.
Thus, on the surface, the story waits serenity seriously. He refuses to immerse himself in the political issues of Kashmir, knowing full well that he can not escape the reality of violence. But there is always a loophole where the artist can convince himself that love triumphs over everything. Notebook takes the quiet and gentle way.
Notebook believes in the sublimity of love. The fact that he really encourages us to invest in his belief, that he avoids feeling cynical about his pure representation of love, is a very rare event in the cinema today. Therefore, there are Kabir and Firdaus who like the idea of being in love with each other. This idea of idealized love is beautifully transcribed in the picturesque splendor of Kashmir.
The two newcomers master their movements perfectly, expressing a growing fondness for their love for Doppelganger. Zaheer Iqbal is an unconventional hero. It displays a surprising surge of unimagined emotions. Pranutan has a fragile but strong presence. With time, this talent can become a definition of glow.
There are new, highly skilled players, some Kashmiris, who play secondary roles. And the seven children who are integral to the film's aspirations will win your heart.
I know we say it every time Kashmir is put on celluloid. But this one is really realized as a dream by the director of photography Manoj Kumar Khatoi. Each image tells the story of a valley bruised, beaten and hurt by violence, while preserving the sacredness of the love that runs through the film in the manner of a wide open foal. . In all cases, the protagonists seem to hold hands without being together.
Notebook is a film rich in resonance. The unhurried pace allows us to absorb the emotions that propagate mounts. But the desperate effort to forge a brutal but resonant material for an awkward climatic shootout was unexpected. This film did not need manipulative hands. He wins us without trying.
And the symbolism of drowning a gun in the lake is out of place in this polite work.
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