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Despite, or perhaps because of, its position among the most polarized nations, Israel continues to produce exceptional films, including those that have nothing to do with the current political situation. "The Cakemaker" is such a movie.
The first feature film by writer and director Ofir Raul Graizer, 37, this provocative, unexpected and ultimately very moving work is an unusual love story that you will probably find
Culturally Specific to its common Berlin / Jerusalem context but with universal themes, it joins an exploration of badual fluidity and the nature of love and relationships with a strong plot that keeps you involved and guesses it up to the end. ] And although its story is original and melodramatic, it is said with a discreet and direct delicacy and delicacy (supported by the quiet piano of Dominique Charpentier's score) that it becomes plausible and convincing before our eyes. [19659002Thomas(TimKalkhof)estlecréateurdutitreIldirigeunepetiteboulangerieàBerlinunendroitquel'urbanistedeJérusalemOren(RoyMiller)nemanquejamaisdevisiterlorsdesesvoyagesdetravailmensuelsenAllemagne[19659004]. Although Ou fr is married with a 6-year-old son, he also has an affair with Thomas, a relationship that is becoming more and more serious for both men.
Then, suddenly, Thomas does not hear from Oren. What happened is worse than he imagines: Oren died in an accident in Israel, he will never come back.
"Cakemaker" now pbades to Jerusalem, where Oren's widow, Anat (Sarah Adler, last seen in the splendid "Foxtrot"), is preparing to reopen the coffee that is still in use. ;she owns.
A conversation about kosher certification clearly shows that Anat, although she is no longer observant, is a member of an orthodox clan. Personified by his brother-in-law Motti (Zohar Strauss), it's a family that always cares about religious rules and regulations.
One day, as Anat shops in Mahane Yehuda's mbadive market, we see someone we recognize. : yes, it's Thomas, newly arrived from Germany, and intensely curious about the wife of his deceased lover.
Thomas comes to Anat's cafe and starts a conversation with her – English is the only language they have in common – but not
Instead, Thomas asks of work, and even if she will not hire him immediately, one of the many small artifices of the film makes him work to make commissions, wash the dishes and clean despite the resistance of his brother-in-law Motti to have a Jew, and a German no less, around the places.
Effectively played by Kalkhof, whose clbadic blond looks could give him the choice of storm trooper roles in World War II films, Thoma He never says anything to anyone about his presence in Jerusalem.
But pictures of his face and scenes like a visit to the Oren Sports Club tell us, without words, that he yearns for some kind of connection with his former lover. He is so sorry that he is trying to keep his memories and feelings.
Of course Thomas ends up revealing his baking skills, but even that gets complicated as detailed orthodox rules on what a non-Jew can and can not do. to do in a kosher kitchen add an unexpected drama to the situation.
As a baker patient, filmmaker Grazier sees no reason to rush what is happening between Thomas and Anat, and these two become key elements of life on the other if progressively the direction is so aptly just that we believe what transpires.
Once the plot of "The Cakemaker" comes into play, it is inevitable that we wonder how long Thomas will keep the past secret and that the truth will come. t. The most fascinating type of tension results from an unusual state of affairs that plays right with the characters and with us.
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