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Despite, or perhaps because of, its position among the most polarized nations, Israel continues to produce exceptional films, including those that have nothing to do with the current political situation. "The Cakemaker" is such a movie.
The first feature film by writer and director Ofir Raul Graizer, 37, this provocative, unexpected and ultimately very moving work is an unusual love story that you will probably find
Culturally Specific to its common Berlin / Jerusalem context but with universal themes, it joins an exploration of badual fluidity and the nature of love and relationships with a strong plot that keeps you involved and guesses it up to the end. ] And although its story is original and melodramatic, it is said with a discreet and direct delicacy and delicacy (supported by the quiet piano of Dominique Charpentier's score) that it becomes plausible and convincing before our eyes. [19659002Thomas(TimKalkhof)estlecréateurdutitreIldirigeunepetiteboulangerieàBerlinunendroitquel'urbanistedeJérusalemOren(RoyMiller)nemanquejamaisdevisiterlorsdesesvoyagesdetravailmensuelsenAllemagne[19659004]. Although Ou fr is married with a 6-year-old son, he also has an affair with Thomas, a relationship that is becoming more and more serious for both men.
Then, suddenly, Thomas does not hear from Oren. What happened is worse than he imagines: Oren died in an accident in Israel, he will never come back.
"Cakemaker" now pbades to Jerusalem, where Oren's widow, Anat (Sarah Adler, last seen in the splendid "Foxtrot"), is preparing to reopen the coffee that is still in use. ;she owns.
A conversation about kosher certification clearly shows that Anat, although she is no longer observant, is a member of an orthodox clan. Personified by his brother-in-law Motti (Zohar Strauss), it's a family that always cares about religious rules and regulations.
One day, while Anat is shopping in Mahane Yehuda's mbadive market, we see someone we recognize. : yes, it's Thomas, newly arrived from Germany, and intensely curious about the wife of his deceased lover.
Thomas comes to Anat's cafe and starts a conversation with her – English is the only language they have in common – but not
Instead, Thomas asks from work, and even though she will not hire him immediately, one of the film's many little tricks makes him work to do errands, wash dishes and clean up despite the instinctive reaction of the Motti brother-in-law. idea of having a non-jewish and a no less german around the places.
Played effectively by Kalkhof, whose clbadic blonde appearance could give him the choice of Storm Trooper's roles in World War II Films, Thom never say anything about his presence in Jerusalem to anyone
But shots of his face, and scenes like a visit to the Oren Sports Club, tell us without words that he longs to have a kind of bond with his former lover, that he is so devoid that he's looking for a way to keep his memories and feelings alive.
Naturally Thomas ends up revealing his baking skills, but even gets complicated as detailed orthodox rules on what a non-Jew can and can not do in a kosher kitchen add unexpected drama to the situation.
As a baker patient, filmmaker Grazier sees no reason to rush what is happening between Thomas and Anat, and these two elements become key parts of life from each other so gradually, the action and management are so accurate, that we believe what is happening.
Once the plot of the "Cakemaker" comes into play, it is inevitable to wonder past a secre And what will happen if the truth comes out? The most fascinating tension arises from an unusual state of affairs that plays right with the characters and with us
"THE CAKEMAKER"
Directed by: Ofir Raul Graizer
With in the poster: Tim Kalkhof, Roy Miller, Sarah Adler
Rated: Not Rated
Should You Go? The game and the staging are so right that we believe what is happening. *** 1/2
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