Paramount Network commissioned a pilot for "68 Whiskey", an adaptation of the Israeli television series "Charlie Golf One" by Ron Howard and Brian Grazer & # 39 Imagine Television Studios
Howard will direct the pilot, a black comedy written by the co-creator of "The Brink", Roberto Benabib. CBS TV Studios co-produces and co-finances the project with Imagine, as part of a first contract between the two companies. Howard will lead with Grazer and the president of Imagine Television Group Francie Calfo
. "68 Whiskey" (tentative title) follows a multicultural mix of men and women deployed as army doctors in an advanced base in Afghanistan nicknamed "The Orphanage". "Together, they endure a dangerous and Kafkaesque world that leads to self-destructive appetites, outrageous behavior, intense camaraderie, and occasionally a deep sense of purpose."
See also: Imagine Entertainment Signs Justin Wilkes at the head of New Documentary Wing
Zion Rubin, who created "Charlie Golf One", will also be executive producer with Efrat Shmaya Dror from United Studios of Israel and Danna Stern of Yes Studios. "Charlie Golf One "is produced by United Studios of Israel and yes TV, the production company behind the international drama of Netflix," Fauda ".
The project comes as parent company for Paramount Network (Viacom) and CBS TV Studios (CBS Corp) are mixed up in corporate legal dramas.
The 26 Ron Howard films rated, from worst to best (Photos)
Ron Howard grew up in front of the camera, but he grew up as an artist. The actor turned filmmaker has directed more than 20 films throughout his career, adopting a non-ostentatious approach to popcorn movies and prestige photos. With "Solo" now in theaters, here is a return on the good, the bad, and "The Dilemma".
26. "The Dilemma" (2011)
What, at first glance, seems to be Howard's attempt at a Woody Allen film on cross-relationships it's gradually turning out to be an inert romantic comedy. Vince Vaughn and Kevin James are way beyond their comfort zones, but Winona Ryder and Jennifer Connelly are doing as well as they can. Howard's style is not immediately identifiable as someone like Tarantino, but "The Dilemma" hardly feels like it was done by him.
25. "How the Grinch Stole Christmas" (2000)
Dr. Seuss is rarely translated properly on screen, and Howard 's shooting on one of the author' s best – known works is no exception. (There's no "Cat in the hat" either, and for that we can be thankful.) Jim Carrey should play in the title role, but watching this movie is not likely to to grow the heart of someone of three sizes.
24. "In the heart of the sea" (2015)
This semi-adaptation of "Moby-Dic" k fails to capture the scanning power of its material source; more damning, he never tells a fascinating story of his own. The sea is a cruel mistress indeed, and for the moment a truly epic silver version of Herman Melville's novel remains a white whale.
Warner Bros.
23. "The Da Vinci Code" (2006)
The greatest mystery of this adaptation of Dan Brown's novel is the idea of styling Tom's hair Hanks that way. Howard's most frequent head man is reduced to an exhibition-delivery device here, and there's never a chance to get caught up in a story that explains every bit of it. Intriguing oneself as soon as it's introduced.
22. "Gung Ho" (1986)
Like many other films of the 80s, "Gung Ho" would like you to know how much Asians are funny. An East-West comedy about a car manufacturing plant that was bought by a Japanese company – of which Michael Keaton and his colleagues have too much to do to follow the strange and rigid ways – this one does not deserve a bailout. 19659012] big flight auto ron howard "title =" big flight auto ron howard "clbad =" image loading "data-src =" https://www.thewrap.com/wp-content/uploads/2016 / 10 / large .jpg “/>
21. "Grand Theft Auto" (1977)
Howard's first feature film also finds him in front of the camera – the only time he has done more than An uncredited cameo in any of his films. This long drive between Los Angeles and Las Vegas may not be as memorable as your first car, but it's not really a lemon.
20. "Inferno" (2016)
If you were hoping that Howard's third adaptation of a novel by Dan Brown would be a clear improvement over the first two Prepare for disappointment "Inferno" has a "Bourne" vibe that makes it work better as an action movie, but there is still no real sense of urgency or drama.
19. "Angels & Demons" (2009)
The source material is not surprising, and Howard's second adaptation of a novel by Dan Brown (which was published before "The Da Vinci Code") fails to raise him. Although this is a modest improvement over its predecessor, it's essentially two hours from Tom Hanks who plays the tour guide as the Vatican descends into chaos.
18. "The Paper" (1994)
You would be forgiven for not remembering (or, depending on your age, even knowing) that "Spotlight" does not belong to you. was not Michael Keaton's first film. It's not bad that Howard depicts a fictional rag of New York City using the powers of journalistic integrity to make the world a little better.
17. "The Missing" (2003)
The violent and semi-revisionist western of Howard is the other side of the room "Far and Away ": where this film shows the promise and the potential future of the nineteenth century to newcomers" The Missing "shows the sinister realities of those who were already there – including and especially the natives.
16. "Ransom" (1996)
Howard did not make many movies like "Ransom", whose kidnapping narrative explores the fine line between justice and revenge. He is doing well with the darker material, showing once again his ability to float between genres with ease.
15. "A Beautiful Mind" (2001)
The film that won Howard's Oscar for Best Director – he defeated David Lynch, Robert Altman, Woody Allen and Peter Jackson – was neither the best movie of 2001 nor Howard's career. But this Best Film winner is satisfying exactly as you expect from a biopic about a tortured genius, with Russell Crowe and Jennifer Connelly running great performances.
14. "The Beatles: Eight Days a Week" (2016)
It's no surprise that the baby boomer star of "Happy Days" and "American Graffiti" has such a penchant for Fab Four. Howard's documentary about the Beatles' touring years (1962-1966) is full of concert and archive footage, making the experience as friendly to devotees as it is to those who do not have it. not yet conquered by Paul, John, George and Ringo.
Getty Images
13. "Parenthood" (1989)
The most enduring legacy of this family drama is perhaps the television adaptation of NBC, which has exceeded his source material in his second season. That said, "Parenthood" is, like many of the director's films, hard to object and easy to enter; that Howard and Steve Martin never collaborated again feels like a missed opportunity.
12. "Night Shift" (1982)
Years before Tom Hanks entered the picture, Michael Keaton was Howard's main man . Their collaboration of three films began with this comedy at the workplace about two morticians. If a morgue does not sound like the ideal setting for a comedy, that's a bit of a point; Howard Howard's co-star Howard Winkler, "Happy Days," works well alongside Keaton, and both have injected more than enough shenanigans into the debates to keep animating "Night Shift"
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11. "Far and Away" (1992)
Tom Cruise and Nicole Kidman travel to Ireland and experience their own version of the American dream towards the end of the 19th century. The film loses speed when it makes gestures towards big statements, but "Far and Away" is neglected like a romantic adventure – and a beautiful showcase for its two tracks.
10. "Rush" (2013)
Although apparently conceived as a star vehicle for Chris Hemsworth, "Rush" ended up serving as a showcase for Daniel Bruhl who leaves his co-star in the dust. Hemsworth and the movie itself come out much better than "At the Heart of the Sea", and the race sequences are a whirlwind.
Universal
9. "Backdraft" (1991)
"Backdraft" is a modest blockbuster according to current standards, which is part of its charm. The firefighters' drama recalls a simpler time when summer movies were not all based on preexisting properties and did not lead to a number of increasingly disappointing suites. (He inspired a trip to Universal Studios that, in a revealing sign of changing times, was replaced by a "Transformers" attraction five years ago.)
8. "Cocoon" (1985)
The mid and late 1980s proved to be one of Howard's most fertile times, and he first shows his penchant for the increased realities of "Cocoon". He has a talent for this kind of fantastic material, because he brings out his kindness to his characters and his gift for clbadic storytelling.
7. "EDtv" (1999)
This one gets points not only for his prescience – his vision of the era of reality TV is still more accurate than "The Truman Show" – as well as the skill with which Howard mixes comedy and drama. It's also a reminder that Matthew McConaughey had a lot of valuable roles well before McConaissance.
6. "Solo: A Star Wars Story" (2018)
Ron Howard has never been the most dazzling director in the world, but there was a reason for which he was called when Phil Lord and Chris Miller were fired. pilot. And although it is difficult for those of us, on the outside, to know just how much the last movie "Star Wars" of which he is really responsible, the end result is a Western space pleasant which makes a worthy addition to the myth. ] willow ron howard "title =" willow ron howard "clbad =" image loading "data-src =" https://www.thewrap.com/wp-content/uploads/2016/10/willow. jpg “/>
5. "Willow" (1988)
Howard's skills are so well suited to the fantastic genre that it is odd and even regrettable that he is not the only one. he never returned there. Warwick Davis, in the title role, is his most sympathetic protagonist. Despite being an original screenplay, "Willow" has the feel of a clbadic fairy tale.
4. "Cinderella Man" (2005)
Howard can be "hit-or-miss" in prestige-image mode, but at its best, this boxing drama recalls that this term is not pejorative. He wisely puts forward the elements of the Depression story, almost to the point of minimizing in-ring footage, and argues a better performance at Russell Crowe than at "A Beautiful Mind."
3. "Splash" (1984)
This mermaid tale bridges the gap between the director's earlier, less serious award and the more dramatic work that followed. Plus, it's a nice deal for Howard and his leading man, Tom Hanks. Howard excels at infusing light stories with gravity and more serious stories with moments of lightness; balance here is as good as ever.
2. "Frost / Nixon" (2003)
Howard presents the fateful interview that helped secure Tricky Dick's legacy as a match verbal training between journalist and interviewee, transforming what could have been a series of conversations into a real procedural procedure. With the performance of Frank Langella, he also achieves an even more impressive feat: evoke sympathy for Richard Nixon.
1. "Apollo 13" (1995)
Houston, we have a favorite. Howard's tendency to apologize for his characters (see also "Backdraft" and "A Beautiful Mind") is the most deserved in this story of astronauts who have almost never returned from the moon .
How is "Solo: A Star Wars Story" among the works of the award-winning filmmakers?
Ron Howard grew up in front of the camera, but he grew up as an artist. The actor turned filmmaker has directed more than 20 films throughout his career, adopting a non-ostentatious approach to popcorn movies and prestige photos. With "Solo" now in theaters, here's a return on the good, the bad and "The Dilemma."
