Box Office October 22, 2018 – A star was born to be hunted on Halloween

Image: A star is born

ABC's subway notes for Pine Gap fell to 433,000 for episode two, compared with 581,000 the first night, which is discouraging. But the consolidated audience for the episode has added 173,000 additional people from rural audiences, plus a catch-up, which actually represents an audience of about 760,000 people.

This audience would pay $ 11.6 million if they all saw it at the movies.

Ladies in black dropped 41% for the fifth week to about $ 540,000, an average of $ 1,700 on 340 screens. He will go to the countryside and the potter, slowly gaining from the current $ 10.3 million, but $ 15 million would be long.

The big problem for everyone is A star is born which made $ 6 million from 537 screens to $ 11,200 / screen, although the Venom the public went back to school. Even in second place, Lady Gaga will struggle to beat her budget of $ 18.9 million in three weeks, and she will continue to absorb the crowds in her meager mbad.

A star achieved $ 180 million in two weeks in North America and $ 286 million worldwide.

First man continues to underperform relative to its potential according to critics, plus the deep attachment of Western civilization to science. $ 4.2 million in two weeks, but up to $ 3264 per screen with a loss of 91 screens too, which brings it down to $ 342. The $ 42.5 million US means the group has done a lot better here than on its home market, reflecting oddly ambiguities. Per capita, it has done much better here than anywhere else in the world.

Bad times at the El Royale is an attractive piece of schlock that has dropped rapidly, falling to $ 2512 / screen in two weeks.

Johnny English is an interesting example. After five weeks, he is at the end of his race but has realized $ 12.75 million in this market. No criticism seems to like that, but foreign numbers are enough to trigger an American publication. Again, Australia's per capita response is much better than any other market. It's about 10% absolute compared to the UK, but we have less than half of the population.

A simple favor really justified the Roadshow approach. $ 9.6 million over six weeks, are now bleeding into homes. It's a modern crime thriller with a comic strip run by two women, which has earned $ 75 million in the United States and 40% worldwide. Once again, we are the second largest UK-related market in terms of absolute returns. The budget is probably about $ 30 million, which means it's not doing well against the costs.

Crazy Rich Asians is $ 24 million here and $ 245 million worldwide. For such a non-Anglo-Saxon film, it surprisingly depends on American recipes, which provide 75% of this total. The Chinese reluctantly agreed to publish it in late November. It brought in $ 2.8 million in Hong Kong and Taiwan, $ 7.8 million in Indonesia and $ 10.5 million in the United Kingdom. There is no release in Korea. Once again, the Australian market is the best performer in the world per capita.

It is not so easy to live with a limited release board.

the Westwood The Punk / Frock movie grossed $ 82,000, including previews, at $ 1,672 on its nineteen screens. Wajib – the wedding invitation made $ 77,000 in two weeks.

Keep, the difficult French film about the disintegration of a French family of an actor turned director, Xavier Legrand, is getting better. Four weeks, twenty screens of Palace, gave him $ 341,000. Ditto for the Three Identical Strangers doc triplets, which raised $ 490,000 in eight weeks, now on nine screens and still above $ 3,000 per screen.

Many popular movies are short of gas, a suspicious hole appears in the multiplex market. What could they expect?

The answer is on Box Office Mojo. Blumhouse horror movie Halloween $ 108 million during its first weekend, four times more than the A star is born and Venom. This is also thegreater openness for a movie featuring a woman over 55, regardless of gender, "according to Indiewire.

He opens in Australia next Thursday.

First published on

Monday, October 22, 2018