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Cover of Damascus 2018.
Written and directed by Daniel Zelik Berk.
With Jonathan Rhys Myers, Olivia Thirlby, Navid Negahban, Jürgen Prochnow, Wolf Kahler, Tsahi Halevi, Igal Naor, Selva Rasalingam, Neta Riskin, Ben Affan and John Hurt
SYNOPSIS :
A spy navigates the precarious terrain of love and survival during an infiltration mission to Syria. [19659002] 
The only thing that everyone will remember about Damascus Cover is that it marks the last appearance on the screen of the. deceased actor John Hurt. Man, how awkward to go out, but fortunately, in his case, it's just a minor role. Written and directed by Daniel Zelik Berk and based on Samantha Newton 's novel, what we have here is a standard espionage case that falls into every kind of imaginable clichés, not executing any d & # 39; them with no skill or quality.
He does not do any favors that Jonathan Rhys Myers is either all kinds of evil for the role or misdirected. He is an Israeli clandestine with a false German identity, the Berlin Wall has just fallen, and despite more psychological checks, he is being pushed (at his own request and disregarding his own mental health) to try to save a scientist. The problem is that the movie wants this character to be a suave James Bond guy even if it means forcing Meyers through an unconvincing performance. To my knowledge, thanks to a quick search on the Internet, he is an Irish actor playing an Israeli who is infiltrated as a German, and the necessary emphasis is everywhere piling more negatives on the bad distraction.
meets a photographer on his mission (Olivia Thirlby) and before you know it, without chemistry or credible exchanges at all, the two are in bed together about how dangerous their line of work is for them. Occasionally misses children's parties and other nonsense that is thrown into the script to pay attention. In Olivia's defense, she turns in a respectable performance, but there is so much that she can do with a character reduced to a one-dimensional love interest. Even when the story is actively trying to prevent them from being together, it is simply impossible to bad it.
Ari Ben-Sion, given the false name of Hans Hoffman (Jonathan Rhys Myers), finds a way to get closer to him. his targets by posing as being interested in doing business with a Nazi-ridden right-wing German rising again. This uncomfortable partnership should theoretically give rise to equally uncomfortable conversations, but the script does nothing, leaving us with another character who makes no impression. Damascus Cover is more concerned about his flabby romance than he totally forgets about being a thriller.
However, even the few beats of action are sadly unimpressive, containing shootings where individuals lean against walls to get out of the blanket and take pictures like this is a game perspective video in the third person. Close combat does not succeed better, often presenting itself as a fragile disorder. An uninspired fight could have been forgivable if the story was even vaguely engaging. As you can probably guess, this is not the case, and employs quite a few terrible twists that hold the story more than anything, and of course, also falls into political thriller conventions.
What stands out is that Daniel Zelik Berk is an Israeli filmmaker, so I'm sure this project is personal in one way or another, but he does not explore enough of serious policy to be worth even an educational viewing. Damascus Cover is a boring exercise from start to finish; It's embarrbading how many movies the film willingly accepts and does nothing to make it worth it. For the most part, the management itself is competent, but the writing is corny and the story is forgettable in the second round of credits. It may not be one of the worst movies of the year, but it 's certainly one of the most boring ones. The story requires an actor with more charisma than Jonathan Rhys Myers, among many other corrections.
Scintillating Myths Note – Movie: ★ ★ / Film: ★
Robert Kojder is a member of the Chicago Film Critics Association and the Flickering Myth Reviews Editor. Check here for new reviews, friend me on Facebook, follow my Twitter or Letterboxd, check out my Patreon Personal Non-Flickering Myth Affiliate, or email me at [email protected]
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