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After becoming familiar with mastering the premiere of HBO's latest limited-edition series, fans may be wondering where they can broadcast the soundtrack of Sharp Objects . The music permeates every dark corner and crevice of the show's first captivating episode, creating an unbelievably suffocating mood that simultaneously oppresses Camille from Amy Adams and intrigues the viewer. And if you're as obsessed with the show as I am after just one episode, you'll want to listen to this haunting and mesmerizing soundtrack over and over again while you're wary of episodes.
While some viewers and critics can make comparisons between Sharp Objects and True Detective – for its gritty tone, gothic atmosphere, and mysterious murder – the new series has everything as much (if not more) in common with Big Little Lies : Both are best-selling adaptations of HBO-starring female crime novels featuring Oscar-nominated actresses, with killer soundtracks, and even directed by the same man. Jean-Marc Vallée, the French-Canadian director of films like Dallas Buyers Club and Wild directed each episode of Big Little Lies and Sharp Objects . Susan Jacobs is the music supervisor on both projects, so it's clear the director wanted the last series to have a soundtrack as incredible as the previous one.
On Big Little Lies music constant presence in the series, from the melancholy air of Michael Kiwanuka's "Cold Little Heart" under the opening credits to the joyful accents of the production of Madeline Avenue Q . The songs that composed the episodes were almost always presented organically in the entertainment world itself, through car radios or sound systems or the ever-present iPod by Chloe Mackenzie
. Sharp Objects is also often diegetic. Most of the premiere songs were broadcast via Alan Crellin's state-of-the-art hi-fi system, or broadcast on Camille's iPod. Other songs – like "Come Down" by Sylvan Esso, who plays under the dream sequence of the episode – have the impression of being issued by a half forgotten memory, hidden in the depths of Camille's troubled mind. This makes the songs less of an ambient background, and more of a full-fledged character, as if personifying the city's personalities of Wind Gap itself through music.
Although there is no official soundtrack still available for sale on Amazon or iTunes, some sites have bothered to catalog all the musical cues of the first episode, so that you can immerse yourself completely in the atmosphere of Wind Gap, Missouri. According to Pop Sugar, in addition to "Come Down," the first one – titled "Vanish" – also contained songs like "Tumbling Down" from The Acid (including the xylophone melody that you can recognize in the show trailers) , "What Is And What Should Never Be" and "I Can not Leave You Baby" (both from Camille's iPod), "Dietro Casa" from Ludovico Einaudi (broadcast by the sound system of 39; Alan), Hooray's folk song "Small Town Heroes" for the Riff Raff, and of course Camille's karaoke song "Ring of Fire".
Fortunately, even if you can not buy the soundtrack again, you can ] broadcast it. The 13 songs appeared in the first are available in a playlist Sharp Objects on Spotify, courtesy of Columbia Records – perhaps indicating that the record company intends to release a full soundtrack a once the season is over.
Presumably Columbia will add songs to the playlist as the season and more episodes, so keep your eyes (and ears) on Spotify to get Sharp objects Effect .
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