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Borodulin has never been for money. When he collected, the prints had no commercial value. he just wanted to preserve what he admired for posterity. When an agency like TASS got rid of it, it did it. So, says Maya Katznelson, the curator of the collection, he has saved priceless works, also obtaining archival copies of magazine archives such as Soviet Photo, Ogoniok, Iskusstvo and Theatrical Life.
In addition, many works have come from families of Russian photographers and art critics such as Lily Ukhtomskaya, editor-in-chief of Soviet Photo magazine, who suffered a catastrophic fire before its closure in 1991. Borodulin saved this that he could.
In 1972, due to the rise of anti – Semitism in Russia, the Jew Borodoulin settled in Tel Aviv, occasionally returning to his native country when he had heard of the news. an archive of destroyed photographs.
Over the past 20 years, her son, Aleksandr, helped organize the collection and loan prints to museums. All the while, Soviet photography slowly gained in value. The rare and emblematic vintage prints of the most famous photographers, such as Rodchenko or El Lissitzky, can now yield six-figure sums.
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