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With the world premieres of Oscar as "First Man", "ROMA", "Suspiria" and "A Star is Born", the world's oldest fair is positioned again as a major force in the landscape rewards.
Regarding the successful launch of the Oscars campaign, Hollywood award-winning publicists now have a name in head-to-head: Alberto Barbera
The Venice Film Festival topper proved the charm of the hopes of the Oscars. After returning to Venice in 2011 (he previously dominated the festival from 1999 to 2002), Barbera has successfully transformed the world's oldest film festival into a platform of choice for rewards season candidates. Barbera is five years old for five years, with a film premiered on the Lido winning either the best image and / or the best director: Gravity Birdman Spotlight The Land and The form of water .
For its 75th edition, which begins August 29, Venice is redoubling an Oscar series, with a lineup full of independent studios and films that hope their journey to the glory of the awards begins in Italy. The winner of the Golden Lion of last year, Guillermo del Toro, will be laureate of the jury this year.
Barbera took the stage at a press conference on Wednesday to unveil the full lineup.
The festival previously stated that it would open with the first man of the Damien Chazelle Academy . Neil Armstrong's biopic with Ryan Gosling and Claire Foy is already an Oscar favorite and a very safe bet to kick off the festivities in Venice given the power of the stars.
ROMA highly anticipated by Alfonso Cuaron is another international premiere with a terrific Oscar credit. Cuaron is pushing himself back as a filmmaker in black and white history, inspired by autobiography and sweeping, during the 1970s in Mexico. Venice has certainly been a lucky charm for Mexican filmmakers in recent years: Cuaron triumphed on the Lido with Gravity as well as his compatriots Alejandro G. Inarritu ( Birdman ) and Guillermo del Italian director Luca Guadagnino debuts the remake of the revolutionary horror film by Dario Argento, Struck with the success of Call me by your name . Suspiria with Dakota Johnson and Tilda Swinton. Although the first few sequences made the audience come out, and the Academy usually makes fun of the kind of horror, if anyone could fill the void, it would be Guadagnino
The Coen Brothers in Venice will begin their next film Netflix, The Ballad of Buster Scruggs a Western anthology following six different stories.
Julian Schnabel's new biopic at Eternity's Gate with Willem Dafoe as Vincent van Gogh will also be screened in Venice, and rumor has it that he already has a potential to make his film debut. ;Oscar. Oscar Isaac, Rupert Friend and Mads Mikkelsen co-star.
And Jacques Audiard will bring to Lido The Sisters Brothers a pair of badbadins (Joaquin Phoenix and John C. Reilly) who hunt a prospector for gold in the 1850s in Oregon. Jake Gyllenhaal and Rice Ahmed are also stars
Among the international films in competition, Paul Greengrbad July 22 details the terrorist attack on the right of 2011 that killed 77 people in Norway.
Mario Martone & # 39; s Capri Revolution tells the story of the common European artists in 1914 on the island off Naples while Italy is at Edge of War
and Hungarian director Laszlo Nemes premiered Sunset about a girl who grew up in Budapest before the First World War. It's his second feature film after winning the Best Foreign Language Oscar for 2015 Son of Saul .
Mike Leigh will bring Peterloo to Venice, which details the mbadacre of 1819 when troops attacked a pro-democracy peaceful rally in Manchester.
And Bradley Cooper's first film with Lady Gaga, A Star is Born premiered out of competition, could be the only one to break the curse Star : the feature generates a strong buzz and has already been placed on the first lists of many experts as possible best competitor of the image.
While other European festivals are struggling to attract A-List talent, Venice is looking to strengthen its position as a full-fledged part of the Oscar advertising machine. The festival announced that del Toro was leading the international jury a few weeks before the Mexican director won the best image for The Shape of Water at this year's Oscars. And Venice often showcases its Oscar title in all official announcements, including victories in the technical categories.
Most of the studio photos that start on the Lido will also travel to Toronto and Telluride where the majority of North American journalists will watch them (Venice is still one of the most expensive festivals to attend). But in terms of buzz, few events can compete with Venice.
With more than 2,000 international journalists present, Venice also offers a one-stop shop for movies giving the kickoff of a global marketing campaign. Each title is guaranteed the glamorous shots of Venice boat arrival that shame the red carpets of Toronto or Telluride. Even the first smaller ones offer a lot of marketing without the stress of Cannes or Berlin.
Jonathan Rutter, director of the film at Premier Communications, who managed the launches of The Shape of Water and Three Billboards last year, believes that the Lido is the best place for a movie to meet an audience first, "because the focus in Venice is on the movies themselves, the festival tends to attract a better caliber of film-literate journalist. receive five-star reviews, they register quickly around the world, but it seems that you are less likely to crucify something in Cannes. "
There are also risks, especially for movies edgier, who finds the critics of Venice, and the accompanying mafia movie Twitter, can make or break a film a few hours after the premiere of his festival.The lukewarm reaction to Mother! l & # 39, last year prompted Darren Aronofsky to show defensive and explain his horror melodrama during the press conference. The film, starring Jennifer Lawrence, Javier Bardem and Ed Harris, has failed to gain momentum. The Academy shunned Mother! although the film picked up 3 nominations from Razzie.
Rutter gives Barbera most of the credit for the success of the festival in recent years. "I think Alberto Barbera has done a good job maintaining relationships with studios and sales companies and choosing movies that really appeal to the press and the industry," he says. "He is also very visible during the festival."
This year, the selected films will be well prepared in advance with their well-planned discussion points for a roll out of the awards campaign. The publicists advise the stars to lay the groundwork for shaping their Oscar campaigns during the long rewards season and hopefully train them to avoid burnout.
Barbera remains focused on the future with the festival. While Cannes continues to bicker with Netflix, Venice was the first festival to invite the streamer into its competition. Venice was also the first major festival to invest heavily in an RV competition and now hosts an island dedicated to VR that coincides with the main festival to present filmmakers who are trying to make art from this technology. My brilliant friend based on the best-seller Neapolitan novels by Elena Ferrante. Detailing the close relationship of two women during their lifetime, the books have captured the imagination of readers around the world. Hungry Hearts director Saverio Costanzo directed the series.
And Netflix will bring the latest unfinished film of Orson Welles, The Other Side of the Wind in Venice.
The 75th Venice Film Festival runs from August 29 to September 7. 8. See the full range below
COMPETITION
First Man Damien Chazelle (Opening film)
The Mountain Rick Alverson
Double Lives Olivier Assayas
The Brothers and Sisters Jacques Audiard
The Ballad of Buster Scruggs Ethan Coen, Joel Coen [19659003] Vox Lux Brady Corbet
Rome Alfonso Cuaron
July 22 Paul Greengrbad
Suspiria Luca Guadagnino
Senza Autore Opera Florian Henckel Von Donnersmarck
The Nightingale Jennifer Kent
The Favorites Yorgos Lanthimos [19659003] Peterloo Mike Leigh
Capri-Revolution Mario Martone
What are you going to to do when the world is on fire? 9459007] Roberto Minervini
Sunset Laszlo Nemes
Enemies Brothers David Oelhoffen
Nuestro Tiempo Carlos Reygadas
At the door of Eternity Julian Schnabel
Acusada Gonzalo Tobal
Kill Shinya Tsukamoto
OUT OF THE COMPETITION SPECIAL EVENTS ]
My Bright Friend Elena Ferrante
The Other Face of the Wind Orson Welles
They Will Love Me When I'm Dead Morgan Neville
OUT OF CIRCUIT FICTION
Trained on concrete S. Craig Zahler
A Storia Senza Nome Roberto Ando
The Estivantes Valeria Bruni Tedeschi
A Star is Born Bradley Cooper
Mi Obra Maestra Gaston Duprat
A Streetcar in Jerusalem Amos Gitai
A People and His King Pierre Schoeller
The Quietud Pablo Trapero
Shadow Zhang Yimou
OUT OF COMPETITION NON-FICTION
Letter to Friend in Gaza, Amos Gitai
Aquarela Victor Kossakovski
El Pepe, Una Vida Suprema Emir Kusturica
Process Sergei Loznitsa
Guitars Carmine Street Ron Mann
Isis, tomorrow. The Lost Souls of Mosul Francesca Mannocchi, Alessio Romenzi
American Dharma Errol Morris
Introduction of All & # 39; Oscuro Gaston Solnicki
Your face Tsai Ming-Liang
1938 Diversi Giorgi Trier
Monrovia, Indiana Frederick Wiseman
Una Storia Senza Nome Roberto Ando
The Estivants Valeria Bruni Tedeschi
HORIZONS COMPETITION
Sulla Mia Shovel, Alessio Cremonini (French Film) opening)
Manta Ray, Phuttiphong Aroonpheng
Soni, Ivan Ayr
The River, Emir Baigazin
The Noche of 12 Anos, Alvaro Brechner
Deslembro Flavia Castro
] The Announcement Mahmut Fazil Cos Kun
A Giorno All & # 39; Improvviso Ciro D & # 39; Emilio
Charlie Says Mary Harron [19659003] Amanda Mikhael Hers
The Day I Lost My Shadow Kadadan Soudade
The Enkas Sarah Marx
] The man who surprised everyone Natasha Merkulova, Aleksey Chupov
Memories of my body Garin Nugroho
Dying, Mostafa Sayyari
The Profezia Dell 'Armadillo Emanuele Scaringi [19659003] Stripped Yaron Shani
Jinpa Tzeden Plane
Tel Aviv on the fire Sameh Zoabi
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