From Lisa to Milani the true stories of television

Now or never. The title is peremptory. But the opportunity is unique. He took it more than the other Lisa, winning the first edition of the Rai 1 Talent Contest designed by Carlo Conti and led by Amadeus for four Fridays in June. The occasion was offered to eight singers who found themselves for various reasons in oblivion following a great and sudden success: Marco Armani, Alessandro Canino, Mbadimo Di Cataldo, I Jalisse, Valeria Rossi, Stefano Sani , Donatella Milani (replaced during construction) by Francesca Alotta) and Lisa, in fact, that on the crest of the wave there would have remained there had not been a brain tumor that l & # 39; 39, forced to stop a few years. In the eighth of the competition were paired as many masters (or more colleagues) with the jury function: Marcella Bella, Loredana Bertè, Orietta Berti, Red Canzian, Fausto Leali, Marco Masini, Patty Pravo and Michele Zarrillo. The program went well, recorded excellent grades without resorting to a particular originality: coaches and jurors are found everywhere even if they played a dual role here. It's the nostalgia and revival that have worked, but especially the stories of life and redemption. The episodes were well built with the unique achievements of the "forgotten", the duets with the masters singing their war horses and the story of the reason for an oblivion marked by illness, depression, bad choice, but also by the desire to start again. It's not a coincidence that Lisa, apart from her own merits, has won in tandem with Masini, a success that has kept him with his teeth, rebelling against a world that would have crushed and perhaps reduced to it now or never. The Florentine singer had the courage at the right time to send many to this country with a song, which caused a sensation especially for the title, in which he sang that "the music is bad, it's a snake pit "these are chess …". That now or never decisive stories also demonstrate positive reactions to the release of Donatella Milani when he explained that he did so to stay close to his dying mother. After all, what should television do if you do not tell stories that deserve to be told? Better yet, he does it in the middle of the music, which is still a show, and with which he shares a positive complicity.

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