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The stages of palaces and festivals around the world have been trampled on. The Mogwai and Franz Ferdinand return to Rome for the Summer Fest at the Auditorium Parco della Musica, in a special evening where the two groups alternate on the same stage for a double concert on behalf of the production made in Scotland. The public is very numerous, it fills the floor and the tribunes of cavea: although it is recent the last live of the Mogwai in the capital, last autumn, the fans did not miss this "double" post and alternative rock in a place at all round like the one designed by Renzo Piano, which integrates perfectly with the instrumentation of the bands, allowing the listening of sounds in all their layers.
Opening of the evening is the concert of the Glasgow Quartet, now orphaned by founder John Cummings and accompanied by two other musicians. In programming, a mix of the past and present of the post-noise-rock pioneers' production, which showcases their dilated and experimental soundscapes of "Mogwai Fear Satan," debuts in the distant 1997, the beginning of twenties, until the last album "Every Country's Sun", published in 2017. In addition to this last work, the live draws a line between disruption and calm, between the abyss and l & # 39; ascent. Viewers look at Mogwai silhouettes amidst psychedelic lights and atmospheric vapors, listen to their enchanted music, almost transported to a dimension of meditation, far from the turbulence of the current social climate. Based on the same album, the song "Party in the Dark", with the sighing voice of Braithwaite flanked by the rhythm of Aitchison, makes fans tremble in the first part of the concert.
Even "Jim Morrison, I'm Dead" remains a defining moment in the life of the Scottish band, where there is certainly no battery and distorted guitars: only forty-five minutes of change stage, a perfect organization and good workers for the Auditorium Parco della Musica in Rome, which hosts two major concerts in one date.
We take notes of the post-punk rebirth of Franz Ferdinand. The singer, Alex Kapranos, performs a vertiginous performance: in his outfit of jeans and black jersey, he runs, jumps, squirms on every part of the program, turns the microphone in front of the audience, kneels in front of his fans , sings and plays the guitar, performing all his histrionic charisma. The live begins with two tracks from the first two albums that have allowed the band to become successful across the UK and sell millions of copies. The group's programming, now international in history, is a fourteen-year-long synthesis from 2004 to the last album "Always Ascending", published last February, which certainly marked the opening to new sound perspectives. and compositional. "Rome is the most beautiful city in the world," says the group's leader.
And the Auditorium Cavea looks like a big outdoor party, where the crowds sing, clap their hands, dance to the rhythm of the music, go crazy on historical plays, like "Take Me", scream his enthusiasm and crazy fun. Nothing better than a summer evening for a performance that since sunset, on the most intimate and reflective notes of the Mogwai, exploded in the late evening on rhythmic rhythms and Franz riffs. Ferdinand, accompanied by the incomparable vocal timbre of Kapranos. Certainly among the memorable dates of this summer.
(ANSA).
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