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Dice Alberto Barbera that the 75th edition of the Film Festival will be "rich in many senses, curious, with many genre films sons of authors, with great directors , some for the first time in Venice, but also many discoveries: first works, young talents, young directors. "
He says it before beginning to film, film after film, the full program of the Venice Film Festival 2018 : and deep down there one would think that the introduction there was almost a the euphemism of those whom the torinese Barbera sober and elegant by definition, accustomed us during his years of Venetian leadership.
Why – certainly certain of a significant presence of important and expected titles targati Netflix unleashed adrift by Thierry Fremaux who for ideal and legislative reasons closes the ports of his Cannes to the films of the streaming giants, but also a careful selection work – this year's exhibition program really looks on paper almost perfect in its neat architecture that brings together filmmaking, social and political engagement, entertainment, needs media and the pleasure of discovery and surprise.
Consider also, with the complete list of films that we will see at the Lido from August 29 accompanied by [] synthetic presentations made by the Director of the Festival title by title.
COMPETITION:
FIRST MAN by Damien Chazelle
"One of the most anticipated movies of the new season, which you already know a lot."
THE MOUNTAIN by Rick Alverson
"The award-winning director's short film with Tye Sheridan, Jeff Goldblum, Denis Lavant and Udo Kier, a film of great visual quality and staging, unlike any American cinema we are used to."
DOUBLE LIFE by Olivier Assayas
"Delicious and very successful comedy with a beautiful cast, the story of two couples intersecting, and an intelligent reflection on how our intellectual lives are changing after the digital revolution."
THE SISTER BROTHERS by Jacques Audiard
"It was supposed to be in Cannes, it's a European Western film shot in Europe with actors and entirely American teams, of absolute authenticity, based on a novel, a great irony and a reflection on mythology respected and disbadembled. "
BALLAD OF BUSTER SCRUGGS by Joel and Ethan Coen
"The new film Coen produced by Netflix, consisting of six episodes in very different tones, full of quotes, with everything there is between: a movie about the death of the mythology of the West and on America today. "
by Brady Corbet
Second film of the director of the Infanzia di una capo, with Natalie Portman and Jude Law. Amazing story of a girl who becomes a big pop star, with all that that entails. "
ROME by Alfonso Cuaron
"Another of the most anticipated titles, Cuaron took five years to make it: a film about a life period of his family, in black and white, shot in absolute freedom, where the absolute authenticity mixes to inventiveness and creativity. "
22 JULY by Paul Greengrbad
"Greengrbad's detailed reconstruction of the Utøya mbadacre, and what happened afterwards, with the trial at Breivik and the difficult recovery of its victims."
SUSPIRIA by Luca Guadagnino
"Surprise will be the film itself, the most ambitious of Guadagnino, thought for years, with an impressive cast, with Tilda Swinton in three different roles."
OPERA SENZA AUTORE by Florian Henckel von Donnersmarck
"The news of the director of The Life of Others, a very ambitious film about the history of Germany since the advent of Nazism until the 1970s."
THE NIGTHTINGALE by Jennifer Kent
"We had already noticed The Babadook, we now wanted Jennifer Kent's second work, the story of a woman and an officer who was seeking revenge in the early nineteenth century."
THE FAVORITE by Yorgos Lanthimos
"Another highly anticipated film, with an extraordinary cast: the story of Anne of England, the rivalry between two courtesans, told as a provocative author as Lanthimos can tell."
PETERLOO by Mike Leigh
"Last effort of the great English director, a bad episode removed from English history that echoes the present and a timeless reflection on the Power."
CAPRI-REVOLUTION by Mario Martone
"Ideal conclusion of a trilogy by Martone: after the Risorgimento, after Leopardi, now tells the eve of the First World War through the story of a shepherdess of Capri who discovers a community of people. European artists and intellectuals who lives in the sign of absolute freedom. "
WHAT DO YOU DO WHEN THE WORLD IS IN FIRE? by Roberto Minervini
"A film about the racism of American society, which has exploded in recent years even more violently than previously thought: three portraits: two young black teens, a black bartender and the Black Panthers, are reborn."
SUNSET by Lazlo Nemes
"New Oscar-winning film for The Son of Saul on the eve of the outbreak of the Second World War, an extraordinary visual and narrative talent, an ambitious film that requires a great effort to engage the viewer."
ENEMY BROTHERS by David Oelhoffen
"A polar with Matthias Schoenaerts, Reda Kateb and Adel Bencherif on three adult friends who find themselves on both sides of the law."
NUESTRO TIEMPO by Carlos Reygadas
"The first time in Venice for him, a new piece in the formal and narrative research of Reygadas that part of naturalistic and realistic elements to achieve something fantastic and indescribable, with the director and his wife playing the role of themselves while they are trying to build a badually open couple. "
AT ETERNITY & # 39; S GATE by Julian Schnabel
"Schnabel's new film about Van Gogh's years in the south of France before being interned in an asylum, an attempt to tell what was going on in his head, with Dafoe, Amalrid, Mikkelsen, Isaac. "
ACUSADA by Gonzalo Tobal
"A bet, the second work of a young Argentine director, a film that refers to real events."
KILLER by Shinya Tsukamoto
"The Return of Tsukamoto, perpetually renewing author, a samurai film featuring one of them that turns out to be incapable of killing."
OUT OF COMPETITION:
THE OTHER SIDE OF THE WIND Orson Welles
"The most anticipated film, presented in Venice as a world premiere, produced by Netflix, an incredible piece of work that cost years of hard work to Frank Marshall who has completed the unpublished work of Welles."
THEY LIKE WHEN I AM DEATH by Morgan Neville
"A documentary about this film by Orson Welles, who takes his title from one of his sentences."
THE GENIUS FRIEND by Saverio Costanzo
"The first two episodes of Saverio Costanzo's HBO series come from Elena Ferrante's novels."
ANGELA NEWSPAPER – WE ARE TWO CINEASTI by Yevant Gianikian
"Tribute to a great artist like Angela Ricci Lucchi, an editing film with archival and unpublished documents."
A LETTER TO A FRIEND OF GAZA by Amos Gitai
"Short documentary by one of the most thoughtful directors on the Israeli-Palestinian issue."
AQUARELA by Viktor Kossakovsky
"The work of a great documentary filmmaker who was in Venice eight years ago, on the water, without words, pure visual fascination."
EL PEPE, UNA VIDA SUPREMA by Emir Kusturica
"Kusturica documentary about Pepe Mujica, who will be in Venice."
PROCESS by Sergei Loznitsa
"Documentary based on unpublished documents, footage of Stalinist trials began in Moscow in the 1930s, especially a propaganda film wanted by Stalin himself."
GUITARS OF CARMINE STREET by Ron Mann
"Doc on a small craftsman who makes guitars by hand, with recycled materials, in the Village of New York."
ISIS, TOMORROW: THE LOST SOULS OF MOSUL by Francesca Mannocchi and Alessio Romenzi
"Filmed in Syria by two Italian reporters, an impressive film, to discover and not to remove."
AMERICAN DHARMA by Errol Morris
"New by Errol Morris on Steve Bannon, a dialogue between them: they were clbadmates, now they are on opposite sides."
INTRODUCTION TO DARK by Gaston Solnicki
"Doc of a young Argentine author filmed in Vienna in the months following the death of Hans Hurch, director of the Viennale."
1938 DIFFERENT by Giorgio Treves
"Doc on the emanation of racial laws in Italy, impressive for the ability to show the present through the past."
YOUR FACE by Tsai Ming-Liang
"New by Tsai Ming-Liang, closer to art than cinema in the strict sense."
MONROVIA, INDIANA by Frederick Wiseman
"The director left in a small country of Indiana, in a small rural community through whose history you understand why Trump won the election."
A HISTORY WITHOUT NAME by Roberto Andò
"A great stylist of Italian cinema, his film which seeks more directly the contact with the public, a film on cinema and the unspoken of Italian politics, filmed as a thriller, but very funny."
THE ESTIMATES by Valeria Bruni Tedeschi
"Very autobiographical, the story of a summer in the director's family villa, with a large cast, including the mother, grandmother and servants of the Bruni-German house." Fun and bitter. "
by Bradley Cooper
"The Oscar trip begins in Venice, the fourth remake of this very popular story."
MI OBRA MAESTRA by Gaston Duprat
"Second Opera of the Argentine El Ciudadano Ilustre written by his brother Andres, a comedy about the world of contemporary art." "
A TRAMWAY TO JERUSALEM by Amos Gitai
"All together in a tram that runs for Geruslamemme.A still a reflection on the conflicts by Gitai, who wants to show the possibility of cohabitation."
A PEOPLE AT HIS KING by Pierre Schoeller
"Recurrence of this period of the taking of the Bastille to the decapitation of Louis XIV, a free and creative reconstruction, but also documentary with a large distribution."
THE QUIETUD by Pablo Trapero
"Back Trapero with some sort of sequel to El Clan, still the story of a family clan riding on the end of the dictatorship and the arrival of democracy in Argentina, but without the filter of the kind."
DRAGGED ACROSS CONCRETE by St. Craig Zahler
From the director of Brawl in Cell Block 99, a violent crime story with Vince Vaughn and Mel Gibson who remains nailed to the chair. "
SHADOWS by Zhang Yimou
"Back to the wuxia of Venice and Zhang Yimou, the conflict between two feudal groups with work on an incredible staging, a qualitative leap from the latest Chinese films."
HORIZONS:
ON MY SKIN by Alessio Cremonini – Opening Film
"Dedicated to the history of Stefano Cucchi: detachment, respect, intellectual honesty but great Alessandro Borghi's civil commitment protagonist of an incredible interpretation. "
KRABEN RAHU (MANTA RAY) by Phuttiphong Aroonpheng
"The Thai debut that someone will remember from Apichatpong, with direct references but a very original line."
SONI by Ivan Ayr
"Indian film about a young policewoman who reacts violently to the machismo of society."
OZEN (THE RIVER) by Emir Baigazin
"Relevant film from a formal and stylistic point of view, confirming a great visual and narrative talent."
THE NIGHT OF 12 AÑOS by Alvaro Brechner
"The 12 years of imprisonment of Pepe Mujica during the years of the struggle against the Uruguayan dictatorship, a film of great tension"
DESLEMBRO by Flavia Castro
"First work produced by Walter Salles, highly autobiographical but able to transcend and become universal."
ANONOS (ADVERTISEMENT) by Mahmut Fazil Coskun
"Satirical film, subtly ironic, history of a coup d'état in Turkey"
A DAY NOT PROVOKED by Ciro of Emilio
"Opera prima with Anna Foglietta, a little film not to be underestimated."
CHARLIE DIT by Mary Harron
"Mary Harron's new film about the women of Charles Manson."
AMANDA by Mickhael Hers
"French premiere, intelligent and delicate film, not spoiler."
THE DAY I LOST MY SHADE by Soudade Kaadan
"One of these discoveries happened almost by accident", the work of two sisters (a producer) who filmed the condition of women in Syria, an impressive glimpse of one of the most tragic realities of recent decades. "
ENKAS by Sarah Marx
"The first French opera that tells the attempt to reinstate a young man just out of the house of correction."
THE MAN WHO SURPRISED EVERYONE by Natasha Merkulova and Aleksey Chupov
"Surprising film about a former military gamekeeper, a rigorous man who discovers that he is gay, with a fantastic drift."
MEMORIES OF MY BODY by Garin Nugroho
"A series of themes of great political and social significance, in the true story of a traditional Indonesian homobadual choreographer, and the attempt of a reactionary regime to prevent staging." traditional shows. "
AS I LAY DYING by Mostafa Sayyari
The Iranian who was most marked by the desire to seek a new language
THE PROPHECY OF ARMADILLO by Emanuele Scaringi
"Adaptation of the famous cartoon Zerocalcare."
STRIPPED by Yaron Shani
"The Israeli film, the first of a trilogy virtually completed, the beginning of a great talent."
JINPA by Pema Tseden
"Return of Tibetan director Tarlo, produced by Wong Kar-Wai, a story about doubles and ambiguity."
TEL AVIV ON FIRE by Sameh Zoabi
"Satirical Comedy on Cultural Conflicts between Isrealians and Palestinians Exploding in Dramatic Forms in Reality."
SCONFINI (formerly Cinema in the Garden):
SID KID by Ramin Baharani
"Doc about a boy sentenced to death for killing his father, Impressive."
ANARCHICO BANCHIERE by Giulio Base
"Theatrical approach, from a long history of Pessoa, staged in a very original way."
THE MOST FELICONE RAGER OF THE WORLD by Gipi
"Return from Gipi to Lido."
ARRIVER DERCI SAIGON by Wilma Labate
"Doc on a story whose memory has been lost, the story is a group of Tuscan girls who are engaged for an East tour and find themselves playing for Americans at war with the Vietcong."
THE TREE OF LIFE – EXTENDED CUT by Terrence Malick
"The first version of the film, which lasts 180 minutes, edited by Criterion."
THE TIME OF THE OUTPUT by Sébastien Marnier
"A strange film that deals with topics of great relevance: the attitude of young people towards the great problems of today remembers the remote village of the damned."
MAGIC LANTERN by Amir Naderi
"Naderi's first film about Hollywood, an unusual film for him, his relationship with Hollywood mythology, with Jacqueline Bisset."
CAMORRA by Francesco Patierno
Another extraordinary work of Patierno edition, a portrait of the mafia of Campania and Naples.
VENICE CLASSICI:
IL GOLEM – COME TO THE WORLD by Paul Wegener
They live by John Carpenter
The Night of San Lorenzo by Paolo and Vittorio Taviani [19659081] The Place by Ermanno Olmi
The Ascension by Larisa Shepitko
The Endless Place, by Arturo Ripstein
The Brick and the Mirror by Ebrahim Golestan
Desires in the sun by Jacques Roziers
Last year at Marienbad by Alain Resnais
Some like it hot by Billy Wilder
Road of Shame by Kenji Mizoguchi
The Habitant of the Night by Liliana Cavani
The Crazy Fox by Tomu Uchida
The Naked City by Jules Dbadin
The Killers by Don Siegel
The K illers by Robert Siodmak
Death in Venice, of L uchino Visconti
Nothing serious by William A. Wellman
VENICE DOCUMENTARY CLASSICS:
THE GREAT BUSTER by Peter Bogdanovich
WOMEN CREATE MOVIES: A NEW ROAD FILM BY THE CINEMA by Mark Cousins
HUMBERTO MAURO by ANDRE DI MAURO
LIVING THE LIGHT – ROBBIE MULLER by Claire Pijam
24/25 MORE PHOTOGRAPHY by Giancarlo Rolandi and Federico Pontiggia
BEAUTIFUL GIRLS CAN NOT STAY FOR BREAKFAST by Bruce Weber
FRIEDKIN UNCUT by Francesco Zippel
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