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The queen and the gangster, the beauty and the beast, the bride and the groom. Beyoncé and Jay-Z are lying on the bed, a chenille blanket framing naked bodies, united in a warm embrace. "That's real life" is the big-letter writing that illuminates the full-screen tour On the Run II and accompanies the films of the happy couple, married for ten years , sovereign of the show-biz from twenty. The public of San Siro, flooded by the hail fallen a few minutes before, is hypnotized . He takes smartphones, turns stories and waits for them, Beyoncé and Jay-Z, to burst on stage, start to sing, to look at each other intensely.
Finally, after the umpteenth clip that sees them in the middle of a rainforest arming twins Rumi and Sir, the screen opens. From a glbadless elevator, the gentleman and Mrs. Carter descend slowly, greeted by rumblings, refrains, crazy flashes. They look straight ahead, stand by the hand, the union is strong and they know it well. Moments after the silence, the note of a grand piano and the voice of Beyoncé that enchants, upsets, moves and surprises.
Betrayals, subliminal messages, the voices of an impending break disappear in one breath, in two of the microphones that intersect and give life to an extraordinary show, to a concert that will remain in the story . Beyoncé and Jay-Z do not miss shooting. Never a stain, never an unexpected event (in Warsaw they were stuck on the stage in the air), never a misplaced note. The "Carters", as they chose to call on the occasion of the launch of Apeshit their last single entirely shot in the Louvre, are so perfect that they are impalpable. They are close, but also alone, be careful not to step on each other's feet. For most of the programming (finally 39 songs, one disc), they occur solo, accompanied by dancers and fireworks, strobe lights and large luminescent screens. Queen B sings Run the World in latex jumpsuit and Jay-Z Song Cry with black hood top ; Drunk in love in glitter coat and Big Pimpin in blue leather jacket. But that's when they end up that the atmosphere becomes magical and the audience warms up, hands clenched and smiles smeared.
Among the moments to remember the "feminist" writing that appears in Run the World with the verses of the Nigerian activist Chimamanda Ngozi Adichie: "We teach girls to shrink to be smaller. Let's say to girls: "You can have ambition, but not too much, you should aim to succeed, but not too successful, otherwise you will threaten the man." Among the successes as Crazy in Love and I Care the concert lasts two hours in a fluid and impeccable manner. The finale, when Jay-Z and Beyoncé sing Perfect and Young Forever on the mobile stage running over the fans' heads in the stalls, is perhaps the moment the most intense. They look at each other, they look for each other, and for a moment they seem to be the masters of the world. On the other hand, if they managed to stop a hail that could jeopardize a bit the milestone of Milan, the masters of the world could be it. Or not?
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