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"I've known him for 30 years and this is perhaps the most ignorant boy that I can have," said DJ Clark Kent with a smile. "And you can all see it with your own eyes."
A parade of B-faces and Jay-Z's favorites is not by default a "throat", as Kent has described in a luscious way. The show that he starred doubled with the reopening of the famous Webster Hall in New York because his discography is simply too varied. . But this certainly gave the rapper the opportunity to tap into a specific sample of his discography, which he's not always lucky enough to imbue with the charisma and wisdom of his old State man, as he does with touring basics like "Izzo (HOVA)" and "Hard Knock Life." "
The stunned crowd on the floor spent most of the training with their necks and phones facing up to take pictures of the gigantic Roc-A-Fella revolving logo chandelier and celebrities on the balcony, approved. There is not much stylistic unity in the crowd at a Jay-Z show where ticket prices start at $ 250. A quick glance around the room reveals a man in the mid-40s wearing a seemingly ironic visor arguing performantly with his wife, the vintage Jay Tour Tourch associated with Timbs and a pair of trousers camo, and some even trying to match Mr. Carter by wearing their evening outfit. Without the Roc Nation hats scattered in the crowd, it would have been difficult to glean the thread of the crowd.
Jay emerged around 10:30 pm, elegant in a black tuxedo, a bow tie and a diamond necklace hanging from his collar. He started with reign come'S' The Prelude ', one of the only pieces from this era to possess the courage required by Clark Kent. From there, an enthusiastic Jay-Z launched "Some People Hate," "You Do not Know" and "A Million and One Questions." While there have been questions about his technical skills that are Erode over time, in part because of his recent penchant for slower rhythms and more languid flow, Jay-Z came out net, dodging and weaving over crisp drums and roaring bass from his group.
Frequently, Jay-Z has made connections not only between his past and present, but also more broadly with hip-hop. He left some of Notorious BIG's "What's Beef" to dissolve in Meek Mill's song "What's Free" and presented his remarkable guest verse with seasoned elegance, more focused on sharing from his sermon on systemic racism, the darkness of America's founding, and the power that stems from property only to stay perfectly in tune with the pace.
The rapper was clearly nostalgic in the whirlpool setlist, shouting DJ Kool Herc, present, and the city of New York in its entirety. When Jay-Z came to "This Life Forever," it was the favorite song of his long-time friend, Tyran "Ty Ty" Smith.
But while Jay-Z took much of his reflection in a warm, victorious tone, the sandy past and sinister present were confused at several poignant moments. The effect of time on Hov's point of view has never been more felt than when "Where are from" has given way to "Marcy Me". The first is confrontational and immediate, with a violent summer looming at the corner of the projects, while the latter takes a view at once of the tragedy that affects the inhabitants of Bed-Stuy ("I'm from Marcy Houses, where the boys die by the thousands) and the Borough as a whole ("Old Brooklyn, not this new shit, shit feel like a parody") .This moment also proved just how crucial Jay-Z's early work had been to allow him to zoom out, as he spent the first decade of his career turning the granular details of the dark circumstances in which he grew up into an intelligent and ruthless pen.
Jay-Z's performance in The action plan 2"Some Way Some Way", which has slowly turned into a raging and laid-back free-style tribute to Nipsey Hussle.
"Gentrify your own hood, before these people do it / claim an eminent domain and get your people moving / It's a little glimpse of what Nipsey was doing / For anyone who is still confused as to what he's doing was doing, "he rapped, leaning emphatically into the microphone.
Jay-Z, a fervent supporter and admirer of Hussle, has clearly seen a lot in the Los Angeles entrepreneur, also a Roc Nation customer. Much of the best music that Hussle wrote before moving on was interpreted in the same way that the mid-2000s catalog, Jay-Z, was inspired by. He was also concerned about the trauma of the past and the promises of the future. Nipsey suggests that Jay's voice must be even stronger when she embraces her shared vision of empathic and ethical black capitalism.
The elegance of the group and the sartorial choice of Hov are naturally linked to the handful of american gangster cups that broke out, including "Sweet," "No Hook," and "Success," which represented the first of two star-shaped cameos, while Nas emerged to deliver his verse on the thundering organ and the traps and crackling charlestles.
Knowing the power of the moment, the two men quickly jumped back more than two decades to what is often considered the foundation of their beef. this medley and that of "NY State of Mind" and "Bring It On," which originally had a verse to Nas, showed that this decision was far from being flawless.
The next appearance came from Cam'ron, who performed "Welcome to New York City", and Jim Jones, who joined the Dipset standard, "I Really Mean It". "[Cam] is not my enemy. It's not my enemy. These are my brothers, "said Jay-Z.
In the last third of the series, Jay-Z cut off "Friend or Foe" style cuts, "In My Lifetime" and a gripping interpretation of "Sweet Summer", revealing that his retirement seemed as incredible as possible. this was the case when the track was released in 2005. The series ended with an aerial iteration and influenced by jazz. The Blueprint III"Thank you", even though it could not support the emotion of "Dear Summer".
"I imagined how would happen tonight. I'll lose you after a few songs, but you're stuck with me, "he joked, never fearing for a second to really fear that the crowd is less blocked. After all, it was a man who had just answered a rhetorical question about how he stayed so good for so long: "I'm doing it in my sleep, Summer."
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