"A.K.A Hero Pants" is not only a compelling episode, but it also retroactively makes the previous episode more interesting. Of course, Sallinger parts are not spared. But it turns out we do not have all the context for the emotional arches that Trish and Erik have experienced in this episode. In fact, we will not know the full context before the last minutes of this This episode, which spends most of its time studying sorrow over grief, before we separate from us. The person who killed the Nussbaumer office was not Erik, although he was an accomplice. Instead, it's Trish who did the act.
For me at least, the moment Jessica started assembling the pieces about Trish was a total shock. The episode minimizes Trish's role in a silent study of the personality. So I did not really think about her in terms of the mechanics of the big plot. Moreover, we had no reason to think that Trish even knew anything about the agent Nussbaumer. Yet the final revelation does not seem to be lived either, because the previous episode did such a good job and laid the emotional foundation to get us to this point.
Erik felt guilty for not putting Sallinger on charge of kidnapping when he had the opportunity, especially since Trish rejected his attempt to apologize. And Trish was basically broken by the revelation that Jessica had destroyed the evidence against Sallinger in order to save her. Given this emotional context, it is easy to understand why Erik would go down an ethical line to rectify things with Trish in any way possible. And it's easy to see why Trish would feel compelled to push his vigilante work to such a brutal level after suffering another loss in a long list of elders.
As Trish explains during his mother's praise, what Dorothy valued most was talent, and what she feared most was wasting it. It's a philosophy that has led Dorothy to do a lot of good in the world – as the mourners explained at her funeral at Trish. But it was also a philosophy that justified many horrible and abusive behaviors. By pushing her empowering talents to their most extreme uses, Trish now pursues Dorothy's legacy in many ways. Like Mother like daughter.
"A.K.A Hero Pants" is not just a strong episode because of the end of his twists. Until then, it works really well as a character-centric drama with light procedural episodes, exactly the kind of thing I had asked in my previous article. While the police continue to investigate the murder of Nussbaumer, Jessica and Trish have to mourn a parental personality that has caused them a great deal of harm throughout her life. As Erik explains in speaking of his own father, the death of an abusive parent closes the book to any hope of redemption and reconciliation – even though this type of redemption was only one day. a fantasy. "She was not perfect," Jessica summed up later. "It's not easier to bury him."
Dorothy's complicated inheritance is beautifully summarized in the photo Jessica chose to display on her memory card. It's an accidental snapshot of their legs the day Dorothy, Trish and Jessica tried not to see Macy's Thanksgiving parade. It was a day when everything went wrong, but as Jessica explains, "Normal, that is wrong. Like an ordinary family. It is not always easy to summarize the balance between good and bad in a person's life. Sometimes it's enough to make peace with the mess of reality.
Malcolm is another character who tries to balance his personal scales between good and bad. I did not spend a lot of time talking about Malcolm in these magazines, except to note that most of his stories do not work for me. So I'm happy to announce that Malcolm has become himself again, and Jessica Jones it's all the better for that! It was not a bad idea in itself to stretch Malcolm as a character. This season, he simply did not take the necessary steps to justify his return to the dark side, which makes it less interesting to see him fight to return. his old self. In his break with Zaya, he gives the impression of being seduced by the money, power and luxury of the world of Hogarth, but we never really saw it in action. Of course, he bought two new costumes and upgraded units in his ruined building, but he did not feel like living in a lifestyle that made his ethical trade-offs understandable.
The meeting of Jessica and Malcolm is wonderfully understated ("If the new you are less stupid, then it will be an improvement"), and his willingness to help Brianna to make a fresh start is quite in tune with what Malcolm is . He has been on the road to recovery and recovery since Kilgrave lost his life, so it makes sense for him to be empathetic to someone who is looking for a second chance. As for her relationship with Brianna, well, I'll have to wait to see how I feel about it once I get a better idea of how the season is going.
"Wait and see" is actually what I feel for Trish's great revelation too. It works really well as a surprise ending point for this episode, but I'm still not sure how I feel about the restructuring of the season, especially as three more episodes are still available. Jessica Jones' world. I would like to see this series end on a note closer to DaredevilAutonomous final as the open discussion table of Iron fist and Luke Cage. For the moment, however, this episode leaves Trish and Erik on the run, and Jessica is taken into custody.
- Of course, Dorothy used "I want your Cray Cray" as a ringtone.
- I can not say if I emphasize it enough in these reviews, but at least a third of my notes for each episode speak of how much I love Gillian. About what she told the police when they asked her about Jessica: "I never saw you personally murder.
- Hogarth seems to be trying somewhat randomly to turn a new, more heroic page, even if it means convincing Kith to blackmail an opponent. But at least she drops Sallinger as a client.
- Jessica and Erik are so nice together.
- Krysten Ritter is absolutely heartbreaking in this mirror scene where Jessica tries to control her emotional ravages.
- So why did Trish take Officer Nussbaumer's insignia? Does it start its own collection of trophies like Sallinger's photo album?
- If your boyfriend abandons you by questioning the value of all your life choices, you might as well carry a power pack of the '80s.