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Jessica Jones: Season 3 Review




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No good action goes unpunished.

By Laura Prudom

This is a review for most spoiler-free Jessica Jones Season 3 from Marvel, intended to be safe for those who have not yet started or finished the 13 episodes of the season, which is now streaming on Netflix. For a deeper dive into the finale, take a look at our list of explanations from Jessica Jones.

When it comes to superhero stories, it is widely believed that a hero is as good as his villain – and in the case of Marvel's Netflix broadcasts, the villain (or lack thereof) can make or break a season. Jessica Jones has had an interesting relationship with her opponents. Rather than trying to replicate David Tennant's grandiose performance in Season 1, the series has rotated in an unexpected and tragic direction in Season 2 while trying to dismantle our idea of ​​a villain, when Jessica has learned that his mother, Alisa, long lost, was alive (and also a murderer, oops). In Season 3, the series plunges deeper into this dark ethical quagmire, offering an enemy that our heroine can not fight a path through.

The new season features arrogant serial killer Gregory Salinger – aka Foolkiller (played with threatening threat by Jeremy Bobb of Russian Doll), a character from Marvel Comics who murders those he does not consider "worthy" of the benefits that life gave them – especially those with superpowers. Salinger has no clean power, making him a much more pedestrian villain than Kilgrave. Being an ordinary civilian criminal, the first episodes have a procedural quality that sometimes gives the impression that the season looks a bit like a shot of Silence-lambs.

But after the exacerbated shenanigans of the first two seasons, there's something refreshing enough to watch our heroine engage in real digs this time around, and if the stakes look low at the start of the season, things will definitely move up a gear from here to the end. some episodes.

As I wrote in my review of Jessica Jones Season 2, "Jessica is a victim of multiple circumstances and is subjected to heinous acts without her consent. This kind of trauma leaves traces, even if they are not. But Jessica also makes choices – and often those are the bad ones – about how to respond to this trauma, who to help and who to blame, and one of the most satisfying aspects of Season 2 is how this forces it to count with the many shades of gray that occupy the whole spectrum of morality. The bad guys can also be victims, the good people are capable of bad things, the bad people are capable of good and maybe there are no 'good' things or 'bad things'. bad & # 39; in the first place, just a group of people trying to survive by all means necessary. "

Season 3 takes on this central conflict and develops it in a powerful way. Given all the trauma experienced by Jessica during the first two seasons of the series (culminating in the fact that Trish killed Jessica's mother in the season 2 finale), it is said that everyone on the Jessica's orbit is far more self-destructive than in Season 3 – Malcolm, Jeri and Trish are all tearing down their balls, out of control after their many misdeeds last season. And besides being rightly furious with Trish, Jessica is probably in the most stable and weighty place she was at the beginning of season 3. Of course, she still drinks and eliminates the pain, but she also tries to maintain healthier boundaries and actually works as a competent IP, helping helpless people through volunteer work. She's still not comfortable with "hero" etiquette as a whole, but it probably makes her more rational than guys like Danny Rand, who still proclaim their righteousness.

Season 2 turned most of Jessica's actors into completely unimaginable caricatures, usually by making them behave artificially or clichéd, which seemed to be dictated by the need to facilitate intrigue twists rather than development. logic of the character. But Season 3 provides a very effective context for providing context for the characters' actions and, in most cases, allows us to empathize with them, even if we do not always agree with what they do. This does not completely erase the frustrations of some of last season's B and C intrigues, but it does help.

Jeri's behavior is still often confusing, but as she continues to struggle with the ALS diagnosis that she received last season and with the feeling of helplessness that she causes, it's understandable to see her look for ways to control (and sometimes rewrite) her story. This season, she reconnects with an old flame, Kith (Sarita Choudhury), and immediately tries to dismantle her seemingly idyllic marriage. Jeri tells herself that she is doing something noble once she discovers that Kith's husband has done nothing good, but we all know that she is simply motivated by the selfish desire and insecurity, seeking someone to help her feel less lonely before her death.

Malcolm is now working for Jeri as the firm's internal investigator. It can safely be said that the formidable advocate 's influence has not been positive in the life of the former drug addict – but the season still gives a lot to do to the' s. Jessica's former assistant, challenging her ideas of being a good guy by putting her in more and more difficult situations.

But the season really belongs to Trish, who seemed really irremediable after his actions last season, but makes the POV character amazingly appealing here, thanks to the heartbreaking and heartbreaking performance of Rachael Taylor. The two strongest episodes of the season (2 and 11) are both recounted from Trish's point of view rather than Jessica's. Episode 2, "You're Welcome" (directed with assurance by star Krysten Ritter) offers us a kind of original Hellcat storyline, while Trish gets to master the surprising powers that she developed after the experience of Dr. Malus last season. Trish is so impatient (as desperate) to be a hero that Jessica has spent all her life avoiding, the contrast that opposes them is the most compelling story of the season, even when it puts them in conflict .

Jessica also has a new ally – and a link – with Erik Gelden (Benjamin Walker), another cartoon character who takes a televised twist here. Erik has low-level psychic abilities that apparently allow him to feel when a person has done something wrong – a nebulous power that manifests itself in headaches and is very practical at various times of the season. His schick is sometimes confused with MacGuffin-esque, but as a solitary equally damaged and cynical, he makes a good foil for our heroine, although his abilities sometimes make him more of a hindrance than a help.

But where Season 3 excels is in its thorny and complex examination of morality and justice. Everyone insists that the ends justify the means when they get what they want, but this season meticulously installs the dominoes, just to watch them fall dramatically and disastrously, which prevents our so-called heroes from to enter the recesses. out of. By deepening the dark areas that our protagonists inhabit, Jessica Jones offers a surprisingly nuanced exploration of what constitutes good and evil, and the error of good and evil – striking similar beats. at Daredevil Season 2 (and many other stories of superheroes years), but with more tact than we had from Punisher's heavy bow.

It is very easy for characters such as Jessica or Matt Murdock to serve as judge, jury and hangman. Since Jessica made the law in her hands with Kilgrave in Season 1, she does not claim to have a high moral foundation. But after seeing how Jeri operates, it is also very clear that the law has its limits. Where is the fate of these vigilantes? Season 2 of Luke Cage also touched on the idea of ​​a hero needing to get dirty to get the job done, even at the cost of his own soul, and Jessica Jones does not try to give any easy answers on crossing the lines or the distance between them. too far when it comes to removing a perceived threat. Salinger is just an ordinary human being, not a super-powerful psychopath like Kilgrave, but that does not make his acts any less horrible, and Jessica is forced to face painful truths by confronting a villain who does not need to mental control. to handle it.

As with all Marvel-Netflix shows, the season is again winding down halfway. Reducing three episodes would have helped the pace and impact of the plot, but overall, season 3 of Jessica Jones succeeds in telling a character- A well-focused story, which manages to be even more personal than Jessica's ephemeral reunion with her mother during season 2. It is clear that this season ends, even though the season was not initially intended to end before the cancellation of the season. 39, broadcast by Netflix, but is a character who always seems to have more stories to tell.

The verdict

While Jessica Jones' Season 3 initially appears to tell a more traditional serial killer story than her previous super-powerful seasons, Gregory Salinger's introduction opens up new moral challenges for Jessica and her allies.

The focus on Jessica's detective work may give the impression that the season is slow for Marvel fans who prefer their heroes to stick to the keys, but this meticulously crafted mystery reward your patience, offering an incisive and carnal deconstruction of heroism that has echoes of Daredevil. (and even Game of Thrones) while keeping his thorny protagonist and his relationships in the home. If this is the last time we see Jessica Jones in her current form (although we really hope this is not the case), Season 3 is a goodbye to this fascinating and complex heroine.


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