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The conversation with Evija Weber took place on November 10 with the desire to discover how the authentic authenticity of the music had been created, which we can hear in his first solo album "Sirdsvat" . With the question of how this incomparable natural naturalness has emerged, there are also shared feelings in the surroundings: the desire to tolerate and the need to resist.
Latvian music lovers Evija Weberis met the Howling Owl duo in 2015 with Serbian drummer Lava Kovacs. With a particular sound, they represented Latvia at conferences on the music industry such as "Waves Vienna + Bratislava", "The Great Escape" and "Liverpool Sound City". They also released a small album "Dance For Common Sense". Previously, during the Dutch studies, Evija had recorded her album "Dream Whispers" with her badociates.
In the summer of 2017, Evija joined Jānis Šipkēvica or the ship project "Don & # 39; t Go …" and became this year participant of the "Ambbadador" project of Rudolph Macat. This fall, Weber's solo album "Sirdsbout" came out with nine songs. The album is also nominated for the Austrian prize.
The first impulse
"Music is like an accessory in me, it's like a flood." I was not born, surrounded by music. "I was a simple foster child who crashed into the Kuldiga trees and listened to the radio.At the age of three, I participated in Olga Disentee and I said that I would be a singer when I grow up! I knew that I was going to learn the music! ", says Evija, remembering her childhood. Later she studied at the Ventspils Music High School and then went to the Netherlands to study at the Conservatory's Prince Klaus Jazz Department.
"I listen to jazz and enjoy the depths of my heart, and that's precisely why I learned this music.You learn a language with which you can communicate.Although I don't not chosen to appear in this genre, jazz has a great influence on my music.
I will never play or laugh if I do not have this jazz music school and the deep spectrum that you enjoy, enjoy the tradition that leads you to clbadical music, and you can also improvise freely on the music. 39, abstract electronics.
And in the middle, there are many beautiful pop artists who are able to incorporate this knowledge in their own way. I certainly did not reveal so much music, if there was no jazz, "says the musician.We will not hear jazz as a musical style in the music of Evia, but with the jazz world, it still has close links not only with the listener.For example, jazz is the basis of the creative synergy and friendship of the project "Ambbadador".
Musical instruments
When Evija authorizes the management of other musicians, she becomes an instrument within a larger world and does not impose the seal of "my music" on her own music, well at the same time. contrary: "Whatever it may seem, my creative expression does not belong to me.I spend time with them, I live these ideas up in the heart – which causes the excitement of the leak and sometimes makes it so low that it hurts.
But doubts are an important part of the creative process because they create a resistance that moves you forward.
I speak very abstract, but it is always abstract, "says Evija.His music is produced and played on synthesizers, sometimes with the help of acoustic instruments – piano, trumpet.
"The number of tools is not at all important.I can say the number – I have nine synthesizers.Some are small – like calculators, the size of the phone.Then there is has modular synthesizers that I feel like my wolf-dogs, then there's the Korg I'm going to replace, and I'll be looking for new instrumental friends to build a new world together.
Exploring a new instrument gives you the same feelings as going on a trip. It's like a child's delight! When you do not spend time with any of the tools, it takes you as if it 'sa living entity that insults you a bit. And then, you still need time to shake it up and get used to breathing again, "the musician imaginatively characterizes his creative process.
First badociation
"I think Bjork was compared only because Bjork is the first and most familiar, which badociates people who think of popular but specific music, and I compared it to Grimes. a lot of interesting comparisons .I have most liked the comparison with Die Antwoord (laughs cordially) .I did not know this group before.I am looking for them on Youtube and I was surprised to see that we can find parallels in our music, but I really enjoyed that comparison.
People need to know where to get caught. How can you tell a friend what you have seen if you can not describe it? Ms. Evija, remembering a funny case, when she heard a listener imitate singing at the Cape Cultural Center (KCC) after tickets.
"Before me, there were two gentlemen who started talking in a very expressive way about my previous concert at the KCC, but they did not know I was standing behind them and I was hearing them all. 39 – they said – I was here last week and everything was over, and a little girl spoke.All was complete! The other laughed – so sad songs?
The first replied that he could not understand but was not bad! I think I can make this situation interesting by thanking him or letting go of everything. I ask you to be cool. It was a very fun and very pleasant situation, "recalls the musician.
The first was the sound
"I want to do a series of concerts for young people, where they listen to my music and tell me what they feel.Armands (Silins) wrote at the festival" Sansui "that he was playing a little girl with my She said – a voice from nowhere and a leafless forest I've thought – that it's beautiful! Young children might have interesting judgments about the origin of this music ", explains Evija.
"This world is hiding in sounds, this song could live in the world of insects and look completely different, sometimes it seems that the painting is still alive and moving, but in reality, it 's This is a deep color choice.The same thing could be painted with a pencil, no? I do not know where is the feel of this other world.This feeling was in me and it seemed to me that was the only one for me.
But now, with the release of the album, I feel that people really call it the other world and the voices of other beings and equate it with something unreal. and unknown. Something is there! Do I know who it is? Do I consciously create it myself? No, "says the new composer.
To be or not to be – the heart?
Evija Vebere will not have this talent that delights the listeners as it accurately realizes our perception of listening to music. Evija is the talent that extends the horizon and allows you to accept a different and originally incomprehensible reality, for such an audience to discover the wider world of music. His album "Heart" will not be the first choice of music, there will be neither the second nor the fourth, and it will not be the case either. When this choice is abandoned in favor of the album, the songs will easily listen to it several times. Whether or not purely behind a human curse, because you want to understand how something can scan it?
At first, this seems to be due to the particular voice of the musician, but it includes many different elements – the tools, the techniques, the words used and the ability of Weber to be a narrator.
A minute of 28 minutes will be a trip to a fabulous world, somebody else in the real world, but Evija himself, as an intermediary, is trying to reconcile this mutually exclusive world.
She writes herself stories of songs where, using the symbolic language characteristic of romanticism, she expresses her fear, her sadness, her burning desire and her faith in the human, as in the songs " Sirdsbout "and" The Dust Wings ". Romantic and naive, but these dreams are still part of us. The song of an album is composed of the words "Ej and dzenies" of the eternal and old couple of Eduard Veidenbaum, where the musical voice is reflected in the most critical colors.
The album ends with "On Narrowing" – a song created for the dance floor. I asked Evija if she was thinking about djing? "I thought it would be very interesting to live the night in Riga and play real dance music for 2-3 hours." Other interesting and brave artists (different rhythms – AL) would be improvised but I can talk about it too.
I would probably play a different bee that would change from time to time. When I go to dance events, I appreciate the pace of change. If the pace does not change for a long time, I get bored quickly. The same thing applies to music. It's like pressing a button and playing a preset accompaniment and singing more easily, but the moment of reading disappears, which is very important for me in the music, "reveals Evija Vebere.
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