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On November 28, the artistic director of the Latvian National Opera, Arno Upenieks (1933-2018), took off, said the representative of the theater Līga Rimšēviča at the portal "Delfi".
Farewell to the actor will take place on November 30 at 1:00 pm in the Great Hall of the Krematorium.
Arno Upenieks is one of the oldest actors in the theater. He has worked at the National Theater since 1957. During his lifetime, the actor was also one of the most active seniors of the theater. He regularly visited all major theatrical events – the opening of the season, the Christmas afternoon and the "Skroderdienas Silmači".
"The new graduate of the entire theater faculty has described himself as a living character in the role of Sutka in the" Fire "diploma work, which has been performed on the stage of the current national theater. For a few months, in the theater of Liepaja and Arno, came back here and shouted at the audience like crazy. Kriss's mouth (once played by Lafaye Alfred Amtmanis-Briedittis) in the show "From "Bottom Candy", a poor Fat frightened by a juicer and married to Lavisa. "Azarts and the imagination have not been forced to look for a new actor in his pocket," described the actor Rita Melnace.
"The cornerstone of many newspapers, the same voluptuous Pulīšu Pauls of" The Lost Son "shaped the character of the actor – the character's character, followed by the next character, basically somewhere behind these masked masks, deformed by their character, the human nature of the actor hiding more and more – if they were already fighting with their face, they would not break it. And if, at some point, it would be due to the pain and to a great patience that healed … Admittedly, Arsenal's arsenal of artistic expressions was quite peculiar and it was operated without scruple., the pleasure of being on the stage, the public reaction to each humorous act also played a role in the formation process of the actor Arno Upenieks' biography, which, as the practice of the theater says, sometimes led him to go backwards. the circumstances of Ones, I will mention some of his comic characters: Laurie Alekha Kivi "Seven Brothers", "The Lolita Mermaid" of the poet Anne Brigadier, "Smoke" by Claretti Juhan's "Wild Captain at Kihnu Yen", "Cavalry Trick" by Boniface George Farker for the role of the actor.
She thinks the breaking point in the sense of the stage existence of Arno Upenieks was directed by Alfreda Jaunuation and the offer of Mikhail Kublinsky to describe him as a full-fledged actress, a Rike in the production of Blaumanis "Skroderdiena" of 1969.
"It was already psychologically more deeply entangled in nature, through which the human self that was hiding itself could feel. Unlike Erik Brītiņš, Ruda Arno's play was more rustic, heavier, but also in the sense of the glow of the city dweller. Without all the "jerks" and "appearances" known, Blaumanis would say, there were also humanly hot stripes. And it turned out that Arno could also trample them in warm lyrical tones. In other words, Ruddy warmed the heart heat of the actor himself. whose manifestations of the ability to create a scene created grotesques, even the satirical images could have been questioned, but which, after the ore, arrived so pretty in Iztvāna Kidārā (Ferencs Molnars Lilioms) or Anton and Olgurtas ( "The world, house of the people" and "Pie" flowers, where to meet ") and once again – in the father of Blaumanis Mikus" The Lost Son "," written in the scientific tra tea
The actor also shot in the series "Cerību Street 21" and in the film "Džimli Orey Rallallā".
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