In its second issue: "Patents" in conflict with the file of poetry and globalization

The second issue of the magazine "Patnot" – summer 2019, and the second issue was multiple and varied in terms of materials and poetic selections distributed at the doors of the magazine in a creative and intellectual conflict with the file "Poetry And Globalization".

13 Article between the studies on poetry and occupation by the press of articles and translations, and the number is distinguished by a long file of the new writing in Sudan entitled: Singing the isolation against the l 39; ;isolation. In addition to a public debate on the issue of "poetry and globalization" of Damascus in a private patent session, led by the poet and secretary of the Sahawi Fountains, five poets and poets, to talk about poetry and poetry. globalization, and write in front of Sobhi Hadidi on the globalization of the poem in the form and theme: from the sound and the page. With the translation of Mustafa Sabani, we will read to the great French writer Martinique Patrick Chamoiso a document on globalization and universality, baduming that the whole world is a problem of infinite possibilities. Moulayer also tells us an article on French poetry and globalization, and explains how the human voice is a landmark event. Amaragi translates Maria Grazia Calandrono, Italian poet, critic and playwright, in an article entitled: Unknown? Or is it universal? Abdo Wazen chose to write about the poetic chamber of Lorca, a New York poet, the city that shocked poets with its early globalization. But Raed is a monster that brings us back to the cave, viewing each electronic page as a cave, and every page owner is imprisoned there. While Lunès Ben Ali approaches poetry in the era of the globalization of wars, from the point of view of the Palestinian killed twice. Muhammad Nasiruddin writes: Poetry is an alternative to the globalization of hate, while the world is conceived or globalized so that the voice of poetry is not heard. Ghbadan Alam El-Din writes Wafaa Al-Sharaani, describing the poet recently left by the poet of aesthetic aesthetics, while Antoine Jouki writes about the poetic and poetic coherence of Mina Loui's visionary poetry with a selection of his poetry as one of the most unique experiences of Anglo-Saxon poetry. Before Issa Makhlouf followed the path of the poem in the last door.

As the patent magazine recalls, like the number, the great Iraqi poet who left this year, Fawzi Karim, looking out the window of a train, is about to leave. The photo was taken in Bologna by translator and poet Gbaded Mohammed.

A number of 216-page panoramic pages consisting of large pieces, bearing names, generations, different literary and intellectual sensibilities, specially designed for Raed Wahsh magazine to provide a detailed map of poetry and its relationship to the world. globalization, while leaving more space to get closer to Arabic poetry. And its geographic dimension as current places and times, we will find the way in every number of patents.

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In the opening of the second number of patents, in the section entitled "Poetry and globalization – The poison at the heart of the world," writes the editor-in-chief of the Ahmed Abdul Hussein magazine: More than ever, the world is fully opposed to poetry, Against all profound and profound words. "Poetry is priceless." This sentence was a collection of poems that testified to its stupidity and uniqueness, but now means "no value to poetry". To the next question: Do you have to pay for the price of existence in this globalized age? Or should he follow Dolose's advice "if you do not want to go, be quick, lightning does not get up".

Subhi Hadidi explains how much contemporary Arabic poetry has been able to take advantage of the great icon of globalization, namely the digital screen and its results in the reading process, from the levels of perception, from one to another. interaction and activation of my senses. Political, ideological and cultural, not just formal and rhetorical, perhaps at the forefront of exploring the relationship with each other.

Raed Wahash, who drew the cover and license plates, writes about our return to the cave, in order to compare and approach the cave, with questions such as: "Is this the first "human" logic to draw animals, then symbols, at the bottom of the caves "The latter" in the faces and posters of yellow color on the media?

Lunis Ben Ali, writing on the poetry of the Second World War, quotes poetic examples of the Palestinian killed twice in the occupied homeland, in the land of freedom, exile and reconciliation, and between possibilities. of life and death and writing. In this context, wars become an integral part of the Arabic poet's diary, and the world is given poets, autocratic regimes reluctantly, they have no choice but between the tyranny of tyranny and the wars by procuration of cholera.

Mustafa Sabani translates to us in the second issue of Patents, a long article by Patrick Chamouzou, who states that the writer is a person who walks insurmountably, that is to say, what is Calls "literature". Under this suggestion, we may suppose that the poet follows traces, in which he conceives the corrector he leads to poetry, and that the novelist creates an effect that leads him to form an idea of ​​the novel. What contributes to the creation of a work of art, it is this path that will never reach its goal.

The book "Poet in New York" writes Abdo Wazen: it picks up what Lorca was repeating about the New York experience, which he considered "the most useful experience" of his life . Wazen wonders: what is the secret of this relationship between a strange Andalusian poet and a modern hard city? What is the secret of this negative relationship between them? What is the secret of this love, which is the reverse of hatred and admiration, which is the reverse of rejection?

"For poets who want to play a simple social role and make their own contribution to building a safe and livable society, make hair shine as clearly as possible," said Amaragi of Italy , an important subject for Maria Grazia Calandrono, S addressing to the greatest number, but without poetic degeneracy. This is a series of very slippery hills.

The door (followed by the Gawon) is open to return to the Molière language, translated by Saïd Ben Elhani, a Paul Louis Boer research paper on French poetry and globalization, which begins with poetry and, on the contrary, by poetry, is one of the ways of spirituality. Therefore, they must and must be available to everyone. Ask yourself: how can we then explain mystical ambiguity, mysticism and all this research on new forms in many contemporary poetic writings?

Muhammad Nasir al-Din has closed this section of the magazine with an article in which he leaves other doors to question the painful reality: The world is being designed or "globalized" in order not to hear poetry and being converted to neutral neutrality, but cowardly, or marginal, can not save the life of its ugliness, at a time when poetry, even in literary circles, looks like a clever child to hide in the back room.

While the section (Yafkon), which is the gateway for the publication of press articles on the problem, was devoted to the publication of Arabic poetry texts, recognizing that the work of collecting An anthology or a poets file contained in a given cultural or geographical ship is a task full of many challenges and risks. To continue: What we hold above our concerns about the duty to triumph over the pain of speech, or even just admit defeat in front of her – also – unique here "Navaj" light digging into the walls surrounding the victim of the Sudanese human.

In the same file, we will read a documentary by Bouchra, which places us at the heart of the new book in Sudan. He says: "I am talking about poets, mostly aged between 30 and 40. They are very numerous and difficult to enumerate.But water, but I am trying to trace the main flow, the first , which opened the stream on high speed, interpreted and applied the writing in question until today.

In the section where the magazine highlights the experiences of non-Arab poets are chosen according to the link of their texts in the file number, a section (in each valley) and written for this issue an article of Antoine Joki on Mina Louie and her poetic influence on many poets of her pioneers: Throughout her life, she has been able to express her voice and has achieved her cold and serene vision of our world by exploding our superficial convictions, tearing our illusions and confronting ourselves with our deepest fears before choosing isolation. During the three decades of his life.

As Wafa Sha ar arani writes about the poetic experience of the late poet Ghbadan Alam El Din, she points out that: Put the poetic image in an echo of the reality or manifestation of the Absolute limits its hidden abilities and its magic to renewal; Strangeness in the face of anxiety and disorientation and pressure on the human site in the system of its relationship to time and history.

From the doors opened by the Sahawi fountains in Damascus, for this issue, the door (Lagu) of the Samarra sessions organized by the magazine to a group of poets to discuss the issue of the issue, brought together a patent session this time out of five "poets and poets, on the theme of" poetry and globalization. "The meeting looks like a confession session on one side and a demonstration on the other and questions with fountains: protest against what? We can protest against the same life and we can also oppose fuel cuts! The sometimes filled and sometimes empty goblets have gathered many arguments and points that seemed obvious to all, believing patents as free speech, spontaneous , indescribable and temporal and the formulation of sentences in their best form are another way of understanding poetry and its authors.

A number that needs to be completed at the last called gate (seal) to meet Issa Makhlouf's poem trace, and we discover that some of the creative areas that have been essential in human culture through the ages, especially poetry and philosophy , have become marginal, They can not be subject to the logic of supply and demand. The poet Paul Clodel says: "With its fragrance, not with its thorns, the rose defends itself." But can the rose really defend itself, smell its scent, and even open it, and dark clouds hide the sun?

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