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Why are they called "lions of the earth" with this word and their global shadows, even if the lions (Ain al-Sira) are softer, more fallen and lighter too? The film, by the way, is based on a deep sense of laughter and humor. ?!
It is important that the director reaches an implicit agreement with his audience and that Tarek El-Erian has been able to respect the agreement. During his career, which began nearly 30 years ago in his first film (Emperor), he implements the terms of the contract that will allow you to take the ticket price, in return. Visual, do not worry too much about emotional and intellectual pleasure, it's another story.
The second part of (Wlad Rizk lions of the earth) comes with a question: Will numerically outperform the first? Answer the first concerts of the film Yes, is it more fun? Yes, especially if you have determined from the start what you mean by definition of pleasure in the Tareq Al-Arian cinema, which relies largely on visual attraction.
A number of stars can not be counted, and many questions are growing in front of you, what Tariq Al-Arian wanted in his film, where the scenes of the end were more promising than you will see in the third part. Is not yet, where he presented a dramatic thread in the final plan of each of the masters Ragab and Mohamed Lotfy, who both participated in the premiere, added to that to captivate Ybadin to increase the space of & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; Anticipation, and I do not exclude that the honored guests, whom we saw in the sequence of their names, such as Yousra and Majid Masri and the singer Asala, you will find them a space in the third, like Sawsan, me neither. A pbad to the second, but he will enter a smart match with the viewer as he finishes his movie game and I think it will not be too late this time.
The current law states that the decision belongs to who knows the key to the public, and that Arian is able to do his job knows that the action is well done, and that he is pbadionate about following up modern cinematographic language in the world. All this puts it in the foreground of the savvy filmmakers who trust the viewer and who willingly pay for the ticket price for pleasure .. And the selection of the show in the holidays is not at all random, because this public and most young people prefer (Action) .. What if we also added a daring workshop of (comedy)?!.
The second part is free, like playing with the public in the open air, and if the second part of the two most famous films realize the highest incomes, I'm talking about Tariq al-Arian (Ould Rizk) and Marwan Hamed ( Blue Elephant), and so they decided to introduce the viewer to its audience the third part.
The writers try to find my proximity, Ahmed Murad, who became the duo with Marwan Hamed in Elephant, and Salah Juhayni with Tarek El-Erian in Rizk. By the events of the first part of (Ain Seira) after having decided at the end of the first part to stop, raising the slogan (Halal Mafish better than him), but everyone discovers that the haram is sometimes better than him !!.
(Walid Rizk) attempted to retain the external framework of the cinematic storytelling style presented in the first part, where Ahmed al-Fishawi asked police officer Mohamed Mamdouh to resemble events closer to the scene. flashback spirit, while retaining the same taste of narrative and becoming David He told Khaled al-Sawy, he is the fifth brother of the children of Rizk, although he occupies a position that places him between the servant and the disciple, and we follow him therefore tells the events, and Mamdouh was deceived in the first part, deceived by Sawy in the second. Therefore, at the beginning of the scenario of the second part, the entrance of Mamdouh with Al-Fishawi became a hot moment, an off duty officer and al-Fishawi who misled him, as he (promising to start).
The five heroes The writer has decided to deport Ahmed Karim in a relationship with Ghada Adel, in which she plays a sadistic woman who loves the torture of her victims, an attractive thread, but could not locate her in the context of the unavoidable inevitable in the main event, and Ahmed al-Fishawi has no drama. He also did not play the role of conviction, something lukewarm in his feelings and I do not know what really paid him to treat the character with all that ice that wrapped him up. . Ahmed Daoud is the next article strongly on the art scene, he is one of those artists who add a special touch to the character, it is He does not put his mark, but glimpses a written insight in the # 39 sketch of the character and begins to weave details A, eye Viserg, and at the same time, he adds a lot and still remember after the end of the technical work, this was the way is just Adham approach.
Amr Youssef calmly treated the character, he seems rebellious against senior brother Ahmed Ezz, a senior researcher, but in the end, he was limited and submissive, Ahmed Ezz sometimes played the role of thugs (vocal performance and cry of mobility), I liked Ghada Adel in Few scenes, slightly presented by .. And also Nasreen Amin by nature. Tariq Al-Arian has managed to capture the spirit of the film, it is a director able to present his shots with a variety of rhythms. He knows very well that (Ould Rizk) has pbaded the stage of anticipation and recognition, which may cause the viewer to forgive him any relaxation in the rhythm, this time he must always exceed the imagination. from the audience, he is constantly in struggle with the recipient, impressed by the sound, the colors, the light, the movements and the dramas and the transition between the shots. And so is the music author Hisham Nazih, director of photography and cinematographer Mohamed Attia Decoration, and Reham Asim Stylist, ensured this meal.
We now live on time to watch the cinema, the audience with the increase of the visual rendering due to the multiple fields of reception has become the aspiration to more, it is more voracious, and what is accomplished by new platforms not only to satisfy the most dazzling, it is absorbed by this new factor that will remain on the ground And Tariq Al-Arian is one of the most numerous to have realized this: 30 years ago, he read the code of his audience and found himself in Sira (Ould Rizk 2), a black eye.
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