Cancer has learned patience and absurd and trivial guild union forms

In the Friday episode "No Length of Biography", the star Samira Baroudi was chosen as guest on the program in an exceptional and distinguished dialogue.

The first television interview brought together by Samira Baroudi and Zavin Qayoumjian, in which Baroudi spoke with audacity and spontaneity, touched on all the stages of his artistic career and commented on the successes and failures of the Lebanese and Arab drama, as well as his marriage to the Actor Ihsan Sadek, his experience of bad cancer and his "scandals". From the union.

Between Tripoli and Beirut, between Lebanon and Egypt, between whites and blacks and colors, between cinema and television, between representation and presentation and dubbing, and between the Lebanese drama and the drama shared between the themes of the episode, Zaven also evoked the experience of Samira Baroudi and envisioned her beyond the experience of actress and representative and opinion and decision, The generation of the first founders of the televised career in Lebanon. The generation that broke the barriers, the new frontiers of art and mixed marriages, the equality of work and the opportunities between men and women, results in the story of a a girl with many talents, dialects and dreams, she came from Tripoli to Beirut and under the command of her mother ") The bottle".

From the beginning in Tripoli, Samira Baroudi began to speak and said that at the age of seven she had started a weekly program on Lebanese radio for the feast of a girl losing her mother. He was chosen by Captain Miqati after insisting on Kasting's performance. And then any producer or director wants a little girl he was looking for and starts to be represented at the age of ten.

"I stole the pallet and stood on the roof and imagined that the plants and clotheslines were the theater and the public, as well as the children on the roofs of the other buildings", Baroudi said. For her, Tripoli is the beginning and the end. "I do not breathe without Tripoli and I come back to restore confidence, happiness and hope."

Baroudi said the Lebanese work had been successful in a dazzling way and had been pbaded on to the Arab world. Even though the work required a lot of effort in terms of limited technical capabilities, there was a montage of the pen and if the actor made a mistake at the end of the loop, the entire episode is made. "We used to work to give the best, to change our teeth and our decoration, and we hold each other."

After viewing scenes from "The Adventures of Shushu", which were screened in 1967, Baroudi stated that she was upset when she saw the actor Hbadan Alaeddin because we were there. had lost at a young age. "I'm upset when I see myself in these scenes."

As for her appearance and youth, Baroudi said that her features remained the same because she practiced one hour of sport a day, just like some sports, which is a divine blessing.

Baroudi considered that the television had decided to launch the diffusion of Lebanese works to adopt the white Lebanese dialect, as it had been adopted in Egypt, in the tone of the Egyptian show, and that the Lebanese cinema had lost because he had adopted the Egyptian dialect. "I love the Egyptian dialect, but why should I play the role of an Egyptian actress?"

Baroudi said: "I do not care about the size of the role but its impact on the text, I am reconciled with myself and all my life, I try to register as actress and continuity "I'm more interested than I'm a star," she said, noting that existing talent had to be produced and that writers and directors were less than actors. She follows some of the actresses who play good roles but regrets that good actors see them playing inappropriate roles.I named Actress Rola as an actress and I considered her as a great actress.

As for her entry into the television production sector, star Samira Baroudi pointed out that she was an actress and that she was not a producer. Her husband, Ihsan Sadiq, was the producer and she intervened to give her opinion only.

During his marriage to Ahsan Sadiq, they reported that they had married Khatifah before filming the latest episode of the "Al-Muntqem" series, where there was a curfew in Tripoli. They made the decision suddenly and spontaneously, then went to Kfarshima at one of his friends, the artist Filmon Wahbi. She stressed that what brings them together, is the love and many other things: "If we did not agree, we would not go to accompany". She was not married to a woman, but before the wife of star Nouchha Younis, divorced five years ago, adding that the dead Hind Abi Al-Lama and Antoine Remi called him " Bond ", the fountain of karate. Baroudi said that in his family, the difference in religion was not an important issue and that there was more than one mixed marriage in his family, but that there was a Age difference and that Ahsan Sadik was still loved by women for denying them time and even when they were traveling. Because his mind is great.

The star Samira Baroudi said that with the civil wedding and no photo of the anniversary of their wedding because their house had been burned and burned with all the pictures, and stressed that their relationship with sincere charity based on love and that they as a whole were married and all natural both "on trips and falls in our marriage, but the flights are always over.

"But we were aware of the problem and the atmosphere of the war frightened us of the idea of ​​procreation as we moved from region to region and from valley to valley," Baroudi said. "I do not feel sorry for not having children," she said. "The children are sweet and bitter, but we leave behind many of us in this world, but there is still Samira Baroudi of my family and the children of the Ahsan brothers. She stated that at the beginning of her marriage, she had decided to retire for months and that the speech was on time. "We discussed the return issue soon after and we promised quickly."

Hundreds of televised, cinematographic, radio and radio works between Lebanon and the Arab world, which can not be shortened, represent Samira Baroudi's long journey. Zaven spoke only of seven images considered important in his artistic career.

Samira Baroudi said that the best series had not worked until today, but one of the best presented is the "Dear Marwa" series and the worst is "Farewell, Afamia", adding, "I'm against to make of the series a representative, We need today in the drama Lebanese 7 or 8 stars of talent, intended for the directors who direct well the actor.

Commenting on some of the most prominent names in the Lebanese drama, she stated that Hind Abi Al-Lama was the director's badistant and that she was acting, but that many of the filmmakers were not in the same position. actors opposed to the idea of ​​introducing Hindi Abi Al-Lama or advertisers into the world of acting, but she was with India and similar experiences . The experience of Noha Khatib was a very beautiful and charismatic happiness. Nozha Younis had no problem with her. Nozha Yunus's problem was with Ahsan Sadiq and "I do not know the reason for their problems". She said that Wafa Tarbieh was an experienced actress and that she had evoked the distinguished feature of the series "Memoirs of a Nurse" and had felt that Nidal Al-Ashqar was disabled in her work on television.

Baroudi recalled the stage of the series "Maria Mercedes" and felt that "the Lebanese shared that this stage was satisfied and reached its peak". The Turkish works are now good works with the voice of the Syrian representatives, and the dubbing was transferred from the Lebanese to the Syrians, because one of the producers holds the monopoly of all the Arabic soap operas and bought the rights, emphasizing that "the Lebanese are a permanent competitor and that his capabilities exist as an Arab representative. "

Samira Baroudi spoke about her experience of bad cancer in 2000 and stated that she had gained it by faith and patience. "I followed all the steps and took medication for seven years and my doctor cut me off at all stages.The hard was for those who surrounded me, God gave me strength and patience and I felt that it was an experience from which I had to draw lessons.I have withstood a great deal and have helped resist the knowledge of all satisfying truths. "

When she was invited to a conference in Jordan and surrounded by great love, she broke the tranquilizer because she considered it ineffective in the face of people's love. She added that many colleagues stood by her side and remembered the late Georgette Nabulsi addiction and her special mention at her side. "The day Georgette left, she broke friendships and lost my sister and her mother, she was one of the friends who had exhausted me at every stage of my life."

Samira Baroudi and Ahsan Sadek were badociated with trade unionism in Lebanon, and in 1993, a founding member of the Lebanese Trade Union of Professional Artists, was seen as an escape from the Union of Representatives and a campaign to defame her. "Trade unions are like Arab countries," Baroudi said. We fail in collective action and we work as individuals in distinct ways. Our union in the Arab world is similar to us and in Lebanon too, we are failing in union work. "And considered that what happened in the artists' union is absurd and trivial and has been exploited.It confirmed that she had resorted to justice, that the jurist had reported all the verdicts and that she was still pending before the courts and that she would not talk about the details of this case only in court.

Baroudi considered this a "stumbling block in some dirty projects." The story is invented to send back Samira Baroudi for dirty projects and not return to an absolute union if these artists participate in it. "Baroudi confirmed that it was the happiest day of his life with regard to trade unionism. "I am convinced that the Arab unions are not being treated and that we are getting worse and worse," she said.

"I do not claim power, but no one underestimates me because of my powers in law.I am sorry for them because they are working on a project for them, but they do not have the dignity, "said Baroudi.

In response to a question, she said that she would not call anyone because they did not deserve it. "I'm searching them because they're going to mourn." "I wrote a testament if I leave, I do not want to have pity on me, I'm sorry and I pity them and wonder why they did all that?"