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During its prosperous existence, the Beatles collaborated in five films. Let It Be is the only documentary among them. The first and best of their films dates back to 1964, when they directed "A Hard Day's Night," a slight mocomentry that creates a trip by which the four-band band travels from Liverpool to a television studio in London. This meager plot will be the main reason for launching a number of jokes and light and screaming anarchist girls. A year later, they filmed "Help!" "Help" – in color this time – using strange photography sites, to get out of the bar with jokes and suggestions on the edge of melancholy. The album, which bears the same title, was a hit.
But what if nobody heard about the Beatles, as if she had never written a nice collection of songs that changed the shape of pop music in the 1960s? What will the world look like then? This is the basic idea of a movie "Yesterday" (*), Screenwriter Richard Curtis, Danny Boyle, Steve Jobs (2015), Trainspotting (1996), 127 Hours (2010) and other award-winning films.
Jacques Malik (Himesh Patel), a young singer and songwriter who has been in the cafe for years and with the exception of a group of friends, no one has listened to him. One day, his guitar was hanging on a willow, the electricity was cut all over the world for 12 seconds and the owner's bus was hit. When he awoke, he discovered that some things had changed: no one knows the Beatles. He searches on the Internet and only shows pictures of beetles. The scene becomes more fun when the name of the British group, "Aussies", bears his name, in order to obtain immediate results referring to the oases. But he sees that this is not a big loss for the history of music. Thanks to the Beatles' famous songs, which the owner is the only person in the world he knows, he has a second chance to succeed. At first, he was not very lucky. In a beautiful scene, he tries to sing "Let It Be" in front of his parents, but they are busy with something else, preventing them from enjoying the quality of the song. But his rise is inevitable, with the support of Ed Sheeran, who will play with him and will make the song "Back to the Soviet Union". The success of Malik begins to spread, just like the group half a century ago.
Then start the marketing machine and work problems. His authoritative American director (in a nice role for Kate McKinnon) makes sure he becomes a global phenomenon. But two things are important to Jack: a lie for which he writes himself songs and the question of whether his love for his devoted British director Elie (Lily James with the appearance of a wizard), shared by his joys and his punishment for years, is nothing more important than celebrity. His relationship with Ellie is becoming a nightmare, with the emergence of problems that are very reminiscent of what happens to the hero of "Shakespeare's Memory," the story of Jorge Luis Borges, who commemorated the greatest English drama.
The title of the film is a little misleading. He refers to a familiar love song of Bethlehem, to indicate that there is a great emptiness in his love, but it also includes an explicit nostalgia that is not highlighted in the film . With the help of his friend writer Richard Curtis, Boyle avoids turning the film with the rules of a beautiful art school and begging nostalgic fans for days that will never come back. The magic that he animates "yesterday" is not to worship what has happened forever, but to celebrate what has never been. If there is a purpose for Boyle's film, to get involved in some delicious speculations, it's to confirm the lasting influence of the music of John, George, Paul and Ringo (a point likely to be appreciated in a particular demographic context), as well as those who have more recent references to pop music Ed Sheeran was the best example of this idea in the film).
On the other hand, "Yesterday" can be considered part of an unofficial (and unrelated) trio of recent movies celebrating the pop stars, after "Rockett Man" devoted to Elton's biography. John and "Bohimian Rhapsody" by Freddie Mercury. In his honor and celebration of the music of his absent heroes, "Yesterday" does not have the usual metaphor for "star" films, where the success of the great hero means his ultimate destruction, a theme that has always attracted stories of rapid ascent and fame of urgency. The hero is not exposed here to misery, corruption or transgression, even in the eyes of familiar scenes of the usual mix, lack and textual efficiency. But "Yesterday", in the end, fantastic love and love story. Where fame, success and rewards do not diminish the behavior of the innate owner, nor do they manipulate his feelings toward the only woman who matters more than the others. This, in itself, sounds fanciful, but it is beautiful and proportionate to the atmosphere of the film.
Richard Curtis, who has a number of distinguished romantic comedies such as Four Marriages, Notting Hill and Love Catchwale, is not surprising that the romance of this film is of a discreet genre and corresponds to the largest number of recipients. Jack Malik is an attractive figure and easy to love, despite his cynical dogmatic doctrine and his silly inability to recognize the lure of Eli, his commercial director and best friend, for him. Ellie is also a prominent figure, evoked by Laila James, who has gone from the idyllic role of a perfect friend to an endless end, adding to her look a quiet independence and trust worthy of a contemporary girl of dreams. The closest model of the villain is Kate McKinnon, in the role of the American business tycoon, who directs the owner 's march to higher levels by excessive tactics of intimidation and sometimes intimidation that seem familiar but rather exaggerated.
With all the film's attractions and film materials to complete an ideal work, it is very disappointing that Boyle abandons the creativity of his story to turn into an unsatisfactory consolation as rewarding as it is useless. So, with "yesterday", Boyle makes an incomplete but very enjoyable film. In the era of recurring movies and extramural movies, Boyle's success is a novelty in a relatively high-budget movie, a small miracle at a time when it's easy to expect outings studio, agendas and important standards.
After the "Queen" public boom last year, with the "Bohimian Rhapsody" at the Oscars, 2019 seems to be the year of the Beatles with "Yesterday". Contrary to the controversial biographies of Freddie Mercury, Danny Boyle is not interested in tracing the history of the four-wheeled vehicle nor his solo, but looks more closely at the music industry and the methods global marketing by presenting an acute satire in a comic style reminiscent of the clbadic Beatles song. "Yesterday" is not only the most beautiful films of the British director since his film "Millions" (2004), but also the most unlikely work that should emerge. A delicious movie has its flaws and weaknesses, like the fruit of an immature fruit eaten out of season.
(*) Presented in Lebanese galleries.
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