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Since 5 pm, crowds gather at one of the stands in the Lebanese Kaslik area, waiting for specially designed transport buses for those wishing to attend the Kazem El Saher concert in Ehden, 110 kilometers from Beirut. Faces of different ages and nationalities await the festival that Al Saher celebrates for the fifth year.
The owner of "Anna and Lilly" has been in control for two decades in the field of festivals and concerts, not only in Lebanon, but also in the Arab district. There is a secret behind this, which can not be explained, as confirmed by a 50-year-old woman who chose to attend the "Tsar" festival for the third year in Ehden. Her neighbor said that she had been moved to tears last year when she had seen him on stage at the Casino of Lebanon. He is happy to see him again.
The mission of Kazim El Saher is to maintain his presence more than 25 years after his effective departure from Beirut and to broadcast a line of music different from that of his fellow Lebanese and Arab singers.
Al-Saher spread with the popular Iraqi song, which went unauthorized into the Arab Ocean at the height of the Iraqi political crisis, then with poems that were remarkably successful, and restored the luster of their singers after years of absence. On the other hand, Al-Saher has given up trying to impose his latest songs or to market them, perhaps because of the weakness of Platinum, which he joined in 2016, and perhaps Saher's insistence on singing without change what we already know about concerts.
The difference between concerts in Lebanon, in terms of presentation or quality of songs, seems weak or non-existent. Why does not Saher change his concert program for years? And why this delinquency in relations with people? His program has become memorized by all. One also wonders why the public has time to sing in the stands.
On the other hand, there is a good attitude, indicating the ability and respect of the band 's musicians, which is to give the time to listen to the actors sometimes through the "solos" and to make sure they are heard. move away so people can interact with the music without singing.
In conclusion, Al Saher usually finishes his concerts with songs from his album "The Book of Love" in 2016, with the aim of returning to talk about emotions and begging for enthusiasm or interaction final before the goodbyes. It could be an emotional downfall that matches the amount of "romance" that dominated the entire evening, as calls to stay on the scene follow one another and the cries reaffirm Saher's success and the mystery that remains obsessed by the audience. . An audience does not want to reveal the truth in their race towards the Saher, but every year they insist on coming and interacting face to face with him.
Date: 2019-08-04
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