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This is the twentieth consecutive year that the tsar climbs on the stage of the Beit El Din Theater to turn the venue and the hour into a magical scene in which the upscale romantic dream resembles those pink balconies of the palace from Beit Din;.
Thousands of women and dozens of men are waiting in the stands to launch the celebration, which has been delayed by the intensity of the audience, a huge orchestra sought after by Saher at the opening of his first evening, more than 100 musicians and orchestras led by Michel Fadel. Best Female Idol Selection of her first song "Wonderful Wonderful Wonderful Wonderful Valentine", perfectly adapted to imitate the public's thirst for her art and her presence paper.
In the space of two hours, without interruption, Al Saher inflamed the enthusiasm of the public and transferred it to another world, in which the trio of performance, vocabulary and melody filled with aesthetics and from luster mastered the Tsarist incarnation of the dazzling limit, the cries of the spectators, one of them succeeding in storming the theater that ran towards the tsar as long as he was unchanged, "But the Tsar stopped his song as he turned to her and said," Let her go. "She had what she wanted and took a picture next to him, she was upset, the audience screamed and demanded the same thing.
He sang a bunch of his songs and did not hesitate to meet what the women were asking for his concert. He also sang his new song "Rebel Rebellion, and I love him as a rebel, it's the choice of the heart and his life." The gift of the latter to his audience comes from the words and the poems of the poet Karim al-Iraqi and the cast of Michel Fadel.The audience interacts with him and turns to Coral in most of his songs for that he sings with him, while Al Saher exchanges his audience with a shy smile and pulling enough signals from his hand to ignite the stands, and those who arrived on the scene and gathered in front of him in expectation of peace and image, they had this they wanted and the Saher's enthusiasm to shake hands with those lifted hands. .
Strangely, the tsar, cradle of romanticism for twenty years, has not lost sight of his charm and the growing interest of his audience for him. "That's the secret of this extraordinary success," says Jumblatt. "It's the secret of this extraordinary success," Jumblatt said. What proved the scale of these festivals in their thirty-fifth year, is not only well organized but also through the level and unique cultural diversity of the artists.
The most popular songs chosen by the tsar for the Beethin festival were his first night: "Behold, my beloved, who is your husband, love me without a contract", "Be a dangerous woman", "your body gives off a dangerous scent of intentions ". "Do you have a doubt?" "" I love you, I love you "," I love you "," I love you "," I love you "," I love you " like "," I like you "".
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