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We are a Lebanese group founded ten years ago. One of the most important reasons for our pride is our multiplicity: we belong to different sects, regions and identities, in a country where there are many projects of the same color. We carried our differences along Lebanon and participated in most of its festivals until we reached the world.
Last week, we talked a lot about ourselves and the hidden projects that we serve in secret. All we want to say is that we all have a great love for our country, Lebanon and our people. We, like others, have our ideas about this country.
This is the Layla project group, we are aiming for what is beautiful and creative. This is neither a demonic group nor a Masonic group. There is no goal or secret project.
How did the events of last week evolve?
Last week, we saw a big bias in our team. It all started with a video that has spread to social networking sites, where terrible things have been said and certainly not true. It is said that the designation of Leila refers to the night of eternal injustice. We asked about the priest who produced the video. We therefore understood that he had received a disciplinary judgment requiring him to suspend all his activities in the church. But he does not have it.
The hours have not stopped until many pages of social networks are active. What shocked us was the size of the charges and the change in the meaning of the songs and lies and the making of the images. The programmed campaign has reached the point of direct threat and blood wastage. But many of them were launched in Hachtagat: # Dmkm. And #magic_string (that is, the concert) # if _magin_hunn_ is canceled.
After continuing this speech, human rights organizations called on the state to intervene to end the lawsuit that took place against us on the street. But we were interviewed for the first time in our group's journey, about two of our songs, without taking any position to protect us. Although the investigation did not show any criminal offenses, things never changed and the attack remained the same. Few had heard of it and often the previous opinion preceded us where we are going.
We have been judged in the street, transforming all those who want to judge sentences and applying them against us. It's a break with the logic of the state, an outlet that touches down on any sense of our security, our ability to demonstrate art and creativity.
Clarification and correction:
The attack began with the publication of a portrait of Madonna, who would be responsible for its manufacture. This image was not made by the group and has never been published on any of its pages. The bulk of what has happened is that one of its members posted on his page in 2015 an article by writer Scott Long, containing this picture, an article dealing with the conversion of popular culture in cultural icons, before coming back and removing it from its page in 2016. All images attributed to the group or to one of its members are fabricated, manufactured and incorrect images.
All erroneous interpretations and misinterpretations of certain expressions in the two songs of the group out of 50, it is important to point out that these songs have been performed in Lebanon since 2015 and that no one has opposed it ever since. Suffice it to say here that the meanings of work often differ from direct linguistic meanings, especially if they are removed from context. This is the cause of all this blasphemy.
Position:
There is our principle of coherence. It is the motivation and motivation of our work: our love for the homeland, for our society. On the basis of this love, it is important to clarify and declare:
We sincerely and sincerely regret anyone who feels their beliefs in one of our songs. We badure and badure everyone that these songs do not affect the sanctity or the beliefs, and that the prejudice to his feelings is mainly due to the campaigns of defamation and defamation and the false accusations of which we have been the first victims and it is unfair to hold us accountable. Our respect for the beliefs of others is firm, as long as we respect the right to be different, and what will happen eventually will reinforce our concern in this regard.
The circumstances in which we pbaded, which resulted in the decision of the Byblos International Festival Committee to cancel the ceremony, were very difficult and stressful. We felt the fragility of the situation in Lebanon. As we work hard to overcome these feelings, we thank our faithful audience and all those who spoke to us about local and international human rights organizations, cultural and media organizations, activists, friends and family in this difficult time, and we hope to meet them again with the most beautiful of what we have. And in the hope that this will be done in a more tolerant and receptive atmosphere of what is different, in a country that really looks like what it boasts.
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