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"My Pyotr Penas"
Follow the repertoire here
The Dodok Dance Theater of Padding Dapi Fish creates dance shows of various shapes and genres for adults and children. This spring, the troupe added its repertoire to a public dance show often forgotten – the young. The dance performance of new choreographer Agnies Šeiko, "My Pyotr Penas", is a sweet story about the relationship with the child and with the other – near and within us.
On Lithuanian stage, it's a rare performance. the role of creating an interpreter of Down syndrome. Julius Jurevičius creates the image on stage. Vedin remembers the rest of the desirable white dispenser as an inner child, who must be able not only to make friends, but ultimately to lead them. It must be admitted that the choreographer has managed to create a very homogeneous choreographic fabric combining artists of very different experiences.
The role plays five Padi Dapi Fish dancers – Mantas Čereckas, Inga Kuznecova, Gintare Marija Ščavinskaitė, Niels Claes, Eiva Dobilaitė, who form playful playground for children from no country. Admittedly, their story is not the same. The sweet and clear introduction to the performance of the performance changes choreographically very interesting, but the second part of the performance is quite a shimmering sense of narrative development. The choreographer creates interesting and expressive mbad scenes, skilfully and ingeniously exploiting the possibilities of the recently renewed troupe. But it is there that the dramaturgical line is diving. However, later, this deficiency is offset by a calm but painfully sensitive finale.
The choreographer A. Šeiko constantly collaborates with other creators of dance performances, which completes her performance in new forms and contexts. The interesting and spectacular music of the German composer and producer Sven Helbig created specifically for this performance is the result of such cooperation. In the sound musical composition of the performance, four live cello sounds and modern electronic sounds.
The story of the adventures of Peter Pan and his friends on the journey and wandering is transmitted this time gently and cleverly, touching fears with his fingers and interrupting his conversation with each other .
Recommended for those seeking dialogue with the inner child
Proponents of pragmatic thinking are not recommended
"Things"
See Theater "[19659012] Art Fort "(Bernardinu St. 8/8, Vilnius) [19659003] The young actor and director, Paulius Markevičius, seems to constantly balance the search for traditional drama and new forms of expression. An example of a different speech to the audience would be to name it a few years ago, but rarely shown, which is why his work "Things" is still quite new. In collaboration with the "Science and Art Laboratory", the one-shot performance aims to deepen not human relations or conflicts, but issues raised by physical science. Can we interpret them more precisely in a theatrical language?
Young actors and dancers acting in the scene embody both the abstract nature of the forces of nature and specific labeled physicists. In the space created by white sculptural sculptor Barbora Šulniūtė, Simon Isaac Newton Dovindikko, Neil Armstrong, Victor Zapalskis Albertas Einstein and Greta Grineviciute Maria Currie settled at Simon Dovindikso's Isaac Newton, and Nikola Tesla, who was only Nikita Tesla, tends to follow the shot. Their personalities and relationships are characterized by a brief informational divergence, which allows actors to sign historical personalities to transform themselves into their well-known laws, particles of the universe or simply philosophize and sense of life not only to grasp but also to reach the young aspirations. It is fragmented from the laws of science, information, immissions, movements and interactions between people. This allows you to do such jumps from the atom up to Adam and Eve, or the astronaut questions on the beginning of the world. And all this to try to understand the caricature of our fragility in our life and in the world.
P.Markevičius is very attracted to traditional theater, so how do you deal with meaningless questions without a hamlet skull or several other theatrical elements? It seems that a director does not trust the courage of his own design. However, "Things" diverges enough from the usual theatrical text to reveal that the stage of scientific theory may seem poetic.
Recommended in quantum physics from the beginnings of existentialism
It is not recommended that theater be seen as mere interpretations. 19659004] 
"Falling into his life"
See at OKT / Vilnius Municipal Theater (Ašmenos St. 8, Vilnius)
Follow www.poker.tv [19659003] British Playwright's Martino Crimpo's play "The Lies About His Life" premiered on the London stage 20 years ago in 1997. The world is about to prepare for global digitization and continues to work for the millennium generation. For the first time in Lithuania, these pieces were taken by Cezaris Graužinis with his group in 2005, when the fallen twins of New York had already been replaced by the world. This year again, Academy Director Koršunovas played with the youngest generation of comedians OKT / Vilnius
More than a decade ago, men and women were the same as the storytellers of life. # 39; Anne. had to create for the public themselves. Over the last decade, the end of this season, in the performance presented by O.Koršunov, is also reflected in the imagination of the place, which is not very present and that remains – everything is visible and tangible.
Free history, linear structure or game without intrigue. The life scenarios of Anne are presented. She is both a motel, both philanthropist and bad star, and the equivalent of Amelia de Montmartre, a terrorist, and a family car. She is an illusion, a conspiracy theory, a phenomenon, but above all a fantasy of imagination (probably the favorite image of this director)
"The Assbadination of his life" is badociated with the modern Lithuanian reality by presenting a critical and ironic attitude to the #metoo movement, without rejecting badist attitudes towards gender relations or establishing parallels between the lyrics of the piece and the exhibition Arthur Rail's "The Girl is Innocent" presented in the last decade of the 1990s. However, it is worth noting that global trends are presented here as foreign and distant, and that terrorism or warfare does not exist. is not a threat to the neighborhood, but an abstract and distant human catastrophe.
However, video, music, rhythm, costumes, lights Hero, costume designer Roberta Raubickaitė) in the overcrowded performance, the main driver is not the design or interpretation, but the talent, l & # 39; energy and enthusiasm of young actors, inspiring from the story more and more fictitious.
19659004] The imagination of theater lovers is not recommended
"Autonomy"
The representation of the metonymic family as the smallest of its parts is frequently used in the theater to convey the state of a society or critics. It offers several levels of interpretation: family events can be considered not only as a specific state or society, but also as a destiny of the whole world or part of it. Árpád Schilling, the Hungarian director Árpád Schilling, represents a rich family, not happy, but a little happy, among others, who was not happy enough to survive
Three years ago, at the Lithuanian National Theater , the director of this group. The piece "Great Evil", created by Mariumi Ivashkevich, describes the war in Ukraine. And this time, Ildikó Gáspár Á.Schilling, with the actors and co-author of the text, continues to examine the concept of autonomy in the post-Soviet / post-coup reality through the lens of freedom and freedom. 39; adaptation. The artificial members of the family of the remarkable Youth Theater and the invited artists represent historical, national, social, psychological and customary issues that we have known for a long time, but which are not always well understood. However, the performance does not exceed the limits of detection and diagnosis.
One of the difficulties of the performance is that the story that he tells is not specifically Lithuanian. It could take place in any other European country (from the East or the Center). And although this creature is intentionally codified by the creators themselves, it violates another sensitive law: if they want to be global, they must first be local. Thus, it is not difficult for the viewer to identify with the narrative, to identify more accurately and to look critically, to reflect on complex issues of personal and national identity which arise alongside family relationships, although being the original goal of the creators of the performance. Autonomy, lost in the general laws and internal dramaturgical games, remains very autonomous vis-à-vis the public, as if it were valuable in itself, without having perceived the participation. This is perhaps because of the cold of the scene and the public's boredom
Recommended for those who liked "Great Evil."
It is inadvisable to have a clear position in contemporary theater.
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