Asmit Grigorian triumphs: now she is a world star

After observing the dress rehearsal, it is said that after the applause, Asmik was able to cool down and that after the premiere, the famous Italian director Romeo Castellucci attacked the road against the Lithuanian soprano.

A. Grigorian appeared for a long time. The Voiceke played in Salzburg last year at the Salzburg Festival, but opera critics did not expect such a performance from Solomyeh, unanimously claiming that this role of "full metro" of the soprano has been recorded in the world-clbad vocal world. On the one hand, on an inspiring and courageous rendering, he catapults Asmik Grigorian's main hero into a new soprano star. "

It will now be difficult to find the representative of the opera who has not heard of the daughter of Gehamo Grigorian and Irena Milkevičiūtė.

The Financial Critic Times, review of the opera, titled "Salome, Putting an End to Everything else," did not fit the words, "If Salomeda succeeds – and it happens – it's just Grigorian." His Salomea complements all the Others on the huge, empty stage that she represents – a gorgeous figure with a white dress – and all the audience is breathing with her. "Being already more of a protagonist, more of a hurt than a victim it embodies all the suffering and prolongation that stem from being in the last bastard of humanity in this uncontrollable world. <...> In the end, no one has more than Grigorian's wave of charisma takes on its own, while Franz Welser-Möst of the Orchestra p hilharmonic Vienna gets such a melody that you hear the best works of this work up to now. "

Der Standart:" Asmik Grigorian created the enchanting heroine <...> the half-destructive vengeful angel. She grew up in dirt and bad milk, becoming bright in color, lyrical colors and dramatic extremes. The Lithuanian singer was only sung of the famous vocal dance – Castelluccis refused him, instead Grigorian was in the posture of the embryo. Thanks to this incredible interpretation of this
the 37-year-old singer
was able to enter the highest league. "

" Saturday, 22 hours – salvation. The public, first
was in a state of total shock, recovered from the applause of
and celebrated the birth of a new star in the opera
in the sky . And they were right. Grigorian, with the help of Franz Welser –
– Mösto and the Vienna Philharmonic Orchestra, who performs music with
a huge saga, sings prematurely in front of the main work of the director
and becomes stronger and more persuasive
for her. ] BR-Klbadik: "She's really great: Asmik Grigorian sings,
plays – Salome, Their flamboyant soprano
eclipsed all the excesses of Strauss's orchestra." In piano singing,
the voice gains in seductive lightness, but when in the lowest register
he asks Johannan's head to feel the full extent of emotional discomfort
.Parking a white dress <...> it moves after
on an almost empty stage with golden grounds and dominates this
evening: gestures, marches, eyes, and breathtaking
sources of vocal energy.

Der Tagesspiegel : The Grigorian's voice is by nature quite severe, but from within it can spread so much power that the listener will simply be blown away. "

Liaupses' soloist could be quoted further, moreover , it is likely that
soon they will appear t more. As already before the Prime Minister,
Asmik himself saw Salomeda "as
a disadvantaged child with all subsequent consequences." <...>
I was very lucky because the director is a symbolist , an expert in visual art
so the psychobadysis of my performance, because I look Salomeda
entirely psychologically, is full of all its generated characters and, it seems to me that the great work of
seems to have borne fruit – Salzburg's new "Salome" has become
an inseparable link between the director of Castellucci and the artistic Grigorian
who recorded the Lithuanian soprano
Now is the time to wait new knowledge of the first film
on the scenes of the Metropolitan and La Scala and to rejoice that in February
Asmik can return to the stage of the Palace of Congress,
The first e from the opera "Pikamedamos"
.