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As part of the Professional Stage Art Festival "Musical August in the Seaside", for the first time in Lithuania, an impressive musical project "365 – Seasons" (Ukraine) is presented.
Actor of the Independent Theater Kharkov "Wonderful Flowers", one of the authors of the project idea and installation of director Artiom Vusyk asked to tell what will happen on the scene of the joke. : "Shock? No Let's take it? No We will create such a visual and conceptual scene that will" fight "with the most powerful musical composition."
– "365 – Seasons" – a musical project of the National Theater. Opera and Ballet Lysenko of Kharkov and "Independent Flowers" of the Independent Theater of Kharkov, which combines the best artists of the city. The project was born with the offer of Armen Kalojan, which was: Kharkov National Opera and Ballet Theater NV Lysenko provides the Kharkov scene of the Independent Theater "Wonderful Flowers" with the big stage, head chef. orchestra and orchestra "The Times of the Year" Antonio Vivaldi and Astor Piazzolla. We look forward to the idea, concept and direction of the project.
While listening to the wonderful "Years of Time" music, with Igor Kliucnik, we started to create a project scenario. Let's spread our fantasies. The characters and situations supposed to be able to play for this music are born gradually. We also took into account that the project scenario must match our age. After two weeks, the script was ready, and the selection of actors that suited these roles began. We gave the rehearsals a month and a half
– What is the performance of the performance?
– The plot consists of stage paintings with separate compositions. The story begins with the fact that the mother and her father spend their adult son (Michail Zaharov, the first violin) on the adult world. The boy plays in the orchestra, accepts a girlfriend. The young man lives simultaneously a variety of contemporary life with particular problems and tendencies. The performance reflects the insignificance of modern life, the dependence on modern technology, the wealth and inequality between the bades, our desirable goals, all the destructive power of desire and other problems.
– How to name what's happening on stage? What is this unique fanc-futurism or modern art?
– The genre of the performance can be described as a grotesque engaging with bufonada and satire, where the main instrument of the discovery of the stage art becomes the body of the 'l'. actor. This is comparable to the Commedia dell's arte (more commonly known as "Italian comedy", ie the presentation of humorous plays) or to a silent cinema. Many situations in the scene are reinforced by unexpected surreal twists, which further accentuate the absurdity of our modern world.
– "365 – Seasons" presents to the audience a collection of abstract characters – animals, plants and even objects that have human qualities. How do viewers understand it and accept it?
– Modern viewers not only learn, but also spit, so that the characters are not surprising and hardly perceived at the theater. On the contrary, they give the public an additional opportunity to reflect, understand and penetrate deeply into the depth of the story presented.
A contemporary viewer is ready to think and ask questions. In addition, the viewer has become more demanding and this allows us, artists, to speak an increasingly complex scenic language with the public. What is difficult to achieve for contemporary art
– "The Seasons" by Antonio Vivaldi (baroque) and Astor Piazzolla (tango nuevo) music. How do project participants succeed in completing and engaging in a spectacular musical piece and becoming a common entity on stage?
– Modern theater becomes a synthetic, adaptive and multilayered menu. This art manages to combine seemingly non-combinable things, allowing to look at one subject or another or reveal another angle.
Rapid and dynamic communication occurs in our society, which is reflected in the theater. We can not stay away. So, in order to attract and retain the attention of the contemporary viewer, he must be constantly amazed, preventing boredom.
– How can Kharkov Independent Theater Artists "Wonderful Flowers" stay in the background of this fascinating music?
– I fully agree to create such a visual and conceptual scene of the painting, which could "fight" successfully with the most powerful musical composition – a great challenge. At each repetition and each performance, we improve our know-how: we add something, we refuse something. The process of improving performance never ends.
– What would you like to convey to viewers who plan to come to the show? Or how to bring them?
-Our invitation is a suggestion to the Lithuanian public: be prepared to see something "new" and open "something like that" to accept. We will try to make Lithuania's performance memorable for everyone: for both spectators and performers.
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