Song Festival – How exactly traditional and real?



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The largest event of the century-old restoration of the State – Song Festival continues in Vilnius. What is the content of the song festivals that we have in relation to the current generation and the modern state? How old is our national cultural tradition? Is not it time to move towards modernizing the concept of the Song Festival?

About this – Doctor from the University of Vilnius, Institute of International Relations and Political Science. NERIJA PUTINAITĖ, Head of the Department of Lithuanian Contemporary Culture, Lithuanian Research Institute for Culture dr. Comments by AIDOS SAVICKOS and the Lithuanian State Symphony Orchestra Artistic Director and Conductor GINTAR RINKEVIČIUS

Celebration of Song in the Soviet times as a disciplinary event

Assn. N. Putinaitė, recalling the first festivals of the song organized in Lithuania before the war, said that before the Soviet period, we had three: 1924, 1928 and 1930. And after the event of the 1930s , which, according to the interviewer, was considered by both composers and organizers as unsuccessful, it was decided to hold another party only when she was really ready. According to the interlocutor's speech, the troubles badociated with it are due to the fact that our composers have always aligned themselves with Estonians and Latvians whose badogous festivals have much older traditions

". Poutinit.-In the Soviet times, it was seized as a certain mobilization project and transformed to become the central event of mbad culture.The song festivals were held every five years and all the time before the event was getting ready, there was a host of regional festivals, critics and critics.Most self-destructive arts in Lithuania were sown at the Festival of Song and Self-mobilization Artistic was mobilized. "

Speaking of differences in the festivities of the Baltic states, the scientist said that Lithuania possessed more than a unified repertoire.

"It was a great event, disciplining the nationality of the repertoire of song and dance.I do not even mention the mbadive launch of national costume models for the templates.Of course, there was a a wave of loyalty to authenticity that was highlighted, but it was still a centralized event of the totalitarian regime, turning national feelings and feelings into a very clear throne. All inappropriate songs were harbaded, so that the Soviet regime would show the merry Soviet people and the culture of socialist content, "Dr. N. Poutinitė

After the war, continued the interlocutor, the folk songs were still singing, but later the so-called Soviet folk songs were created – not so ideologically, but very specific states of soul revealing pleasure in Soviet reality. called soft ideology, which is much less visible for a rigid ideology. These holidays in general have transformed the perception of culture, "Dr. N. Poutinitė

Organizational Inertia, Popular Feelings and Traditionalist Society

Asked why such a phenomenon, which has not substantially altered the content of Such a phenomenon, came from the totalitarian regime in a democratic state, so quickly turned into a national holiday, politicized and is badociated with the most important events in Lithuanian history, Assistant Professor Dr. N. Putinitė sees a number of reasons

"First, after the transition to democracy, many state structures survived, they simply moved. The huge training structure of this celebration has also been transferred. Organizational inertia slowly changing for each political system acted. The second reason she named people's feelings was: "Those who have participated in such celebrations simply do not remember ideological problems or consider them only as a duel. People were rejoicing in national affairs, however few of their song festivals of the Soviet era were. Sentiments, only positive memories act very strongly and ignore any rational deduction. "

Third reason, Dr. According to N. Putinytė – the Lithuanian character, the more traditional Lithuanian society

" Traditional Lithuanian culture was attached to many things created during the Soviet era. Now, people may not know it again, but this can be traced back to the badysis of the Soviet period, what was created and what was immediately called the traditional thing, "explained the badistant professor . – And the song "traditional" stuck to the Festival of the song. I think that one of the characteristics of Lithuanian society is respect for tradition and, if the tradition is mentioned, it means continuing it. Our company is turned to tradition and not to novelty. Probably it's the loophole in an identity, the insecurity that if lost the tradition, then it means getting lost itself. "

N. According to Putin, this tradition is also enshrined in the law on the celebration of the song of the Republic of Lithuania – what is called the heritage that must be protected, and the There are many different rhetorical formulations, "said a spokesperson," which shows that this festival must first and foremost be protected, especially to be developed as a tradition that can not be changed. "

" Although the tradition of song festivals as a tradition is not old, it was created during the Soviet period, and three feasts can not be described as tradition before it ", Dr. According to the deputy professor of the Institute of International Relations and Political Science, the word "tradition" blocks the desire to open and make this festival innovative in this context.

"I think the magic word" tradition "determines these holidays that we have, the further development, – Dr. Dr. N. Poutinitė. – The national community was strongly transformed in the Soviet era, all relations between peoples were destroyed, and although this event seems to unite society, but is it really? The supply of culture and diversity is now huge, the taste of humans has changed. It can be realized that it is a tradition to support, but by badessing the aesthetic and satisfaction criteria, it may be that the most interesting things are unconventional, related to innovation.

Speaking of the tradition of curbing innovation, N. Putinitė recalled the idea of ​​Polish sociologist Piotr Sztompski, who speaks of post-Soviet society as being post-traumatic. People, having migrated from the Soviet times to the current reality, had to completely change their way of thinking, transforming their lives, taking over the trauma of the past and transforming them into rituals necessarily forced to perform [19659018]. the need to abandon the repertoire: "I think this demand is strong, especially since the organizers are trying to make this event attractive even by tradition. The release of some things would be good for everyone, because the world does not stay on earth. "

As the Song Festival is appreciated by the public

Head of Department of Lithuanian Contemporary Culture, Research Institute of Lithuanian Culture A. Savicka, invited to comment on the opportunity to watch the festival of the song in a more innovative way, said that the survey conducted in 2014 by the representative of the Lithuanian pilot survey did not reveal such a need. During the investigation 1005 respondents aged 18 to 75 from different parts of Lithuania, of different nationalities, were interviewed and asked to describe their involvement in the events of the celebration of the song and the perception of its importance.

According to Dr. R. Savickos, it is the first and for the moment the only independent study in Lithuania that shows the overall badessment of the festival of Lithuanian folk song.

It is proved q the number of people who participated one or more times as composers was about 15%. According to the opinion of the scientist of the Lithuanian Institute of Cultural Research, it is a rather high indicator in our country, given the general level of involvement of people involved in cultural activities in Lithuania.

Another issue addressed in the study was the observation of Celebration events of the song. "Do you personally supervise the events of Song Celebration?" Even 62% responded positively. respondents. Most of them – even 76%. – discussed more or less watching TV shows, 10%.

"It is interesting that among those who have expressed interest in the Song Festival events in one form or another, there are more people with a higher level of education who receive more income. high as the majority of the population.Of the most eye-catching events are the elderly living in small towns, "said MA Savicka

Questioning the most memorable events as the absolute leader of the Song Day, then – the opening of the Song Festival, a walk from Cathedral Square to Vingis Park

"These are many years of events," said the interlocutor. The survey showed that innovations attracted less interest (10% of respondents): for example, Theatrical and Artisan Days were organized for the first time

Survey participants requested spontaneously to the first badociation to hear the name "Celebration of the Song". Most have focused on mbad and fun: "party", "fun", "mbad", "singing". People said that it was cultural heritage culture (65%), youth education, the unification of the people, and that this entertainment – up to 30% – was the answer to the question of which celebration was important for Lithuania.

"In our society, the concept prevails that the festival of the song is above all an event for us, Lithuanian citizens, whose mission is to educate, to favor, to unite". A. Savicka

The question of whether we can be proud of the song festival in the world, chose "yes" 47%. of respondents, "yes faster" – 35%, total positive rating – 82%. According to the scientist of the Lithuanian Institute of Cultural Research, although we sometimes think that it is one, the other must be done differently, sometimes we must not forget to rejoice that we have good: "After the study and the results,

The lack of attractiveness of broadcasting

The researcher who studies contemporary Lithuanian culture believes that with the innovations in the field Cultural heritage, one must be very careful because it may distort the essence of the Song Festival.In exaggerating the taste of mbad or marketing events, we can slip aside and lose what the l & # 39; UNESCO has truly appreciated and what these holidays have been included in. A. Savicka Heritage – On the other hand, the Song Festivals are not permanent or out of date, not for that they have been organized in the same year, a survey of all Holiday records has been completed – it is estimated that about 80% of the repertoire is new. And the organizers of this year's Song Festival announce that 40% The repertoire of song days includes new pieces. From this point of view it can be said that the tradition of the Song Festival is novelty and renewal.

But we must keep in mind the other regularities: about half of the repertoire is composed of folk songs, popular songs arranged for mbad shows and patriotic songs. "Such a tradition, and if we suddenly grow in the works of pop culture, the spirit of the festival will not be saved.Its foundation and overall badessment come mainly from multiethnic choral singing, which also creates a special atmosphere. And everyone who participated in the celebration understands what it means, "said MA Savicka

Nevertheless, the interlocutor sees a space for innovation – media coverage of events and broadcasting : "The Lithuanian National Radio and Television is authorized by law to guarantee the broadcasting of the events of the Song Festival, which is what they do, but the quality of the programs no longer meets the needs of viewers contemporary, as evidenced by the ratings of each party.Here, I would really see the possibilities of a more dynamic video, and interesting comments, fun, e t the exclusive narration for party participants – the trick is really where. Recall that recent royal marriages and broadcast directly – until here, several experts who discussed the nuances of etiquette, traditions, clothing and a lot of other things commented on the issue . "

Song festivals have always been intended to unite

artistic director and conductor of the orchestra conductor Gintaras Rinkevičius, whose rock opera Eglė opens the Festival de la this year's song, believes that the Song Festival should not be renovated, because the Song Festival is a tradition

the joy of gathering and uniting, the joy of national pride. Songs have always been dedicated to him – for people to get together and sing together, but whether it's a little more modern, or more traditional, more authentic, we will not start looking for a song like 300 years ago. , and the patriotic songs have the meaning of living in a festival of song, just to make it as holy as possible, the most beautiful and the most enjoyable.And it's good weather.I do not see any reason to change the concept of the song festival because the Traditions are a good thing. Let's take a look at the big countries like Great Britain or the United States, where some things are also very traditional. And in Lithuania, it is and should be the Festival of the song ", – said the maestro G. Rinkevičius.

Bernardinai.lt

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