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23. Kate said it was “important” to recognize Loki’s bisexuality on the show, and she loved how this was naturally incorporated into a conversation between him and Sylvie.
“It was just important for us to do it in a way that makes it look hot, recognizes it, and also done in a way where, if someone asked me, I would be just about it, like, ‘ Yeah, I’m bi. ‘ I think that was the important thing for that and to make it part of the conversation. It was important for the whole team and the way it was written was really beautiful. It was the right place to do it because that these two characters start to open up to each other and be a little more honest about who they are. So that was the right place to have this moment. “
24. VATs were not always going to be Variants / humans. This idea arose out of conversations with Kate, the writers and the rest of the Loki team.
“When I first started I think it was a bit more in the air with like, who are the variants that work for VAT? Are they variants? Example. are all attached was that it was more effective to make them more human. It was already in there that the Time-Keepers would not be real and that would be a big Wizard of Oz carpet pull. But the little extra that we added is that on top of all that, the VAT doesn’t realize that these are in fact variants. “
25. One of the things Kate liked the most was understanding the “inner workings of VAT”, like how Minutemen would work.
“I think it was really fun, in terms of the big structural stuff, working with everyone. Also, understanding the inner workings of VAT, like every Minutemen team would have a hunter and it will be little details sprinkled in. everyone builds themselves in the show. In general, we’ve always looked at the characters and what the best story was and how to achieve the end goal in the most effective way. “
26. The season finale intro – which included the view from space, the sacred timeline, and listening to quotes from the MCU and history – was a tribute to Contact.
“Basically, Eric Martin, our screenwriter, he had written in this brilliant idea that for the opening we pay tribute to Contact, and a sort of movement in space until the end of time. Then we would see the physical timeline, then we would see The Citadel. I like Contact, and I was like, ‘Oh, that’s so cool.’ We brought this idea to Darrin [Denlinger], our screenwriter, and me and him just got excited about the space and how we wanted to pay homage to Contact but not quite the same.
So we played with the idea of time and it brought so many cool ideas. But then the amazing pitch he also had was like, “What if when we pull out at the very end, the timeline isn’t a straight line like you showed on the show?” What if it was actually circular? I thought it was such a good idea. “
27. Kevin Feige helped come up with the idea of including Marvel quotes on the Marvel logo because it was something the MCU had never done before.
“I had this weird idea where I remember saying to my editor, Emma McCleave, I was like, ‘Oh, can we add a crying baby or the sounds of the city? And it’s like we were just hearing life. ‘ So she, me and Kevin Wright really got into that. So we added all these different sounds into the timeline. We also had quotes from life, not from Marvel. Then we showed that cut to Kevin Feige and the rest of the team.
They all thought it was cool, and then Kevin Feige was like, ‘Oh, you know what? We’ve never done quotes on the Marvel logo before. So we thought it was cool and we added the quotes to the Marvel logo introduction. Then me, Kevin Wright, Emma, and Sarah Bennett, Emma’s assistant, decided to just put the MCU quotes on it. “
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