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"We may have defeated them, but we still have we to fight with. "
Said so Tyrion Lannister with regard to the difficult situation facing the inhabitants of Westeros – and the series that relates them. Yes, the dead are no more. But will the living choose to exist together? Or will they go back to kill each other as they have always done?
These questions haunt the episode of this week, entitled "The Last of the Starks". Written by David Benioff and Dan Weiss, co-creators, and directed by David Nutter, the mainstay of the series, it begins in a festive mood, as survivors of the Battle of Winterfell say goodbye to fallen comrades, then drink and be fooled. But that ends with the dark and heartbreaking prospect of even more terrible horrors coming – because this time, the killers will be humans.
The hour begins with the exhausted veterans of last week's apocalyptic battle who burned their dead in pyres. There is something beautiful about Jon SnowFuneral eulogy here, in the sense that he delivers it as a call to arms. In a sense, that's it. In the grip of grief and loss to the point of seeming angry, he actually begs the disparate forces gathered to remember why these men and women died. This is one of Kit Harington's most inspiring works.
After that? The time of the party! The long sequence of celebration following the funeral ceremony resembles a teen movie "A last boy before the university", with various characters opening, binding or separating according to the couple in question.
Arya Stark, for example, allows him to spend the night Gendry Now officially Lord Baratheon of Storm's End through Daenerys – easy down. She can not be his lady, because she has never been a lady. The youngest Stark chooses to drive south with the Dog delete the last names from their respective lists. (Cleganebowl is coming!) At least Sandor has a chance to reconnect with Sansa Stark, the "little bird" he had tried to save a long time ago, before leaving.
Somewhere else, Jaime Lannister fills with courage and ends up acting on the woman who really sees him for who he is: Ser Brienne from Tarth. He never slept with anyone other than his sister. She has never slept with no matter who at all. The resulting heat reduces even badly Tormund Giantsbane to tears. (He rejoices the moment when a northern girl looks her way, though.)
To the extent that there is dissension in the ranks, he focuses on Jon and his dragon queen. Daenerys knows that his "sister" Sansa does not trust him. She also knows that if he tells her that she is not at all his parent, because he is actually the son of Rhaegar Targaryen and therefore the legitimate Lord of the Seven Kingdoms, this mistrust will only deepen. Jon and Bran tell the truth to the Stark sisters. And despite their objections, the Queen of Dragons orders the Army of the North to join the march on King's Landing to defeat Cersei once for all.
As Dany takes off with his dragons and Jon travels south with his armies, Jaime chooses to stay north with Brienne. Why not? She loves him, he loves her – and he and his brother Tyrion have bought themselves a little insurance against their old friend. Bronn promising to do so Lord of Highgarden if he refuses Cersei's order to murder them. Everything is rather gay.
Of course, the mood changes a little when the dragon is shot from the sky.
Hardly does Dany's fleet turn around her ancestral home of Dragonstone than Euron Greyjoy fly with the largest crossbow in the world ever seen. The bolt that pierces Rhaegal take the animal in a stream of blood; they then light the Targaryen fleet, crushing its flagship. A shot at sight on a weapon while the pirate king rocks sky targets towards the sea provides the ambush a thrill of "oh shit!" At the level of Mordor's army deploying this ram with big ass The king's return.
From this moment, the episode is a long attack of anxiety. Dany and his council discuss the opportunity to sack King's Landing. Tyrion and Varied discuss the possibility of throwing her apart and raising Jon in his place to avoid further slaughter. In the north, Sansa makes fun of the misfortune of her rival, while Jaime abandons a devastated Brienne to go to the aid of her sister, convinced in the end that it is as irremediable as it is.
Above all weighs the threat of Missandei, one of the brightest and brightest people in the world of ice and fire; she is captured by Cersei, one of the worst. This atmosphere of secrecy, murder and cold-blooded murders, almost blackish, is a sinister counterpoint to both the cheerfulness of the first half and the lyrical horror of last week's battle.
When Daenerys and his forces come to talk with Cersei near the walls of the city, they find Khaleesi's brazier awaiting execution. Unless the Queen of Dragons surrenders immediately, her closest friend and advisor will die on the spot. So they learn from Qyburn, the frightening hand of the queen. On a dazzling background of sun, the Mad Maester speaks to his Imperian counterpart about the sound of children who are burning hot – it's a boring song that gets stuck in your head rather than an atrocity of war.
In a last effort to keep the peace, Tyrion endangers the arrows of Lannister's committed soldiers and pleads directly with his sister on behalf of his unborn baby. (Cersei told Euron that his baby was his, he must be wondering how the rumors went so fast.) But in this testamentary contest, there can be no market.
Offering Missandei a chance to say her last words – "Dracarys," she grumbles defiantly, the Queen Lioness nods to Gregor "The Mountain," Clegane. He removes the prisoner's head at once … and sends the two Gray worm and Dany in paroxysms of sorrow and rage.
There are only two episodes left. The series has a visual confidence that seems far more insensitive to criticism than scorpion dragons, the symphony of flames and darkness of last week having been replaced by madness in broad daylight. He did not miss a stage thematically, passing from humanity's need to stop committing suicide to a common threat that drives its impulse to annihilation, even after finding out what it could accomplish as a united front. . And as two queens threaten to destroy everything around them, the focus is on individual relationships: family, friendship, love. C & # 39; how you play the game
Previously: The Battle of Winterfell
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