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Elastic's Angus Wall and Kirk Shintani spoke to IndieWire about redesigning the opening of the series to add a new perspective and a new location.
In its last season, "Game of Thrones" brings a major shift to its generic opening credits generated by computer to reflect the changes experienced by Westeros, creating a more intimate and stimulating experience. Each season, the show opened to a map of the world to visit the places where the actions would take place, but with so many characters gathered during season 8, only three places were used during the creation: Winterfell, King's Landing and Last Home. Thus, for the first time, the camera enters each of these places instead of remaining on the surface of the map.
IndieWire spoke to Angus Wall about Elastic and Kirk Shintani, two of the Emmy's award-winning team who created the original headline sequence, about the new, innovative look.
"At the beginning of the last season, we are not obliged to continue to establish these locations because everyone knows where they are and what they represent," Shintani said. "It allowed us to dive deeper into each of the places and not have to worry about locating the audience,"
Wall added: "We are really exploring the interiors and the duration of each location is therefore longer and goes further than the original one. We really wanted to simplify the trip. We could stay lower, which I think is much more dramatic. Because we did not have to constantly reorient the viewer from a very high point with a camera high above the ground, we could stay low and we could travel in a way that we had never been able to travel before. "
The length of the sequence is the same as that of the previous ones, because it corresponds to the award-winning theme of Ramin Djawadi.
"It was kind of fun to be able to really explore these different places in depth this season, while sometimes we went to seven different places in the title sequence," Wall said. "The cameras just had to carry the ass to move from one place to another, to install six or seven places. It was a little more imposing. "
Although the new titles literally offer a fresh perspective, the Leonardo DaVinci steampunk aesthetic is still present.
"The big problem is that if it's something that a crazy person can build in a tower somewhere, then we're good. It's something we're stuck with for the eight seasons, "said Shintani.
Take a look at the new main titles, and then continue to read the breakdown of the sequence by Wall and Shintani:
Opening Astrolabe Image
As always, the main titles open on a band of an armillary sphere or astrolabe, which represents important moments in the history of "Game of Thrones" in relief images.
"The astrolabe has three new groups and three new relief sculptures describing events we all knew," Wall said. "Anyone who has watched the program will recognize these three major events that are now inscribed in the astrolabe. But soon you realize that the world has been reshaped in a different light, in a whole new light. "
This time, the groups represent Viseron burning the wall, the decapitation of Ned Stark and the rise of Daenerys Targaryen (Emilia Clarke).
Key Titles for "Game of Thrones"
HBO
A ladder the size of a king
As the camera would move inside structures this time around, the buildings would look a lot bigger than they'd been when they were raised, but the pictures stay on a map. So that all the buildings are still the same size, they decided to resize them to a man of about six feet or, as Wall noted, "probably Jaime Lannister". [Editor’s Note: Nicolaj Coster-Waldau, who plays the Kingslayer, is 6-foot-2.]
"The world has been rebuilt from scratch, and it's something that all the artists who worked there really wanted to do," Wall said. "They applied a very strict sense of scale to the structures, so that all the textures, the grain of the wood, are scaled."
Shintani said, "In our kind of language, the red dungeon ended up being about 20 feet tall. This gave us the opportunity to enter. It's a bit the biggest thing. The material we had the previous seasons was really small. It was tiny. So there is no way to get that amount of detail inside. "
King's Landing and the throne room
Key Titles for "Game of Thrones"
HBO / Elastic
Since season 1, Shintani wanted to show the iron throne in the opening credits sequence, but as the camera stayed firmly on the outside of the structures, that never happened … until To now.
"The thing that all the team members have come back to is the throne room," said Shintani. "It's something so iconic. It was one of the things we were trying to include in the broader version of the Season 1 map and it was not really suited to the time. "
It had been assumed that daylight provided illumination for previous maps as it was exterior, but getting inside places like the Red Keep. – in a world without electricity – posed a different problem.
"Most of the lighting comes from outside sources. We literally thought of it as a continuation, going from the outside to the inside, "Wall said. "One of the challenges of innovation was to open spaces dramatically and use animation to let the outside light reveal the scene. I am really happy with how the lighting came out in these interiors. There are some very fine works of synthesis and composition that make these spaces incredibly evocative. "
Crypts of Winterfell
Key Titles for "Game of Thrones"
HBO / Elastic
The Winterfell crypts are home to many dead Stark clans, including Ned Stark (Sean Bean), and appeared at the beginning of season 8 with teasers and trailers. Of course, the new headlines also travel below Winterfell.
"The big challenge this season was how to light the Winterfell Crypt? We had more design iterations of the crypt under Winterfell than anything else in the sequence, "Wall said. "The crypt is 99% lighted in the light of a flashlight and we ended up in a miniaturized version of reality, but other explorations were more impressionistic when it came to trying to communicate the idea of torches. The light had some flicker to evoke a real torchlight. "
White walkers at last home
Titles for "Game of Thrones" – Last Hearth
HBO / Elastic
This marks the first opening sequence of the story of "Game of Thrones" without the intact wall since its fall after the fire of the dragon in the final of season 7. But to represent the White Walker Army , the main titles include Last Hearth, which is just south of the wall, in Eastwatch, where the undead army has been bored. It is also the home of the Umber House.
"The original concept was that it was a map that, if you looked at it, you could see everything: all the movements of all peoples, armies, tribes, etc., etc. We have never done this in the first seven seasons and we have been able to do it this season, "said Wall. "There are tiles on the floor that go from white to black, from snow to ice. This represents the march of the white walkers to the south through the wall fault. And that was something we had really talked about, the idea of tiles turning around and revealing things, in the very first design discussions of the title sequence. It turns out that it is actually a more interactive map and not just a geography lesson. "
"Game of Thrones" airs Sunday at 21h. AND on HBO.
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