[ad_1]
Welcome to Vox's weekly book links list, a selection of the best Internet publications on books and related topics. Here is the best of the Web for the week of September 8, 2019.
A few years ago, while we were working on the final version of my novel, Susan stopped at a crucial moment and asked what a minor character was thinking about. I said that I did not know.
"Of Classes you do, "she replied. And just like that, I saw the scene, I heard the dialogue. It was so alive that I took my computer, found an empty desk and spent the next half hour storing everything up. When I went back to Susan's office, she read the pages and said triumphantly, "I knew you knew. But the truth is that I do not think it would have been given to me if Susan had not pushed so hard and so implacably.
Several Dickinson researchers have expressed frustration with Harvard policies. This is a topic frequently discussed in Dickinson's studies, but some avoid speaking in public for fear of retaliation. Critics who spend their entire career quoting Dickinson can not risk losing the permission to do so. A permanent Dickinson researcher who wished to remain anonymous wrote: "Frankly, this subject makes me very nervous!" The same person pointed out the harassing power of Harvard: "Please, Please, I will tell you everything, not ways to be on the outs with Harvard! "
As part of a larger company, NYPL has recently converted a large number of these records to XML, which greatly simplifies the process of determining which works may be in the public domain. are freely available online.
"It's like a shoe store going to estimate shoe sales from returns and exchanges only, to get sales revenue," Redmond said. "The public domain exists, it's difficult to understand and this project aims to shed light on it."
She described these attempts as a "phishing exercise" that could have led to blackmail or identity theft.
"It was a commercial-type flight," said Atwood.
People were trying to steal it. Really, they were trying to steal it and we had to use a lot of code words and passwords, "she told BBC arts correspondent Rebecca Jones.
"What would they have done if they had succeeded? They might have said, "We have the manuscript and we put it online. [unless you] give us the details of your credit card ". Or they could have said, "Read this excerpt and download it. And if you had downloaded it, a virus would have stolen your information. "
The first factor to consider in determining the size of the book is to look at the user of that object, which – as far as I know – is 100% human. We read while flipping through the text ("jerky"), and our eyes can only handle a certain length of line: too long and they get lost on return to the next line; too short, and we waste a lot of time and distract ourselves by sliding too quickly between the lines. In The elements of the typographic style of Robert Bringhurst, he sets this limit at 45-75 characters per line, 66 being the ideal. This is the same reason why larger publications, such as newspapers and magazines, place the text in columns, although they have their own standards of perfect length.
English and German critics [remarked] on the fact that the French have ruthlessly reduced any foreign text, even idiosyncratic, to their own writing. It was immediately realized that this type of radical domestication had to do with the confidence of French culture, although the philosopher and critic Johann Gottfried Herder (1744-1803), the biblical scholar Friedrich Schleiermacher (1768-1834) and the Scholar in German Wilhelm von Humboldt (1767-1835) all believed that this prevented the French from learning the many translations that they had made.
In the card of condolences that I sent to my friend, I may have used a phrase that embarrassed me at the time: "There is no words. " I wrote that when someone I loved had lost someone he loved, because that made sense.
I no longer see this statement as a consolation.
The are words – about pain and the deepest forms of sadness, about being orphaned, lonely and unprepared. The are words – on the inability to hold and, by this outfit, to support another heart. The are the words – and they count – on the effacement of a light, a life and, with this life, all the lives that are linked to it, all the dark stories that illuminate – this life – once revealed.
These are difficult words to reach in my language.
Meanwhile, this week at Vox, we reviewed Gideon the ninth (These are lesbian necromancers in space, and of course, it's perfect). As always, you can follow the cover of Vox's books by visiting vox.com/books. Good reading!
[ad_2]
Source link